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Fine Art Print : Reception of the envoys of the King of Kandy by Governor Imam Falck, 1772. Creator: Carel Frederik Reimer
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Reception of the envoys of the King of Kandy by Governor Imam Falck, 1772. Creator: Carel Frederik Reimer
Reception of the envoys of the King of Kandy by Governor Imam [sic] Falck, 1772. Iman Willem Falck, Governor of Zeylan (Dutch Ceylon, now Sri Lanka), hosts dignataries from the court of Kirti Sri Rajasinha of Kandy in the Great Reception Hall of the Governor's House in Colombo. Afbeelding der plegtige Audientie verleent door Zyn Weledele, Grootagbaare de Heer Gouverneur en Directeur van't Eyland Ceylon, etc. etc: aan't jaarlykse Gesandschap van den Koning van Candia, te Colombo
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Media ID 36330923
© Heritage Art/Heritage Images
Administrator Ambassador Ambassadors Attache Bare Feet Candle Candles Ceylon Ceylonese Chairs Chandelier Chandeliers Colombo Sri Lanka South Asia Colonial Administrator Commissary Diplomat East Meets West Feet Foot Governor Imperialism Imperialist International Relations Looking Glass Meeting Mirror Mirrors Servant Servants Sri Lanka Barefoot Hindoostan Imperialists Metaphor Watercolour Paint
21"x14" (+3" Border) Fine Art Print
Step into history with this exquisite Fine Art Print from Media Storehouse. Witness the historic moment as depicted in Carel Frederik Reimer's "Reception of the envoys of the King of Kandy by Governor Imam Falck, 1772." This stunning artwork captures the essence of diplomacy and colonial history, as Iman Willem Falck, the Dutch Governor of Zeylan (now Sri Lanka), receives the envoys of the King of Kandy in 1772. With intricate details and vibrant colors, this print is a must-have for history enthusiasts, art collectors, and those who appreciate the beauty of the past. Bring a piece of the rich cultural heritage of Sri Lanka into your home or office today.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 53.3cm x 35.5cm (21" x 14")
Estimated Product Size is 68.6cm x 50.8cm (27" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This 18th-century painting, titled "Reception of the envoys of the King of Kandy by Governor Imam Falck, 1772," offers a glimpse into the rich cultural exchange between the Dutch East Indies and the Kingdom of Kandy in Sri Lanka. The painting, created by Carel Frederik Reimer, depicts Iman Willem Falck, the Dutch Governor of Ceylon, warmly welcoming a delegation from the court of Kirti Sri Rajasinha, the King of Kandy. The scene unfolds in the grand reception hall of the Governor's House in Colombo. The room is adorned with ornate furniture, including chairs with intricate designs, a large chandelier casting a warm glow over the scene, and a looking glass reflecting the elegantly dressed attendees. The Governor, dressed in formal attire, sits on a raised chair, while the Ceylonese envoys, barefoot as a sign of respect, stand before him. The painting is a testament to the complex web of international relations that existed during this period. The Dutch, representing the European imperialist powers, and the Ceylonese, representing the indigenous monarchies of the East, come together in this meticulously composed image. The use of light and color adds to the overall effect, with the candles casting long shadows and the men's faces illuminated by the light from the chandelier. The painting also serves as a reminder of the colonial past and the impact of European imperialism on the Eastern world. The meeting between the Dutch and Ceylonese dignitaries represents the clash and fusion of cultures, with the East meeting the West in a delicate dance of power and diplomacy.
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