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Photographic Print : Following a Bad Lead, 1870. Artist: Joseph Swain

Following a Bad Lead, 1870. Artist: Joseph Swain




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Following a Bad Lead, 1870. Artist: Joseph Swain

Following a Bad Lead, 1870. John Bull exclaims Hullo, Gentlemen! Two Revokes! You ll Lose the game by Tricks John Bull, the representative of the British people, is shown playing cards with Russia (right) and Luxembourg (left). Russia had recently issued its declaration to renege on the terms of the 1856 Paris Treaty which prohibited it claiming any sovereignty over the Black Sea. From Punch, or the London Charivari, December 24, 1870

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Media ID 14831492

© The Print Collector / Heritage-Images

Black Sea Card Game Cards Epaulette Epaulettes Game Heritage Image Partnership John Bull John Tenniel Joseph Swain Luxembourg Sir John Tenniel Swain Tenniel Treaty Treaty Of Paris Allegorical Figure Pastime


10"x8" Photo Print

Discover the captivating history of the past with our Media Storehouse range of Photographic Prints. This exquisite piece, "Following a Bad Lead, 1870" by John Tenniel and Joseph Swain, showcases a classic moment from the iconic British satirical magazine, Punch. John Bull, the symbol of the British people, exclaims in disbelief as two men, "Revokes," attempt to deceive him with trickery. Add this stunning print to your collection and bring a piece of historical art into your home or office. With our high-quality photographic prints, you'll enjoy the intricate details and vibrant colors that bring this timeless image to life. Order now and relive the rich history of the past, one print at a time.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Animals > Mammals > Cats (Domestic) > Russian White

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> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

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> Europe > Luxembourg > Related Images

> Europe > Russia > Posters

> Europe > Russia > Related Images


EDITORS COMMENTS
In this satirical print titled "Following a Bad Lead, 1870" artist Joseph Swain captures the political tensions of the time. The image depicts John Bull, symbolizing the British people, engaged in a game of cards with Russia and Luxembourg. John Bull exclaims "Hullo, Gentlemen! Two Revokes! You'll Lose the game by Tricks!" as he realizes that his opponents are resorting to deceitful tactics. The context behind this artwork lies in Russia's recent declaration to disregard the terms of the 1856 Paris Treaty, which prohibited them from claiming sovereignty over the Black Sea. This act was seen as a betrayal by Britain and other nations involved in the treaty. Swain's illustration is rich in symbolism and allegory. John Bull represents Britain's national identity while Russia and Luxembourg personify their respective countries. The card game becomes a metaphor for diplomatic negotiations and power struggles between nations. The black-and-white engraving adds depth to this nineteenth-century satire, emphasizing its historical significance. Created during a time when political cartoons were influential tools for social commentary, Swain's work reflects public sentiment towards international relations at that period. This print serves as both an artistic expression and historical documentation of an important event in European history. It reminds us of how art can capture complex geopolitical dynamics while offering insights into past societies' perceptions and concerns about war, treaties, and national identity.

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