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Metal Print : Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)
![Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)](/image/690/23446536/23446536_600_600_81405_0_fill_0_845b31df51fb15d32f75aac3356a6bc0.jpg.webp "Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)")
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Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)
2966815 Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: reference to the issue of paper money after a run on the Bank of England on 26th February 1797; William Pitt (1759-1806) depicted as a giant standing over the bank; Opposition heads in the rushes; storm cloud coming from France; ); The Stapleton Collection; English, out of copyright
Media ID 23446536
© The Stapleton Collection / Bridgeman Images
Bacchus Chain Coins Controlling Devaluation English Channel Expelling Financial Crisis Fool Foolish Funding Mighty Note Padlock Political Satire Powerful Prime Minister Putti Small Tiny Towering Cherubim Cherubs Coin Gullet War Funds
16"x24" (61x41cm) Metal Print
Transform your space into a golden wonderland with our exquisite Media Storehouse Metal Prints featuring the legendary King Midas. This captivating hand-colored engraving, published in 1797 by Bridgeman Images from Fine Art Finder, showcases the iconic moment when Midas, as depicted by James Gillray, turns everything he touches into gold. Bring the timeless tale of Midas to life and add a touch of regal elegance to your home or office with our high-quality Metal Prints. Each print is meticulously crafted using advanced printing techniques on durable aluminum sheets, ensuring vibrant colors and long-lasting brilliance. Experience the allure of gold every day with this stunning work of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Midas, Transmuting all into [Gold] Paper" by James Gillray is a remarkable piece of political satire from 1797. This hand-coloured engraving depicts the aftermath of a financial crisis in England, specifically referencing the issue of paper money following a run on the Bank of England. In this satirical masterpiece, William Pitt, the Prime Minister at that time, is portrayed as a towering giant with a massive belly made entirely of gold coins. With donkey ears symbolizing foolishness and diminutive figures representing his opposition heads in the rushes, Gillray brilliantly captures the essence of this national bankruptcy. The image also includes various symbolic elements such as storm clouds emanating from France and an English channel transformed into Bacchus' gullet. These details emphasize both external threats and internal mismanagement contributing to the financial turmoil. Gillray's artistic genius lies not only in his ability to create visually striking caricatures but also in his clever use of imagery to convey complex political messages. The key and padlock represent Pitt's control over funding while expelling paper money through his mouth signifies devaluation. This print serves as a powerful reminder of how those in positions of power can manipulate currency for their own gain while leaving ordinary citizens vulnerable to economic instability. It stands as an enduring testament to Gillray's mastery as one of history's most influential political cartoonists.
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