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Fine Art Print : A drunken brawl at an Irish wake in St. Giles slum. The Wake, or last appearance of Teddy O'Rafferty, a scene in the Holy Land. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825

A drunken brawl at an Irish wake in St. Giles slum. The Wake, or last appearance of Teddy O'Rafferty, a scene in the Holy Land. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825



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A drunken brawl at an Irish wake in St. Giles slum. The Wake, or last appearance of Teddy O'Rafferty, a scene in the Holy Land. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825

FLO4619070 A drunken brawl at an Irish wake in St. Giles slum. The Wake, or last appearance of Teddy O'Rafferty, a scene in the Holy Land. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.; (add.info.: A drunken brawl at an Irish wake in St. Giles slum. The Wake, or last appearance of Teddy O'Rafferty, a scene in the Holy Land. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.); © Florilegius

Media ID 38464334

© © Florilegius / Bridgeman Images

Alcool Angleterre Beer Bernard Blackmantle Biere Blowjob Boisson Bougie Candle Candle Light Candlelight Candles Charles Molloy Westmacott Corpse Drunk Holy Land Robert Cruikshank The English Spy Tobacco Wake Wake Up Whiskey Whisky Booze Brawl Grande Bretagne


21"x14" (+3" Border) Fine Art Print

"Step into the vibrant streets of 19th-century London with our Fine Art Print, 'A drunken brawl at an Irish wake in St. Giles slum. The Wake, or last appearance of Teddy O'Rafferty, a scene in the Holy Land' by Robert Cruikshank. This stunning handcoloured copperplate engraving from 1825 captures the energy and chaos of a traditional Irish wake in one of London's most notorious slums. With its bold lines and vivid colours, this print is a true masterpiece of British art. Bring a touch of history and culture to your home or office with this unique piece from Bridgeman Images. Perfect for those who love art, history, or simply want to add some personality to their space."

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 31.5cm (21" x 12.4")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Gustave Eiffel

> Arts > Artists > C > Robert Cruikshank

> Europe > France > Canton > Landes

> Europe > United Kingdom > England > London > Slums


EDITORS COMMENTS
This handcoloured copperplate print from 1825 depicts a chaotic scene at an Irish wake in St. Giles slum, where the last appearance of Teddy O'Rafferty is being mourned amidst a drunken brawl. The flickering candlelight illuminates the rowdy crowd, with whiskey bottles and beer mugs scattered around as people engage in a heated scuffle. The artist, Robert Cruikshank, captures the raw emotion and energy of the moment with his detailed caricatures and satirical style. The engraving brings to life the lively atmosphere of this unconventional gathering, where mourning turns into revelry and tensions run high. Bernard Blackmantle's narrative adds depth to the scene, providing context for the viewer to understand the cultural significance of this Irish wake in London's slums. Charles Molloy Westmacott's pseudonym lends an air of mystery to the story behind Teddy O'Rafferty's passing and its impact on those present. As we gaze upon this historical artwork, we are transported back in time to witness a unique blend of mourning and celebration unfold before our eyes. It serves as a reminder of how art can capture moments of human experience that transcend time and place.

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