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Fine Art Print : The Savior showing his sores. Gothic. Chapel of The Savior

The Savior showing his sores. Gothic. Chapel of The Savior



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The Savior showing his sores. Gothic. Chapel of The Savior

Gothic image of the Savior showing his sores. It dates from the 14th century and was Integrated in the 1532 polychrome stone altarpiece, work of Juan de Alava. Chapel of The Savior formerly called Chapel of the king of France. Cathedral of Santiago de Compostela, Galicia, Spain. Date: 2011

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 32245592

© Thaliastock / Mary Evans

Altarpiece Chapel Christ Compostela Coruna Galicia Galician Hands Imagery Jesus Polychrome Polychromed Santiago Savior Saviour Sore Wounds Sores


20"x16" (+3" Border) Fine Art Print

Step into the captivating world of the past with our exquisite Fine Art Print from Media Storehouse, featuring the hauntingly beautiful and deeply moving image of 'The Savior' from Prisma Archivo Fotografico, available at Mary Evans Prints Online. This evocative 14th-century Gothic masterpiece depicts the Savior displaying his sores, a poignant reminder of his suffering and sacrifice. Integrated into the 1532 polychrome stone altarpiece by Juan de Alava, this profound work of art invites contemplation and reflection. Bring the rich history and timeless beauty of this Gothic masterpiece into your home or office space, and let its powerful imagery inspire and uplift you.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Vespertilionidae > Soror

> Arts > Art Movements > Medieval Art

> Arts > Sculpture

> Europe > France > Heritage Sites > Routes of Santiago de Compostela in

> Europe > France > Royalty

> Europe > Spain > A Coruna

> Europe > Spain > Heritage Sites > Santiago de Compostela (Old Town)

> Europe > Spain > Posters

> Europe > Spain > Related Images

> Europe > Spain > Sculptures

> Mary Evans Prints Online > New Images July 2023


EDITORS COMMENTS
The haunting image of The Savior showing his sores is a powerful and evocative piece of Gothic art. This 14th-century sculpture, integrated into the polychrome stone altarpiece by Juan de Alava in 1532, can be found in the Chapel of The Savior at the Cathedral of Santiago de Compostela in Galicia, Spain. Formerly known as the Chapel of the King of France, this sacred space is adorned with intricate carvings and religious imagery that transport visitors back to the medieval era. The figure of Jesus Christ sits solemnly, his hands outstretched to reveal the wounds inflicted upon him during his crucifixion. The detailed craftsmanship and emotional depth captured in this statue make it a poignant reminder of Christ's sacrifice for humanity. As light filters through stained glass windows onto the polychromed surface, casting shadows across his face and body, viewers are drawn into a moment frozen in time. This photograph captures not just a work of art but a profound expression of faith and devotion. It serves as a testament to the enduring power of religious iconography and its ability to inspire contemplation and reflection on themes of suffering, redemption, and salvation.

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