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Fine Art Print : Probably Avalokiteshvara (Guanyin), the Bodhisattva of Mercy, between 591 and 618. Creator: Unknown

Probably Avalokiteshvara (Guanyin), the Bodhisattva of Mercy, between 591 and 618. Creator: Unknown



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Probably Avalokiteshvara (Guanyin), the Bodhisattva of Mercy, between 591 and 618. Creator: Unknown

Probably Avalokiteshvara (Guanyin), the Bodhisattva of Mercy, between 591 and 618

Heritage Images features heritage image collections

Media ID 36343987

© Heritage Art/Heritage Images

6th Century 7th Century Avalokiteshvara Avalokitesvara Bodhisattva Bosatsu Buddha Buddhist Buddhists Cast Cast Bronze With Gilding Figurine Fotuo Gilded Gilding Gilt Guan Yin Guanyin Kannon Kuan Yin Mercy Mold Mould Padmapani Statuette Sui Dynasty Typical


21"x14" (+3" Border) Fine Art Print

Experience the timeless beauty and profound spirituality of ancient art with our exquisite selection of Fine Art Prints from Media Storehouse. This captivating image showcases Probably Avalokiteshvara, the revered Bodhisattva of Mercy, believed to have been created between 591 and 618. Originating from China during the Sui Dynasty, this masterpiece, from the esteemed collection at Heritage Images, showcases the enchanting figure of Guanyin, the embodiment of compassion and mercy. Bring the tranquility and wisdom of this mystical figure into your home or office and elevate your space with this stunning work of art.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 28.8cm x 53.3cm (11.3" x 21")

Estimated Product Size is 50.8cm x 68.6cm (20" x 27")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Cracidae > Guans > Related Images

> Arts > Artists > M > Mercier Mercier

> Arts > Sculpture

> Europe > United Kingdom > Wales > Flintshire > Mold

> Historic > Ancient artifacts and relics > Chinese antiquities

> Historic > Ancient artifacts and relics

> Historic > Ancient civilizations > Chinese Dynasties

> Historic > Chinese dynasties paintings

> North America > United States of America > Related Images


EDITORS COMMENTS
This image depicts the revered Bodhisattva Avalokiteshvara, also known as Guanyin or Kuan Yin, the embodiment of infinite compassion and mercy in Buddhism. The sculpture is believed to date between the late Sui Dynasty (591-618) and the early Tang Dynasty (618-907) in China. Its exact origin and creator remain unknown, adding to the enigma surrounding this ancient artifact. The figure is cast in bronze and coated with gilding, enhancing its radiant golden hue. Avalokiteshvara is depicted in a graceful posture, with one hand extended in a gesture of reassurance and the other holding a lotus flower, symbolizing enlightenment. He is flanked by two attendants, one holding a vase and the other a willow branch, both offering offerings to the deity. The sculpture's intricate details, such as the delicate folds of the robe and the serene expression on Avalokiteshvara's face, reveal the skillful craftsmanship of the artist. The figure's posture and the fluid lines of the attendants' bodies suggest the influence of Indian art, showcasing the cultural exchange between India and China during this period. This exquisite piece is now part of the collection at the Los Angeles County Museum of Art (LACMA), where it is on display for visitors to appreciate the rich history and artistic heritage of ancient Asia. The sculpture's timeless beauty and powerful symbolism continue to captivate and inspire, making it a cherished addition to the museum's extensive collection.

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