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Fine Art Print : Esquisse pour l'église de Malakoff : Le Christ mort, 1873. Creator: Adolphe-Henri Dubasty

Esquisse pour l'église de Malakoff : Le Christ mort, 1873. Creator: Adolphe-Henri Dubasty



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Esquisse pour l'église de Malakoff : Le Christ mort, 1873. Creator: Adolphe-Henri Dubasty

Esquisse pour l'eglise de Malakoff : Le Christ mort, 1873. The dead Christ

Heritage Images features heritage image collections

Media ID 36257577

© Heritage Art/Heritage Images

Crown Of Thorns Dead Dead Body Nail Nails Shroud Wood Material Paris Museums Petit Palais


20"x20" (+3" Border) Fine Art Print

Experience the profound beauty and depth of emotion in this exquisite fine art print, Esquisse pour l'église de Malakoff : Le Christ mort (The Dead Christ), 1873, by Adolphe-Henri Dubasty. This hauntingly beautiful work of art, available through Media Storehouse from Heritage Images, captures the poignant moment of the dead Christ in a serene and contemplative setting. Dubasty's masterful use of light and shadow creates an ethereal atmosphere, inviting viewers to reflect on the deeper meaning of life and death. Bring this timeless piece into your home or office to inspire contemplation and add a touch of elegance and sophistication to any space.

21x7 image printed on 27x13 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 41.9cm x 17.7cm (16.5" x 7")

Estimated Product Size is 68.6cm x 33cm (27" x 13")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Europe > France > Le Mans

> Europe > France > Paintings

> Europe > France > Paris > Museums > Petit Palais


EDITORS COMMENTS
Esquisse pour l'église de Malakoff: Le Christ mort, 1873," is a powerful and evocative oil painting by the 19th century French artist Adolphe-Henri Dubasty. The painting depicts the dead body of Jesus Christ, lying on a wooden surface, surrounded by a shroud and a crown of thorns. The use of rich, vibrant colors and intricate details brings the image to life, transporting the viewer into the sacred space of a church or museum. The concept of the painting is deeply rooted in Christianity, as it represents the central tenet of the faith - the death and resurrection of Jesus Christ. The dead Christ lies naked and vulnerable, his body bearing the marks of the crucifixion - the nails piercing his hands and feet, and the crown of thorns on his head. The image is both a reminder of the sacrifice made by Jesus for the salvation of humanity, and a celebration of the triumph of life over death. The painting was created in the late 19th century, a time of great artistic and cultural innovation in France. Dubasty's mastery of oil painting techniques is evident in the lifelike quality of the figure, the texture of the shroud, and the subtle play of light and shadow. The painting's location in a church or museum setting adds to its solemn and reverent atmosphere, making it a significant work of heritage art and a valuable addition to any collection of interior decor or design. The painting's title, "Esquisse pour l'église de Malakoff," suggests that it was originally intended as a sketch or design for a church in Malakoff, a suburb of Paris. However, it is now considered a standalone work of art, admired and appreciated by art lovers and scholars around the world. The painting's enduring appeal lies in its ability to evoke emotions and inspire reflection on the profound themes of life, death, and the human condition.

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