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Poster Print : Russian Rifle Pit. Now part of the British advanced Trenches

Russian Rifle Pit. Now part of the British advanced Trenches




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Russian Rifle Pit. Now part of the British advanced Trenches

5929015 A Russian Rifle Pit. Now part of the British advanced Trenches, on the left of the right attack, or Gordons BatteryA (colour litho) by Simpson, William Crimea (1823-99) (after); National Army Museum, London; (add.info.: A Russian Rifle Pit. Now part of the British advanced Trenches, on the left of the right attack, or Gordons BatteryA.
Coloured tinted lithograph by C Haghe, 1855. One of 40 lithographs from The Seat of War in the East - First Series after William Simpson, published by Paul and Dominic Colnaghi and Company, 11 June 1855.
The rifle pit had been part of Lieutenant-General Eduard TotlebenAs elaborate defence works at Sevastopol. He created flexible trench systems linked to redoubts such as the Redan and Malakoff. His ongoing improvisation of both the defences and offensive counter-works met the changing phases of the Allied attack on Sevastopol. During the night his men built new obstacles such as counter-approaches, tunnels, rifle pits and buried land mines. They took part in raids on enemy saps and attempted to capture the lips of blown mines.); eNational Army Museum; Scottish, out of copyright

Media ID 22324402

© National Army Museum / Bridgeman Images

Siege Warfare Trench Entrenching


20x30 inch Poster Print

Step back in time with Media Storehouse's captivating poster prints featuring the Russian Rifle Pit. Now part of the British advanced Trenches, this historical image showcases a pivotal moment during the conflict, as depicted in the color lithograph "A Russian Rifle Pit. Now part of the British advanced Trenches, on the left of the right attack, or Gordons Battery" by Simpson. Bring the rich history of warfare into your home or office with this stunning and authentic piece from Bridgeman Images at Fine Art Finder.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 76.8cm x 51.4cm (30.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > William 'Crimea' (after)

> Architecture > Tunnels

> Arts > Artists > S > Paul > Related Images

> Arts > Artists > S > William 'Crimea' Simpson

> Europe > France > Canton > Landes

> Europe > Russia > Posters

> Europe > Russia > Related Images

> Europe > United Kingdom > England > London > Museums > British Museum

> Europe > United Kingdom > England > London > Museums > National Army Museum

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > Scotland > Posters


EDITORS COMMENTS
This print showcases a significant moment in history, depicting the Russian Rifle Pit that became part of the British advanced Trenches during the Crimean War. The lithograph, created by William Simpson and colored by C Haghe in 1855, offers a vivid glimpse into Lieutenant-General Eduard Totleben's elaborate defense works at Sevastopol. Totleben's innovative trench systems connected various redoubts like the Redan and Malakoff, adapting to the ever-changing phases of the Allied attack on Sevastopol. Under cover of darkness, his men tirelessly constructed new obstacles such as counter-approaches, tunnels, rifle pits, and buried land mines. They fearlessly engaged in raids on enemy saps while attempting to seize control of blown mine entrances. The image captures not only the physical remnants of Totleben's defensive strategies but also serves as a testament to his tactical brilliance. By incorporating elements from their adversaries' fortifications into their own trenches, the British forces demonstrated adaptability and resourcefulness in their pursuit of victory. Published as part of "The Seat of War in the East - First Series" this lithograph is one among 40 prints that provide an invaluable visual record of this historic conflict. Preserved at London's National Army Museum since then, it stands as a reminder of both the ingenuity displayed by military strategists like Totleben and the courage exhibited by soldiers who fought amidst these treacherous conditions.

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