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Photographic Print : Alexander inspecting the Ruins of Esagila (litho)

Alexander inspecting the Ruins of Esagila (litho)




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Alexander inspecting the Ruins of Esagila (litho)

8660923 Alexander inspecting the Ruins of Esagila (litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: Alexander inspecting the Ruins of Esagila. On his capture of Babylon in 331 BC Alexander, according to tradition, wished to restore Esagila, the temple of Marduk, which had been allowed to fall into decay since its partial destruction by Xerxes. But, on seeing the mounds of fallen brickwork, he gave up the idea. The piers of the bridge on which he stands are built in the shape of boats which they displaced. Illustration for Hutchinson's History of the Nations (Hutchinson, c.1920). Note: Image has been digitally enhanced to facilitate repro.); © Look and Learn

Media ID 38114886

© © Look and Learn / Bridgeman Images

Arab Country Babylon Babylonian Babylonians Captivity Capture Irak Iraq Iraq Iraq Iraqi Mesopotamia Shape Shapes Xerxes Xerxes The Great Arab Civilization Arab Culture Arabians


12"x8" Photo Print

Transport yourself back in time with this captivating photographic print of Alexander inspecting the Ruins of Esagila by Bridgeman Images. A stunning piece from Fine Art Finder, perfect for adding a touch of history and intrigue to any space.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 30.5cm (8" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Henry Charles Seppings Wright

> Fine Art Finder > Artists > Robert Ambrose Dudley

> Arts > Artists > B > Babylonian Babylonian

> Arts > Artists > W > Charles White

> Arts > Artists > W > Henry Charles Seppings Wright

> Arts > Street art graffiti > Digital art > Digital paintings

> Asia > Iraq > Related Images

> Historic > Ancient civilizations > Mesopotamia

> Historic > Ancient civilizations

> Historic > Cultural festivals and traditions


EDITORS COMMENTS
This lithograph captures the moment when Alexander the Great inspects the ruins of Esagila, the temple of Marduk in Babylon. According to tradition, upon capturing Babylon in 331 BC, Alexander had hoped to restore the temple which had fallen into disrepair since its partial destruction by Xerxes. However, upon seeing the mounds of fallen brickwork before him, he abandoned this ambitious plan. The intricate details in this print showcase Alexander standing on piers shaped like boats that displaced them during construction. The scene is rich with historical significance and cultural symbolism, highlighting a pivotal moment in ancient Mesopotamian history. The imagery adds a sense of timelessness to this depiction of antiquity, transporting viewers back to a bygone era filled with grandeur and mystery. The bridge stretching out behind Alexander serves as a poignant reminder of both past glory and inevitable decay. As we gaze upon this image, we are reminded of the fleeting nature of power and empire - a timeless lesson encapsulated in these ancient ruins that continue to captivate our imagination centuries later.

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