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Fine Art Print : Eight Scenes of Kanazawa (Kanazawa hakkei): The Dance of Asahina and Umejumaru... c. 1707. Creator: Torii Kiyonobu I

Eight Scenes of Kanazawa (Kanazawa hakkei): The Dance of Asahina and Umejumaru... c. 1707. Creator: Torii Kiyonobu I



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Eight Scenes of Kanazawa (Kanazawa hakkei): The Dance of Asahina and Umejumaru... c. 1707. Creator: Torii Kiyonobu I

Eight Scenes of Kanazawa (Kanazawa hakkei): The Dance of Asahina and Umejumaru (Asaina Umejumaru mai no dan), c. 1707

Heritage Images features heritage image collections

Media ID 36201019

© Heritage Art/Heritage Images

Boat Trip Boating Dancers Entertainer Entertainers Entertaining Hand Colored Woodblock Print Kiyonobu Torii Kiyonobu Torii I Outing Passenger Passengers Shobe Torii Tori Kiyonobu Torii Kiyonobu I Torii Shobe


21"x14" (+3" Border) Fine Art Print

Experience the captivating beauty of Japanese art with our Fine Art Print of "The Dance of Asahina and Umejumaru" by Torii Kiyonobu I. This exquisite print is part of the renowned "Eight Scenes of Kanazawa" series, created in 1707. Witness the graceful dance of Asahina and Umejumaru as they gracefully perform in this stunning work of art. With intricate details and vibrant colors, this print is a must-have for any art enthusiast or collector. Bring the elegance of traditional Japanese culture into your home or office with this beautiful and authentic Fine Art Print.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 31.9cm (21" x 12.6")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > J > Japanese School Japanese School

> Arts > Dance

> Asia > Japan > Related Images

> Europe > United Kingdom > Scotland > Strathclyde > Oban

> Popular Themes > Dance


EDITORS COMMENTS
Torii Kiyonobu I's 'The Dance of Asahina and Umejumaru' (Asaina Umejumaru mai no dan), c. 1707, is a stunning hand-colored woodblock print from the Eight Scenes of Kanazawa (Kanazawa hakkei) series. This artwork, housed at the Art Institute of Chicago, showcases the artistic prowess of the Ukiyo-e school during the 18th century in Japan. The scene depicts an outing on a boat trip, with passengers enjoying the entertainment provided by two dancers, Asahina and Umejumaru. Asahina, a female entertainer, gracefully performs a dance while Umejumaru, a male dancer, playfully imitates her moves. The vibrant colors and intricate details in the print bring the scene to life, transporting the viewer to the serene waters of Japan during the 18th century. The print is titled 'Oban Yoko E Tan E' and is signed by Torii Kiyonobu I, who was a prominent figure in the artistic community during this period. The image of Shobe Torii, a famous landmark in Kanazawa, is also visible in the background, further emphasizing the connection to the city and its heritage. The Dance of Asahina and Umejumaru is a testament to the rich artistic traditions of Japan during the 18th century. The captivating dance scene, set against the backdrop of a peaceful boat trip, is a reminder of the importance of entertainment and enjoyment in everyday life. This woodblock print continues to captivate audiences and remains an essential piece of the artistic legacy of Torii Kiyonobu I and the Ukiyo-e school.

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