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Fine Art Print : Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)

Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)



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Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)

2966815 Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: reference to the issue of paper money after a run on the Bank of England on 26th February 1797; William Pitt (1759-1806) depicted as a giant standing over the bank; Opposition heads in the rushes; storm cloud coming from France; ); The Stapleton Collection; English, out of copyright

Media ID 23446536

© The Stapleton Collection / Bridgeman Images

Bacchus Chain Coins Controlling Devaluation English Channel Expelling Financial Crisis Fool Foolish Funding Mighty Note Padlock Political Satire Powerful Prime Minister Putti Small Tiny Towering Cherubim Cherubs Coin Gullet War Funds


21"x14" (+3" Border) Fine Art Print

Experience the magic of ancient mythology with our exquisite Fine Art Print of Midas, Transmuting All into Gold, published in 1797. This hand-coloured engraving by James Gillray, a renowned English satirist, brings the legendary King Midas' tale to life in stunning detail. Witness the moment Midas transforms everything he touches into gold, captured in this beautifully preserved, historical artwork. Add an air of mystique and elegance to your home or office with this unique and captivating piece from the Media Storehouse range of Fine Art Prints.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 35.5cm x 51.5cm (14" x 20.3")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > James Gillray

> Animals > Farm > Donkeys > Related Images

> Arts > Artists > G > James Gillray

> Arts > Artists > J > William James

> Arts > Artists > S > William Small

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Military

> Europe > United Kingdom > England > London > Politics > William Pitt

> Europe > United Kingdom > England > Politics

> People > Politicians

> Popular Themes > Money


EDITORS COMMENTS
The captivating print titled "Midas, Transmuting all into [Gold] Paper" by James Gillray is a remarkable piece of political satire from 1797. This hand-coloured engraving depicts the aftermath of a financial crisis in England, specifically referencing the issue of paper money following a run on the Bank of England. In this satirical masterpiece, William Pitt, the Prime Minister at that time, is portrayed as a towering giant with a massive belly made entirely of gold coins. With donkey ears symbolizing foolishness and diminutive figures representing his opposition heads in the rushes, Gillray brilliantly captures the essence of this national bankruptcy. The image also includes various symbolic elements such as storm clouds emanating from France and an English channel transformed into Bacchus' gullet. These details emphasize both external threats and internal mismanagement contributing to the financial turmoil. Gillray's artistic genius lies not only in his ability to create visually striking caricatures but also in his clever use of imagery to convey complex political messages. The key and padlock represent Pitt's control over funding while expelling paper money through his mouth signifies devaluation. This print serves as a powerful reminder of how those in positions of power can manipulate currency for their own gain while leaving ordinary citizens vulnerable to economic instability. It stands as an enduring testament to Gillray's mastery as one of history's most influential political cartoonists.

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