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Framed Print : The arrival of the Carmelite nuns from Brussels, mid 18th century. Artist: Charles Guillot

The arrival of the Carmelite nuns from Brussels, mid 18th century. Artist: Charles Guillot



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The arrival of the Carmelite nuns from Brussels, mid 18th century. Artist: Charles Guillot

The arrival of the Carmelite nuns from Brussels (L arrivee des Carmelites de Bruxelles), mid 18th century. From the Musee d Art et d Histoire, St Denis, France

Heritage Images features heritage image collections

Media ID 14841508

© Art Media / Heritage-Images

Appearance Appearing Arrival Arriving Carmelite Cross Crucifix Facing Away Front View Full Body Illustration And Painting Large Group Of People Melodrama Men And Women Miracle Miraculous Misery Prayer Praying Rambling Spirituality Symbol Togetherness Archway Guillot Roman Catholicism


18"x14" Modern Frame

Adorn your home or office with the elegant beauty of the past. Our Framed Print of "The Arrival of the Carmelite Nuns from Brussels" by Charles Guillot, circa mid-18th century, is a captivating addition to any space. This exquisite artwork, sourced from Heritage Images and the Musee d'Art et d'Histoire in St. Denis, France, showcases the arrival of the Carmelite Nuns in Brussels, a significant moment in religious history. The intricate details and vibrant colors of this painting are beautifully preserved in our high-quality framed print, making it a true work of art that tells a story. Add this timeless piece to your collection and bring a touch of history into your living space.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > G > Grouper

> Architecture > Country > France

> Architecture > Related Images

> Architecture > Religious

> Architecture > Styles > Roman Architecture

> Arts > Artists > R > Roman Roman

> Arts > Artists > Related Images

> Europe > France > Paintings

> Europe > France > St Denis

> Popular Themes > Religious Images


EDITORS COMMENTS
This print titled "The arrival of the Carmelite nuns from Brussels, mid 18th century" by Charles Guillot takes us back in time to witness a significant moment in history. Set against a backdrop of an impressive architectural building and cloudy skies, we see a large crowd gathered outside, eagerly awaiting the arrival of the Carmelite nuns. The painting beautifully captures the essence of religion and Christianity as these women, dressed in their traditional habits, walk together with solemnity and grace. The pillar-like columns surrounding them symbolize strength and spirituality. Amidst this scene filled with anticipation and curiosity, one can feel a sense of melodrama and misery that adds depth to the image. A man is seen gesturing towards the group while others kneel down in prayer before a crucifix held high. This gesture signifies reverence for their faith. The presence of both men and women showcases how this event brought people from all walks of life together in unity. It is evident that this arrival holds great significance within Catholicism as it represents not only a physical appearance but also carries symbolic meaning. Through Guillot's masterful use of color and composition, he brings to life this historical moment with incredible detail. This print serves as an illustration that transports viewers back to the 18th century France where miracles were believed to occur amidst religious devotion.

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