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Fine Art Print : Following a Bad Lead, 1870. Artist: Joseph Swain

Following a Bad Lead, 1870. Artist: Joseph Swain



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Following a Bad Lead, 1870. Artist: Joseph Swain

Following a Bad Lead, 1870. John Bull exclaims Hullo, Gentlemen! Two Revokes! You ll Lose the game by Tricks John Bull, the representative of the British people, is shown playing cards with Russia (right) and Luxembourg (left). Russia had recently issued its declaration to renege on the terms of the 1856 Paris Treaty which prohibited it claiming any sovereignty over the Black Sea. From Punch, or the London Charivari, December 24, 1870

Heritage Images features heritage image collections

Media ID 14831492

© The Print Collector / Heritage-Images

Black Sea Card Game Cards Epaulette Epaulettes Game Heritage Image Partnership John Bull John Tenniel Joseph Swain Luxembourg Sir John Tenniel Swain Tenniel Treaty Treaty Of Paris Allegorical Figure Pastime


20"x16" (+3" Border) Fine Art Print

Discover the captivating world of Fine Art Prints from Media Storehouse. This exquisite piece, "Following a Bad Lead, 1870" by John Tenniel, showcases the brilliant work of artists Joseph Swain. John Bull, the symbolic representation of the British people, is depicted in this iconic illustration, exclaiming "Hullo, Gentlemen! Two Revokes! You'll Lose the game by Tricks." This timeless masterpiece, originally published by Heritage Images, is a must-have for art enthusiasts and collectors, adding an air of sophistication and history to any space. Embrace the beauty and intrigue of this Fine Art Print, and let the story of "Following a Bad Lead" be a conversation starter in your home or office.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cats (Domestic) > Russian White

> Arts > Artists > Related Images

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > Luxembourg > Posters

> Europe > Luxembourg > Related Images

> Europe > Russia > Posters

> Europe > Russia > Related Images


EDITORS COMMENTS
In this satirical print titled "Following a Bad Lead, 1870" artist Joseph Swain captures the political tensions of the time. The image depicts John Bull, symbolizing the British people, engaged in a game of cards with Russia and Luxembourg. John Bull exclaims "Hullo, Gentlemen! Two Revokes! You'll Lose the game by Tricks!" as he realizes that his opponents are resorting to deceitful tactics. The context behind this artwork lies in Russia's recent declaration to disregard the terms of the 1856 Paris Treaty, which prohibited them from claiming sovereignty over the Black Sea. This act was seen as a betrayal by Britain and other nations involved in the treaty. Swain's illustration is rich in symbolism and allegory. John Bull represents Britain's national identity while Russia and Luxembourg personify their respective countries. The card game becomes a metaphor for diplomatic negotiations and power struggles between nations. The black-and-white engraving adds depth to this nineteenth-century satire, emphasizing its historical significance. Created during a time when political cartoons were influential tools for social commentary, Swain's work reflects public sentiment towards international relations at that period. This print serves as both an artistic expression and historical documentation of an important event in European history. It reminds us of how art can capture complex geopolitical dynamics while offering insights into past societies' perceptions and concerns about war, treaties, and national identity.

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