Fine Art Print : India - Christian Convert and a Pariah
Fine Art Prints from Mary Evans Picture Library
India - Christian Convert and a Pariah
A man from the low pariah class of Southern India converted (to English life) wearing a suit, alongside an unconverted man from the same caste - both remain outsiders to Indian society. Date: circa 1907
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14116700
© Mary Evans / Grenville Collins Postcard Collection
Caste Contrast Converted Irony Southern Pariah
21"x14" (+3" Border) Fine Art Print
Discover the captivating contrasts of India through the lens of our Fine Art Prints from Media Storehouse. This evocative image, sourced from Mary Evans Prints Online, depicts a Christian Convert and a Pariah, both men hailing from Southern India. Dressed in Western attire, the Convert represents the assimilation into English life, while the unconverted Pariah remains rooted in his traditional ways. This powerful and thought-provoking photograph offers a poignant glimpse into the complexities of Indian society during a time of cultural transformation. Add this exquisite print to your collection and bring the rich history and diversity of India into your home or office.
21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 33.2cm x 53.3cm (13.1" x 21")
Estimated Product Size is 50.8cm x 68.6cm (20" x 27")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative photograph, captured circa 1907, offers a poignant glimpse into the complexities of colonial India and the intricacies of its caste system. The image features two men from the Pariah community of Southern India, a traditionally low caste, standing side by side. The man on the left, dressed in a well-tailored suit and a serious expression, has recently converted to the English way of life. The man on the right, dressed in traditional attire, remains unconverted. The contrast between the two men is striking – the converted man, having embraced Western values and fashion, is attempting to assimilate into the dominant British culture. Yet, despite his efforts, he remains an outsider, a Pariah, a label that carries deep historical and social significance in Indian society. The unconverted man, on the other hand, remains rooted in his community and traditions, but is equally marginalized. The irony of the situation is palpable – both men are outsiders in their own way, yet they have chosen different paths to cope with the social hierarchies of their time. The man in the suit may have gained some measure of acceptance in British circles, but he has lost touch with his roots. The man in traditional attire, on the other hand, may be shunned by the British, but he remains true to his heritage. This photograph also highlights the complexities of colonial India and the ways in which the British influenced Indian society. The adoption of Western values and fashion was a way for some Indians to gain social mobility and acceptance, but it came at a cost – the loss of cultural identity and the perpetuation of social hierarchies. As we look at this photograph, we are reminded of the rich and complex history of India, a history marked by contrasts, ironies, and the enduring power of tradition and identity.
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