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Premium Framed Print : Return of the Errant Lover, Folio from an Amaru-Sataka (The Hundred Stanzas of Amaru), c1660. Creator: Unknown
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Return of the Errant Lover, Folio from an Amaru-Sataka (The Hundred Stanzas of Amaru), c1660. Creator: Unknown
Return of the Errant Lover, Folio from an Amaru-Sataka (The Hundred Stanzas of Amaru), c1660
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Media ID 36367399
© Heritage Art/Heritage Images
1660s Folio Isometric Lover Opaque Watercolor Gold And Ink On Paper Peacock Return Returning Rooftop Rooftops Script South East Asia Southeast Asia Southeast Asian Waiting Amaru Hindoostan Watercolour On Paper
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This folio, hailing from the 1660s, is a stunning example of the Amaru-Sataka, also known as The Hundred Stanzas of Amaru, an influential collection of poetry from the 17th century in South East Asia. The image, titled "Return of the Errant Lover," depicts a man and a young woman, possibly representing the errant lover and his beloved, standing on the rooftop of a magnificent palace. The architecture is a harmonious blend of isometric and architectural styles, reflecting the rich cultural heritage of Hindustan, now India. The couple is bathed in a warm, opaque watercolor, with intricate gold and ink details adding depth and texture to the artwork. The man, dressed in traditional attire, is shown with a hopeful expression, while the young woman, adorned in red, waits with a calm and composed demeanor. Two peacocks, symbols of beauty and rebirth, gracefully perch on the palace walls, adding to the poetic allure of the scene. The Amaru-Sataka is a testament to the literary and artistic achievements of the 17th century in Asia. This folio, now housed at the Los Angeles County Museum of Art (LACMA), offers a glimpse into the world of ancient poetry and the deep-rooted traditions of love and longing that transcend time and place.
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