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Metal Print : Esquisse pour l'église de Malakoff : Le Christ mort, 1873. Creator: Adolphe-Henri Dubasty
Metal Prints from Heritage Images
Esquisse pour l'église de Malakoff : Le Christ mort, 1873. Creator: Adolphe-Henri Dubasty
Esquisse pour l'eglise de Malakoff : Le Christ mort, 1873. The dead Christ
Heritage Images features heritage image collections
Media ID 36257577
© Heritage Art/Heritage Images
Crown Of Thorns Dead Dead Body Nail Nails Shroud Wood Material Paris Museums Petit Palais
16"x24" (61x41cm) Metal Print
Bring the haunting beauty of Adolphe-Henri Dubasty's Esquisse pour l'église de Malakoff: Le Christ mort (The Dead Christ) into your home with a Media Storehouse Metal Print. This exquisite artwork, created in 1873, showcases Dubasty's masterful use of light and shadow, capturing the poignant moment of the dead Christ. The high-quality metal print offers a vibrant, long-lasting display, enhancing the intricate details and rich colors of this timeless piece. Add a touch of history and artistry to your space with this stunning Metal Print from Heritage Images.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Petit Palais
EDITORS COMMENTS
Esquisse pour l'église de Malakoff: Le Christ mort, 1873," is a powerful and evocative oil painting by the 19th century French artist Adolphe-Henri Dubasty. The painting depicts the dead body of Jesus Christ, lying on a wooden surface, surrounded by a shroud and a crown of thorns. The use of rich, vibrant colors and intricate details brings the image to life, transporting the viewer into the sacred space of a church or museum. The concept of the painting is deeply rooted in Christianity, as it represents the central tenet of the faith - the death and resurrection of Jesus Christ. The dead Christ lies naked and vulnerable, his body bearing the marks of the crucifixion - the nails piercing his hands and feet, and the crown of thorns on his head. The image is both a reminder of the sacrifice made by Jesus for the salvation of humanity, and a celebration of the triumph of life over death. The painting was created in the late 19th century, a time of great artistic and cultural innovation in France. Dubasty's mastery of oil painting techniques is evident in the lifelike quality of the figure, the texture of the shroud, and the subtle play of light and shadow. The painting's location in a church or museum setting adds to its solemn and reverent atmosphere, making it a significant work of heritage art and a valuable addition to any collection of interior decor or design. The painting's title, "Esquisse pour l'église de Malakoff," suggests that it was originally intended as a sketch or design for a church in Malakoff, a suburb of Paris. However, it is now considered a standalone work of art, admired and appreciated by art lovers and scholars around the world. The painting's enduring appeal lies in its ability to evoke emotions and inspire reflection on the profound themes of life, death, and the human condition.
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