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Framed Print : Diana of the Uplands, 1903-1904, (1935). Creator: Charles Wellington Furse

Diana of the Uplands, 1903-1904, (1935). Creator: Charles Wellington Furse




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Diana of the Uplands, 1903-1904, (1935). Creator: Charles Wellington Furse

Diana of the Uplands, 1903-1904, (1935). Portrait of Dame Katharine Furse (nee Symonds, 1875-1952), wife of the painter, as Diana, goddess of the hunt. Furse was founder of the English Voluntary Aid Detachment (VAD), and served as director of the Womens Royal Naval Service (WRNS) - equivalent to the rank of rear admiral - during the First World War. Painting in the Tate Gallery, London. From " Modern Masterpieces", Part 16. [George Newnes Ltd, London, 1935]

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Media ID 18775964

© The Print Collector/Heritage Images

Artemis Diana Diane Dephese Edwardian George Newnes George Newnes Ltd Glove Gloves Greyhound Greyhounds Katharine Modern Masterpieces Newnes Pets Straw Hat Symonds Wind Windy Wrns Furse Roman Mythology Womens Royal Naval Service


12"x10" Modern Frame

Add a touch of timeless elegance to your home decor with our Framed Print of "Diana of the Uplands" by Charles Wellington Furse. This exquisite portrait, dating back to 1935, captures the grace and beauty of Dame Katharine Furse (nee Symonds) as the goddess Diana, the huntress. With her captivating gaze and intricately detailed attire, this vintage masterpiece is a true work of art that will surely become a conversation starter. Bring the allure of the past into your present with our high-quality framed print.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Dogs (Domestic) > Hound > Greyhound

> Animals > Related Images

> Arts > Artists > F > Charles Wellington Furse

> Arts > Artists > G > George Glover

> Arts > Artists > H > Charles Hunt

> Arts > Artists > R > Roman Roman

> Arts > Contemporary art > Modern art > Portraits

> Arts > Contemporary art > Portraits > Modern art

> Arts > Still life artwork > Oil paintings > Animal portraits

> Arts > Still life artwork > Oil paintings > Portrait paintings


Diana of the Uplands, 1903-1904

EDITORS COMMENTS
is a captivating portrait print created by Charles Wellington Furse in 1935. The painting depicts Dame Katharine Furse, wife of the artist, embodying Diana, the goddess of the hunt from Roman mythology. Dressed in an elegant Edwardian attire with a straw hat and gloves, she stands gracefully amidst rolling hills and windy weather. Furse himself was a remarkable figure who founded the English Voluntary Aid Detachment (VAD) and served as director of the Women's Royal Naval Service (WRNS) during World War I. This portrait showcases his talent not only as an artist but also highlights his wife's significant role in supporting his endeavors. The use of color brings life to this early 20th-century masterpiece, with attention to detail evident in every brushstroke. A pair of greyhounds accompanies Dame Katharine Furse, symbolizing her connection to hunting and adding depth to the composition. Displayed at London's prestigious Tate Gallery, this artwork exemplifies modern masterpieces from its time. Published as part of "Modern Masterpieces" it gained recognition for its portrayal of mythological themes intertwined with contemporary British society. This print captures both artistic brilliance and historical significance while offering viewers a glimpse into the world of Charles Wellington Furse and his muse. It serves as a testament to Dame Katharine Furse's influential presence alongside her husband throughout their shared journey within art and wartime service.

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