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Framed Print : The capture of Port Louis (Haiti), on March 8, 1748, by the British admiral Charles Knowles, the city defended by two forts, including a French one, whose walls can be seen in the center of the painting

The capture of Port Louis (Haiti), on March 8, 1748, by the British admiral Charles Knowles, the city defended by two forts, including a French one, whose walls can be seen in the center of the painting



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The capture of Port Louis (Haiti), on March 8, 1748, by the British admiral Charles Knowles, the city defended by two forts, including a French one, whose walls can be seen in the center of the painting

MMM5458321 The capture of Port Louis (Haiti), on March 8, 1748, by the British admiral Charles Knowles, the city defended by two forts, including a French one, whose walls can be seen in the center of the painting by Paton, Richard (1717-91); National Maritime Museum, London, UK; (add.info.: The capture of Port Louis (Haiti), on March 8, 1748, by the British admiral Charles Knowles, the city defended by two forts, including a French one, whose walls can be seen in the center of the picture. Oil on canvas, 18th century, by Richard Paton (1717-1791).); © National Maritime Museum, Greenwich, London

Media ID 38512312

© © National Maritime Museum, Greenwich, London / Bridgeman Images

Brazier Braziers City Scape City View Fires Flame Haiti Haitian Naval Battle See Battle Servicemen Storyteller Storytelling Townscape Urban Scene Urban View West Indies 18e Siecle 18th Century 18th Centuries Brawl Brawling City Overview City Scene Fighting Conflict Flames Marines Maritime Force Naval Force Naval Infantry Seawater


18"x14" Modern Frame

Transport yourself back in time with this stunning framed print capturing the capture of Port Louis (Haiti) in 1748. The intricate details and historical significance make it a perfect addition to any art collection.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > Dominic Serres

> Fine Art Finder > Artists > Richard Paton

> Arts > Artists > P > Richard Paton

> Arts > Fine Art

> Arts > Landscape paintings > Cityscape art > Urban cityscapes

> Arts > Still life artwork > Oil paintings > Cityscape artwork

> Europe > France > Military

> Europe > France > Paintings

> Europe > Republic of Ireland > Paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Boroughs > Greenwich

> Europe > United Kingdom > England > London > Museums > British Museum


EDITORS COMMENTS
This painting captures the intense battle for Port Louis (Haiti) on March 8, 1748, led by British admiral Charles Knowles. The city is depicted as a scene of chaos and conflict, with two formidable forts standing in defense - one notably French fort at the center of the composition. Richard Paton's masterful brushstrokes bring to life the drama and tension of this historic event from the 18th century. The detailed depiction of naval warfare and military strategy in this artwork is truly awe-inspiring. The viewer can almost hear the sounds of cannons firing and feel the adrenaline rush of soldiers engaged in combat. The artist's skillful use of light and shadow adds depth to the scene, creating a sense of movement and urgency. As we gaze upon this historical moment frozen in time, we are reminded of the bravery and sacrifice made by those who fought for control over strategic territories like Port Louis. This painting serves as a powerful reminder of the human cost of war and colonization, while also celebrating the artistry and storytelling ability inherent in fine art.

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