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Metal Print : Israeli boy holds a fist full of gravel as he takes part in a building activity at the
Metal Prints from Reuters
Israeli boy holds a fist full of gravel as he takes part in a building activity at the
An Israeli boy holds a fist full of gravel as he takes part in a building activity in what settlers say is a response to Tuesday nights shooting attack which killed four Israelis near the West Bank Jewish settlement of Kiryat Arba, at the West Bank Jewish settlement Adam September 1, 2010. REUTERS/Baz Ratner (WEST BANK - Tags: POLITICS CONFLICT IMAGES OF THE DAY)
Reuters photo archive features some of the most dramatic and iconic moments ever captured
Media ID 19905836
Body Part Close Up Depth Of Field Detailed Elevated View Faith Gravel Hand Interior Israeli Multiple Real People Rear View Religion White Colour Handful Separation Wall Unrecognisable
16"x24" (61x41cm) Metal Print
Bring the powerful story of resilience and determination to your home or office with our Media Storehouse Metal Prints. This captivating image by Baz Ratner from Reuters Images captures an Israeli boy's focus and determination as he holds a fist full of gravel during a building activity, in response to a tragic shooting attack. Our high-quality metal prints are not only beautiful works of art but also a testament to the strength of the human spirit. Order now and bring this inspiring image into your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this photograph captured by Baz Ratner, an Israeli boy holds a fist full of gravel as he passionately takes part in a building activity. The image was taken at the West Bank Jewish settlement of Adam on September 1,2010. Settlers claim that this construction is a response to the tragic shooting attack that claimed the lives of four Israelis near Kiryat Arba. The close-up shot focuses on the young boy's hand, revealing his determination and commitment to rebuilding amidst conflict. His unrecognizable face adds an element of anonymity, symbolizing the countless individuals affected by political tensions in this region. The elevated view provides a picturesque backdrop showcasing the separation wall and surrounding environment. The white color of his palm contrasts with the multiple grains of gravel held tightly within it, emphasizing both faith and creativity in overcoming adversity. This detailed composition captures not only one individual but also represents many people who share similar experiences and aspirations for peace. It highlights how religion plays a significant role in their lives while demonstrating their resilience and dedication to constructing a better future. Baz Ratner's expert use of depth-of-field draws attention solely to the handful of gravel, leaving everything else slightly blurred but still recognizable. This technique emphasizes both physical action and symbolic meaning behind it – building hope from fragments amidst chaos.
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