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Framed Print : Russian Rifle Pit. Now part of the British advanced Trenches

Russian Rifle Pit. Now part of the British advanced Trenches



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Russian Rifle Pit. Now part of the British advanced Trenches

5929015 A Russian Rifle Pit. Now part of the British advanced Trenches, on the left of the right attack, or Gordons BatteryA (colour litho) by Simpson, William Crimea (1823-99) (after); National Army Museum, London; (add.info.: A Russian Rifle Pit. Now part of the British advanced Trenches, on the left of the right attack, or Gordons BatteryA.
Coloured tinted lithograph by C Haghe, 1855. One of 40 lithographs from The Seat of War in the East - First Series after William Simpson, published by Paul and Dominic Colnaghi and Company, 11 June 1855.
The rifle pit had been part of Lieutenant-General Eduard TotlebenAs elaborate defence works at Sevastopol. He created flexible trench systems linked to redoubts such as the Redan and Malakoff. His ongoing improvisation of both the defences and offensive counter-works met the changing phases of the Allied attack on Sevastopol. During the night his men built new obstacles such as counter-approaches, tunnels, rifle pits and buried land mines. They took part in raids on enemy saps and attempted to capture the lips of blown mines.); eNational Army Museum; Scottish, out of copyright

Media ID 22324402

© National Army Museum / Bridgeman Images

Siege Warfare Trench Entrenching


18"x14" Modern Frame

Add historical depth to your home or office decor with our exquisite Framed Prints from Media Storehouse. This captivating piece, titled "Russian Rifle Pit. Now part of the British advanced Trenches," showcases the poignant image of a Russian rifle pit transformed into British trenches during a battle. The meticulously detailed lithograph by Simpson, sourced from Bridgeman Images through Fine Art Finder, transports you back in time, offering a glimpse into the rich history of warfare. With its stunning color palette and intricate details, this Framed Print is not just an artwork but a window to the past. Elevate your space with this timeless piece of historical art.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > William 'Crimea' (after)

> Architecture > Tunnels

> Arts > Artists > S > Paul > Related Images

> Arts > Artists > S > William 'Crimea' Simpson

> Europe > France > Canton > Landes

> Europe > Russia > Posters

> Europe > Russia > Related Images

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Museums > National Army Museum

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > Scotland > Posters


EDITORS COMMENTS
This print showcases a significant moment in history, depicting the Russian Rifle Pit that became part of the British advanced Trenches during the Crimean War. The lithograph, created by William Simpson and colored by C Haghe in 1855, offers a vivid glimpse into Lieutenant-General Eduard Totleben's elaborate defense works at Sevastopol. Totleben's innovative trench systems connected various redoubts like the Redan and Malakoff, adapting to the ever-changing phases of the Allied attack on Sevastopol. Under cover of darkness, his men tirelessly constructed new obstacles such as counter-approaches, tunnels, rifle pits, and buried land mines. They fearlessly engaged in raids on enemy saps while attempting to seize control of blown mine entrances. The image captures not only the physical remnants of Totleben's defensive strategies but also serves as a testament to his tactical brilliance. By incorporating elements from their adversaries' fortifications into their own trenches, the British forces demonstrated adaptability and resourcefulness in their pursuit of victory. Published as part of "The Seat of War in the East - First Series" this lithograph is one among 40 prints that provide an invaluable visual record of this historic conflict. Preserved at London's National Army Museum since then, it stands as a reminder of both the ingenuity displayed by military strategists like Totleben and the courage exhibited by soldiers who fought amidst these treacherous conditions.

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