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Framed Print : The Parody, or Mother Cole and Loader, April 10, 1784. April 10, 1784

The Parody, or Mother Cole and Loader, April 10, 1784. April 10, 1784



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The Parody, or Mother Cole and Loader, April 10, 1784. April 10, 1784

The Parody, or Mother Cole and Loader, April 10, 1784

Heritage Images features heritage image collections

Media ID 19987927

© Heritage Art/Heritage Images

2nd Earl Of Guilford Bottle Bottles C Fox Charles Fox Charles James Charles James Fox Constitution Cross Dressing Dice Earl Of Guildford Fox Charles James Frederick Frederick North Frederick North 2nd Earl Of Guilford Gambling Hannah Hannah Humphrey House Of Commons Humphrey Humphrey Hannah Leader Of The House Of Commons Lord Lord F North Lord North North North Frederick North Lord Right Honorable Charles James Fox Rowlandson Rowlandson Thomas Thomas Rowlandson Cordial Hand Tinted


18"x14" Modern Frame

Step into the whimsical world of Thomas Rowlandson with our exquisite Framed Print collection. This captivating piece, 'The Parody, or Mother Cole and Loader,' showcases Rowlandson's signature wit and satire. Immerse yourself in the intricate details and vibrant colors of this 18th-century masterpiece, expertly reproduced by Heritage Images. Add a touch of elegance to your home decor with our Media Storehouse range of Framed Prints.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 40.6cm x 35.6cm (16" x 14")

Estimated Product Size is 45.7cm x 35.6cm (18" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > James Charles

> Arts > Artists > C > James Cole

> Arts > Artists > C > Thomas Cole

> Arts > Artists > C > Thomas Cross

> Arts > Artists > H > Thomas Hand

> Arts > Artists > N > Thomas North

> Arts > Artists > R > Thomas Rowlandson

> Europe > United Kingdom > England > London > Politics > Frederick North

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


The Parody, or Mother Cole and Loader, April 10,1784 - A Satirical Snapshot of British Politics in the 18th Century

EDITORS COMMENTS
. This print captures a momentous political satire from the 18th century. Created by Thomas Rowlandson, it depicts an intriguing scene involving prominent figures such as Charles James Fox and Frederick North, the 2nd Earl of Guilford. The image showcases their playful cross-dressing antics and their indulgence in gambling and drinking. The hand-colored etching beautifully brings to life this historical parody that reflects the colorful world of British politics during that era. It humorously portrays Fox as "Mother Cole" and North as "Loader" showcasing their larger-than-life personalities. Rowlandson's artwork not only highlights the politicians' extravagant lifestyles but also hints at deeper political commentary. The presence of dice suggests a game of chance symbolizing the unpredictability of politics while bottles filled with cordial allude to hidden agendas within Parliament. As we delve into this mesmerizing piece, we are transported back in time to witness these influential individuals engaging in witty banter and strategic maneuvering within the House of Commons. This photograph print serves as a window into an era where satire was used to critique those in power. Preserved by The Metropolitan Museum of Art, this remarkable piece is a testament to Rowlandson's talent for capturing both social dynamics and political intrigue through his artistry. It invites us to reflect on how politics has evolved over centuries while

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