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Framed Print : Scotch Politics: To be read backward, like a Witch's Prayer. Three figures sobbing Edmund Burke (1729-1797), sleeping Scotch MacDonald and robber North, in a shop with shelves full of pots, bottles, books, scrolls and drums

Scotch Politics: To be read backward, like a Witch's Prayer. Three figures sobbing Edmund Burke (1729-1797), sleeping Scotch MacDonald and robber North, in a shop with shelves full of pots, bottles, books, scrolls and drums




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Scotch Politics: To be read backward, like a Witch's Prayer. Three figures sobbing Edmund Burke (1729-1797), sleeping Scotch MacDonald and robber North, in a shop with shelves full of pots, bottles, books, scrolls and drums

FLO4718265 Scotch Politics: To be read backward, like a Witch's Prayer. Three figures sobbing Edmund Burke (1729-1797), sleeping Scotch MacDonald and robber North, in a shop with shelves full of pots, bottles, books, scrolls and drums. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.; (add.info.: Scotch Politics: To be read backward, like a Witch's Prayer. Three figures sobbing Edmund Burke (1729-1797), sleeping Scotch MacDonald and robber North, in a shop with shelves full of pots, bottles, books, scrolls and drums. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.); © Florilegius

Media ID 38323762

© © Florilegius / Bridgeman Images

Bottle Bottles Bouteille Boutique Default Dessin Satirique Discours Discourse Drums Edmund Burke Etagere Hogarthian Human Passions Delineated John Collier John Necklace Laughable Livre Moeurs Morals North Politique Pots Ridicule Robber Scrolls Shelvage Shelves Sobbing Societe Sommeil Thomas Sanders Timothy Bobbin Tristesse Vice Visage 18eme Siecle Grande Bretagne Homme


12"x10" Modern Frame

Explore the intriguing world of Scotch Politics with this captivating framed print from Media Storehouse. Featuring three figures including Edmund Burke, Scotch MacDonald, and robber North in a shop filled with pots, bottles, books, scrolls, and drums. A unique piece that will add depth and character to any space.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > French School

> Arts > Artists > C > John Collier

> Arts > Artists > C > Thomas Collier

> Arts > Artists > N > Thomas North

> Arts > Pop art > Comic books > Comic book artwork

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > Manchester > Manchester

> Popular Themes > Politics


EDITORS COMMENTS
This intriguing print, titled "Scotch Politics: To be read backward, like a Witch's Prayer," captures a satirical scene from the 18th century. Three figures are depicted in a shop filled with an array of objects such as pots, bottles, books, scrolls, and drums. The central figure is Edmund Burke (1729-1797), who appears to be sobbing while the sleeping Scotch MacDonald and robber North flank him. The artist behind this copperplate engraving is Thomas Sanders, who based his work on a satirical illustration by Timothy Bobbin (John Collier). The piece was originally published in "Human Passions Delineated" by John Haywood in Manchester in 1773. The composition of the image invites viewers to contemplate its meaning and symbolism. The title suggests that the political landscape at the time was complex and perhaps even backwards. The juxtaposition of the three figures with their contrasting emotions adds depth to the narrative portrayed in this artwork. Overall, this print offers a glimpse into the social and political commentary of its era through clever visual storytelling. It serves as both a historical document and a thought-provoking piece of art that continues to resonate with audiences today.

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