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Fine Art Print : Israeli boy holds a fist full of gravel as he takes part in a building activity at the

Israeli boy holds a fist full of gravel as he takes part in a building activity at the



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Israeli boy holds a fist full of gravel as he takes part in a building activity at the

An Israeli boy holds a fist full of gravel as he takes part in a building activity in what settlers say is a response to Tuesday nights shooting attack which killed four Israelis near the West Bank Jewish settlement of Kiryat Arba, at the West Bank Jewish settlement Adam September 1, 2010. REUTERS/Baz Ratner (WEST BANK - Tags: POLITICS CONFLICT IMAGES OF THE DAY)

Reuters photo archive features some of the most dramatic and iconic moments ever captured

Media ID 19905836

Body Part Close Up Depth Of Field Detailed Elevated View Faith Gravel Hand Interior Israeli Multiple Real People Rear View Religion White Colour Handful Separation Wall Unrecognisable


21"x14" (+3" Border) Fine Art Print

Experience the raw emotion and resilience of humanity with our Fine Art Print from Reuters Images by Baz Ratner. Witness the determination of an Israeli boy as he holds a fist full of gravel, taking part in a building activity in response to a tragic shooting attack. This powerful image is a poignant reminder of the human spirit's ability to endure and rebuild. Add this inspiring piece to your collection and bring a touch of fine art and world events into your home or office.

21x14 image printed on 27x20 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 53.3cm x 33.5cm (21" x 13.2")

Estimated Product Size is 68.6cm x 50.8cm (27" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Photorealistic artworks > Detailed art pieces > Masterful detailing in art

> Asia > Israel > Related Images

> Popular Themes > Politics

> Reuters Images > New

> Reuters Images > Reuters > Palestinians > Israel

> Reuters Images > Reuters > Palestinians


EDITORS COMMENTS
In this photograph captured by Baz Ratner, an Israeli boy holds a fist full of gravel as he passionately takes part in a building activity. The image was taken at the West Bank Jewish settlement of Adam on September 1,2010. Settlers claim that this construction is a response to the tragic shooting attack that claimed the lives of four Israelis near Kiryat Arba. The close-up shot focuses on the young boy's hand, revealing his determination and commitment to rebuilding amidst conflict. His unrecognizable face adds an element of anonymity, symbolizing the countless individuals affected by political tensions in this region. The elevated view provides a picturesque backdrop showcasing the separation wall and surrounding environment. The white color of his palm contrasts with the multiple grains of gravel held tightly within it, emphasizing both faith and creativity in overcoming adversity. This detailed composition captures not only one individual but also represents many people who share similar experiences and aspirations for peace. It highlights how religion plays a significant role in their lives while demonstrating their resilience and dedication to constructing a better future. Baz Ratner's expert use of depth-of-field draws attention solely to the handful of gravel, leaving everything else slightly blurred but still recognizable. This technique emphasizes both physical action and symbolic meaning behind it – building hope from fragments amidst chaos.

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