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Metal Print : Eight Scenes of Kanazawa (Kanazawa hakkei): The Dance of Asahina and Umejumaru... c. 1707. Creator: Torii Kiyonobu I
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Eight Scenes of Kanazawa (Kanazawa hakkei): The Dance of Asahina and Umejumaru... c. 1707. Creator: Torii Kiyonobu I
Eight Scenes of Kanazawa (Kanazawa hakkei): The Dance of Asahina and Umejumaru (Asaina Umejumaru mai no dan), c. 1707
Heritage Images features heritage image collections
Media ID 36201019
© Heritage Art/Heritage Images
Boat Trip Boating Dancers Entertainer Entertainers Entertaining Hand Colored Woodblock Print Kiyonobu Torii Kiyonobu Torii I Outing Passenger Passengers Shobe Torii Tori Kiyonobu Torii Kiyonobu I Torii Shobe
16"x24" (61x41cm) Metal Print
Experience the timeless beauty of Japanese art with our Media Storehouse Metal Prints featuring Torii Kiyonobu I's "The Dance of Asahina and Umejumaru" (Asaina Umejumaru mai no dan), a captivating scene from the Eight Scenes of Kanazawa series, dated around 1707. This exquisite woodblock print showcases the lively dance between Asahina and Umejumaru, two mythical characters from Japanese folklore. Each Metal Print is meticulously crafted using premium aluminum sheets, ensuring vibrant colors and exceptional durability. Bring the rich history and culture of Japan into your home or office with this stunning work of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Torii Kiyonobu I's 'The Dance of Asahina and Umejumaru' (Asaina Umejumaru mai no dan), c. 1707, is a stunning hand-colored woodblock print from the Eight Scenes of Kanazawa (Kanazawa hakkei) series. This artwork, housed at the Art Institute of Chicago, showcases the artistic prowess of the Ukiyo-e school during the 18th century in Japan. The scene depicts an outing on a boat trip, with passengers enjoying the entertainment provided by two dancers, Asahina and Umejumaru. Asahina, a female entertainer, gracefully performs a dance while Umejumaru, a male dancer, playfully imitates her moves. The vibrant colors and intricate details in the print bring the scene to life, transporting the viewer to the serene waters of Japan during the 18th century. The print is titled 'Oban Yoko E Tan E' and is signed by Torii Kiyonobu I, who was a prominent figure in the artistic community during this period. The image of Shobe Torii, a famous landmark in Kanazawa, is also visible in the background, further emphasizing the connection to the city and its heritage. The Dance of Asahina and Umejumaru is a testament to the rich artistic traditions of Japan during the 18th century. The captivating dance scene, set against the backdrop of a peaceful boat trip, is a reminder of the importance of entertainment and enjoyment in everyday life. This woodblock print continues to captivate audiences and remains an essential piece of the artistic legacy of Torii Kiyonobu I and the Ukiyo-e school.
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