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Framed Print : Return of the Errant Lover, Folio from an Amaru-Sataka (The Hundred Stanzas of Amaru), c1660. Creator: Unknown

Return of the Errant Lover, Folio from an Amaru-Sataka (The Hundred Stanzas of Amaru), c1660. Creator: Unknown



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Return of the Errant Lover, Folio from an Amaru-Sataka (The Hundred Stanzas of Amaru), c1660. Creator: Unknown

Return of the Errant Lover, Folio from an Amaru-Sataka (The Hundred Stanzas of Amaru), c1660

Heritage Images features heritage image collections

Media ID 36367399

© Heritage Art/Heritage Images

1660s Folio Isometric Lover Opaque Watercolor Gold And Ink On Paper Peacock Return Returning Rooftop Rooftops Script South East Asia Southeast Asia Southeast Asian Waiting Amaru Hindoostan Watercolour On Paper


18"x14" Modern Frame

Experience the rich cultural heritage of the past with our exquisite Framed Prints from Media Storehouse. This stunning piece showcases a folio from the Amaru-Sataka, also known as The Hundred Stanzas of Amaru, a 17th-century Peruvian love poem. The artwork depicts the 'Return of the Errant Lover,' a poignant scene of longing and reconciliation. With its intricate details and vibrant colors, this Unknown masterpiece from Heritage Images is a captivating addition to any home or office. Our high-quality Framed Prints are carefully crafted to preserve the beauty and authenticity of the original artwork, making it a cherished possession for generations to come.

16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")

Estimated Product Size is 35.6cm x 45.7cm (14" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Peacock

> Architecture > Country > India

> Architecture > Drawings

> Architecture > Palaces

> Architecture > Styles > Indian Architecture

> Arts > Literature

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Arts > Realistic drawings > Portrait drawings > Fine art

> Arts > Watercolor paintings


EDITORS COMMENTS
This folio, hailing from the 1660s, is a stunning example of the Amaru-Sataka, also known as The Hundred Stanzas of Amaru, an influential collection of poetry from the 17th century in South East Asia. The image, titled "Return of the Errant Lover," depicts a man and a young woman, possibly representing the errant lover and his beloved, standing on the rooftop of a magnificent palace. The architecture is a harmonious blend of isometric and architectural styles, reflecting the rich cultural heritage of Hindustan, now India. The couple is bathed in a warm, opaque watercolor, with intricate gold and ink details adding depth and texture to the artwork. The man, dressed in traditional attire, is shown with a hopeful expression, while the young woman, adorned in red, waits with a calm and composed demeanor. Two peacocks, symbols of beauty and rebirth, gracefully perch on the palace walls, adding to the poetic allure of the scene. The Amaru-Sataka is a testament to the literary and artistic achievements of the 17th century in Asia. This folio, now housed at the Los Angeles County Museum of Art (LACMA), offers a glimpse into the world of ancient poetry and the deep-rooted traditions of love and longing that transcend time and place.

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