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Fine Art Print : Group of 3 Early Stereograph Views of British Church and Monastery Ruins, 1860s-80s
Fine Art Prints from Heritage Images
Group of 3 Early Stereograph Views of British Church and Monastery Ruins, 1860s-80s
Heritage Images features heritage image collections
Media ID 20169446
© Heritage Art/Heritage Images
11th Century Abbey Albumen Silver Prints Eleventh Century Pulpit Refectory Shrewsbury Shrewsbury Shropshire England Shropshire Stereocard Stereograph Stereographic Card Stereoscope Card Stereoscopic Stereoscopic Card Stereoscopic View Stereoscopics Stereoscopy Albumen Silver Print Stereoscopic Photography
21"x14" (+3" Border) Fine Art Print
Step back in time with our exquisite selection of Early Stereograph Views of British Church and Monastery Ruins from Media Storehouse and Heritage Images. This captivating group of three antique prints, dating from the 1860s-80s, showcases the haunting beauty of centuries-old religious structures in ruins. Each print, captured through the lens of a stereoscope, invites you to explore the rich history and intricate details of these once-majestic buildings. Add a touch of timeless charm to your home or office decor with these rare and authentic fine art prints.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 53.3cm x 28cm (21" x 11")
Estimated Product Size is 68.6cm x 50.8cm (27" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Architecture
> Churches
> Architecture
> Country
> England
> Architecture
> Styles
> Victorian Architecture
> Europe
> United Kingdom
> England
> London
> Sights
> British Museum
> Europe
> United Kingdom
> England
> Shropshire
> Related Images
> Europe
> United Kingdom
> England
> Shropshire
> Shrewsbury
> North America
> United States of America
> New York
> New York
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> Metropolitan Museum of Art
> Religious Art
> Religious Architecture
EDITORS COMMENTS
This print showcases a group of three early stereograph views of British church and monastery ruins, dating back to the 11th century and spanning into the 19th century. The albumen silver prints beautifully capture the architectural splendor of these religious sites in stunning imagery. The first view transports us to an abbey from the eleventh century, with its majestic pulpit standing tall amidst the ruins. The second image takes us on a journey through time to a nineteenth-century church, where we can imagine worshippers gathering in its hallowed halls. Finally, we are transported to Shrewsbury Abbey in Shropshire, England – a hauntingly beautiful ruin that whispers tales of centuries past. These stereoscopic photographs offer a unique glimpse into Christian heritage art and Victorian-era photography techniques. Through their use of stereoscopy, they provide viewers with an immersive experience that brings these ancient structures back to life. Preserved by the Metropolitan Museum of Art, this collection by an unknown photographer serves as both a historical record and artistic expression. It invites contemplation on themes such as religion, spirituality, and the passage of time. As we gaze upon these mesmerizing images captured over one hundred years ago, we are reminded of our connection to history and how it shapes our present-day understanding of architecture and faith.
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