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Poster Print : Group of 3 Early Stereograph Views of British Church and Monastery Ruins, 1860s-80s
Poster Prints from Heritage Images
Group of 3 Early Stereograph Views of British Church and Monastery Ruins, 1860s-80s
Heritage Images features heritage image collections
Media ID 20169446
© Heritage Art/Heritage Images
11th Century Abbey Albumen Silver Prints Eleventh Century Pulpit Refectory Shrewsbury Shrewsbury Shropshire England Shropshire Stereocard Stereograph Stereographic Card Stereoscope Card Stereoscopic Stereoscopic Card Stereoscopic View Stereoscopics Stereoscopy Albumen Silver Print Stereoscopic Photography
20x30 inch Poster Print
Step back in time with our captivating selection of Early Stereograph Views of British Church and Monastery Ruins from Media Storehouse. This group of three vintage prints, sourced from Heritage Images, dates back to the 1860s-80s. Each image showcases the intricate details of these historic structures in their ruins, offering a unique glimpse into the past. Perfect for history enthusiasts, these high-quality poster prints add an air of nostalgia and charm to any room in your home or office. Bring the beauty of the past into your present with Media Storehouse's authentic and captivating poster prints.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Architecture
> Churches
> Architecture
> Country
> England
> Architecture
> Styles
> Victorian Architecture
> Europe
> United Kingdom
> England
> London
> Sights
> British Museum
> Europe
> United Kingdom
> England
> Shropshire
> Related Images
> Europe
> United Kingdom
> England
> Shropshire
> Shrewsbury
> North America
> United States of America
> New York
> New York
> Sights
> Metropolitan Museum of Art
> Religious Art
> Religious Architecture
EDITORS COMMENTS
This print showcases a group of three early stereograph views of British church and monastery ruins, dating back to the 11th century and spanning into the 19th century. The albumen silver prints beautifully capture the architectural splendor of these religious sites in stunning imagery. The first view transports us to an abbey from the eleventh century, with its majestic pulpit standing tall amidst the ruins. The second image takes us on a journey through time to a nineteenth-century church, where we can imagine worshippers gathering in its hallowed halls. Finally, we are transported to Shrewsbury Abbey in Shropshire, England – a hauntingly beautiful ruin that whispers tales of centuries past. These stereoscopic photographs offer a unique glimpse into Christian heritage art and Victorian-era photography techniques. Through their use of stereoscopy, they provide viewers with an immersive experience that brings these ancient structures back to life. Preserved by the Metropolitan Museum of Art, this collection by an unknown photographer serves as both a historical record and artistic expression. It invites contemplation on themes such as religion, spirituality, and the passage of time. As we gaze upon these mesmerizing images captured over one hundred years ago, we are reminded of our connection to history and how it shapes our present-day understanding of architecture and faith.
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