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Framed Print : The Myth of Io, c1490. Creator: Bartolomeo di Giovanni

The Myth of Io, c1490. Creator: Bartolomeo di Giovanni



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The Myth of Io, c1490. Creator: Bartolomeo di Giovanni

The Myth of Io, c1490. As told by the Roman poet Ovid (43 BCE-17 CE) in his "Metamorphoses, " the beautiful nymph Io was seduced by Jupiter, king of the gods, and transformed into a heifer by Jupiter's jealous wife, Juno. This painting, when read from left to right, illustrates multiple episodes in the second half of this story, in which Io is transformed back into a human

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Media ID 36377988

© Heritage Art/Heritage Images

1490s Changing Cows Envy Heifer Hera Jealousy Jove Juno Jupiter Ledge Metamorphoses Narrative Nymph Ovid Publius Ovidius Naso Seduce Seducer Seducing Seduction Seductive Shepherd Transforming Walters Art Museum Ancient Greek Greek Mythology Letterbox Format Roman Mythology


18"x14" Modern Frame

Bring the captivating tale of Io and Jupiter into your home with our exquisite framed print from Bartolomeo di Giovanni's collection, dating back to c1490. This stunning artwork, depicting the mythological encounter between the seductive god Jupiter and the enchanted nymph Io, is a masterpiece from the annals of art history. Originally created by the renowned artist Bartolomeo di Giovanni, this timeless piece is now available in our Media Storehouse Framed Prints range, expertly preserved and presented in a sleek, contemporary frame. Add an air of sophistication and intrigue to any room with this captivating work of art.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Cattle > Related Images

> Animals > Mammals > Herpestidae > Naso

> Arts > Art Movements > Landscapes

> Arts > Art Movements > Renaissance Art

> Arts > Artists > R > Roman Roman

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Literature

> Arts > Portraits > Landscape paintings > Fine art gallery


EDITORS COMMENTS
This 15th century painting, titled 'The Myth of Io' by Bartolomeo di Giovanni, brings to life the ancient Greek myth as told by the renowned Roman poet Ovid in his 'Metamorphoses.' The narrative unfolds from left to right, beginning with Jupiter's seduction of the beautiful nymph Io. Unaware of her lover's true identity, Io is blissfully unaware that she has become the object of jealousy for Jupiter's wife, Juno. As the scene progresses, Juno's envy grows, and she transforms Io into a heifer to hide her from Jupiter's gaze. Io, now a cow, is led away by a shepherd, who tends to her in a pastoral setting. The transformation is not permanent, however, and the subsequent scenes depict Io's eventual return to human form. The painting's rich colors and intricate details bring the myth to life, transporting the viewer to a time and place far removed from the modern world. The use of oil on wood gives the image a depth and texture that invites closer inspection, revealing the skill and artistry of Bartolomeo di Giovanni. This painting is a testament to the enduring power of Greek mythology and the ability of art to capture the imagination and transport us to another world. The narrative of Io's transformation is a timeless tale of love, jealousy, and the capricious nature of the gods, making it a valuable addition to the heritage of art and literature.

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