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Framed Print : Alexander inspecting the Ruins of Esagila (litho)
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Alexander inspecting the Ruins of Esagila (litho)
8660923 Alexander inspecting the Ruins of Esagila (litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: Alexander inspecting the Ruins of Esagila. On his capture of Babylon in 331 BC Alexander, according to tradition, wished to restore Esagila, the temple of Marduk, which had been allowed to fall into decay since its partial destruction by Xerxes. But, on seeing the mounds of fallen brickwork, he gave up the idea. The piers of the bridge on which he stands are built in the shape of boats which they displaced. Illustration for Hutchinson's History of the Nations (Hutchinson, c.1920). Note: Image has been digitally enhanced to facilitate repro.); © Look and Learn
Media ID 38114886
© © Look and Learn / Bridgeman Images
Arab Country Babylon Babylonian Babylonians Captivity Capture Irak Iraq Iraq Iraq Iraqi Mesopotamia Shape Shapes Xerxes Xerxes The Great Arab Civilization Arab Culture Arabians
18"x14" Modern Frame
Bring history into your home with this stunning framed print of "Alexander inspecting the Ruins of Esagila" by Bridgeman Images. Perfect for adding a touch of sophistication to any room.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")
Estimated Product Size is 35.6cm x 45.7cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This lithograph captures the moment when Alexander the Great inspects the ruins of Esagila, the temple of Marduk in Babylon. According to tradition, upon capturing Babylon in 331 BC, Alexander had hoped to restore the temple which had fallen into disrepair since its partial destruction by Xerxes. However, upon seeing the mounds of fallen brickwork before him, he abandoned this ambitious plan.
The intricate details in this print showcase Alexander standing on piers shaped like boats that displaced them during construction. The scene is rich with historical significance and cultural symbolism, highlighting a pivotal moment in ancient Mesopotamian history.
The imagery adds a sense of timelessness to this depiction of antiquity, transporting viewers back to a bygone era filled with grandeur and mystery. The bridge stretching out behind Alexander serves as a poignant reminder of both past glory and inevitable decay.
As we gaze upon this image, we are reminded of the fleeting nature of power and empire - a timeless lesson encapsulated in these ancient ruins that continue to captivate our imagination centuries later.
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