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Fine Art Print : Government House Calcutta - First Floor Plan, 1925. Creator: Unknown

Government House Calcutta - First Floor Plan, 1925. Creator: Unknown



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Government House Calcutta - First Floor Plan, 1925. Creator: Unknown

Government House Calcutta - First Floor Plan, 1925. From British Government in India, Volume One, by Lord Curzon of Kedleston. [Cassell and Company Ltd, London, New York, Toronto and Melbourne, 1925]

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Media ID 15515896

© The Print Collector / Heritage-Images

Bengal Presidency British Government In India British India Calcutta Cassells Curzon Floor Plan George Curzon George Nathaniel George Nathaniel Curzon Government Government House Ground Plan Imperialism Lord Curzon Lord Curzon Of Kedleston Mansion Plan Raj Bhavan Cassell And Company Ltd


20"x20" (+3" Border) Fine Art Print

Step into the rich history of colonial India with this exquisite Fine Art Print from Media Storehouse's extensive collection. Featuring a first-floor plan of Government House in Calcutta, this rare and intriguing piece is taken from Lord Curzon of Kedleston's British Government in India, Volume One, published in 1925. With intricate details and stunning accuracy, this print showcases the grandeur and elegance of the British Raj era. The creator of this piece is unknown, but the historical significance of this architectural plan is undeniable. Add this unique and captivating piece to your home or office decor and bring a piece of history into your space.

20x20 image printed on 26x26 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 47.1cm x 50.8cm (18.5" x 20")

Estimated Product Size is 66cm x 66cm (26" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > India

> Architecture > Styles > Colonial Architecture

> Arts > Artists > W > George White

> Asia > India > Maps

> Asia > India > Related Images

> Maps and Charts > India

> Maps and Charts > Related Images

> North America > United States of America > New York > New York > Maps

> North America > United States of America > New York > Related Images


EDITORS COMMENTS
This print captures the first floor plan of Government House Calcutta in 1925. The creator remains unknown, but this architectural masterpiece is a testament to British colonialism in India during the early 20th century. The image showcases the intricate details of this grand mansion, which served as the official residence for British governors-general in Bengal Presidency. Lord Curzon of Kedleston, who authored "British Government in India" included this plan in his book published by Cassell and Company Ltd. The floor plan reveals the layout and design of Government House Calcutta, showcasing its majestic rooms and corridors. It provides insight into how power was structured within these colonial spaces, reflecting both imperial authority and opulence. As we examine this historical artifact, it's impossible not to reflect on the complex dynamics between Britain and India during that time period. This print serves as a reminder of imperialism's lasting impact on architecture, literature, and governance. Preserved through monochrome imagery from The Print Collector collection, this photograph invites us to delve into an era defined by political dominance while appreciating its artistic value. It allows us to explore George Nathaniel Curzon's legacy as well as ponder upon the broader implications of colonial rule.

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