Framed Print : Ausnahmegesetze (emergency laws). Thomas Theodor
Framed Photos from Mary Evans Picture Library
Ausnahmegesetze (emergency laws). Thomas Theodor
Ausnahmegesetze (emergency laws). Thomas Theodor Heine Caricature comparing Bismarcks inability to contain the social democracy and Joseph Wirth, Chancellor of Germany from 1921 to 1922, to contain the monarchists. Published in the German satirical magazine Simplicissimus, July 26, 1922. Engraving
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Media ID 14183817
© Iberfoto/Mary Evans
1815 1898 1921 Bismarck Chancellor Comparing Democracy Emergency Engravings Heine Histoa63 A Histoa63 O Historia Historica Historico Institution Institutional Institutions Laws Otto Policies Politicians Repression Satirical Socialism Socialist Socialists Theodor Weimar Wirth 1922 Inability Monarchists Oppressor Simplicissimus
12"x10" Modern Frame
Introducing the latest addition to our Media Storehouse Framed Prints collection: "Ausnahmegesetze (Emergency Laws)" by Thomas Theodor Heine. This captivating caricature, sourced from Mary Evans Prints Online, offers a glimpse into German history with its insightful commentary on the political climate during the early 20th century. Heine masterfully depicts the contrasting personalities of Otto von Bismarck and Joseph Wirth, Chancellor of Germany from 1921 to 1922. The image highlights Bismarck's inability to contain the growing social democratic movement, as symbolized by the chaotic scene behind him, while Wirth, shown confidently addressing the crowd, represents the new era of political leadership. This Framed Print is not just a piece of art, but a window into history. It adds an intellectual and thought-provoking touch to any office, library, or home decor. With its high-quality print and elegant frame, this print is sure to impress and spark conversation among your guests. Experience the richness of history in your own space with Media Storehouse's Framed Prints. Order yours today and bring a piece of the past into your present.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This engraving by Thomas Theodor Heine, published in the German satirical magazine Simplicissimus on July 26, 1922, offers a scathing commentary on the political landscape of post-World War I Germany. The image compares the challenges faced by two prominent German politicians during turbulent periods in German history: Chancellor Otto von Bismarck and Chancellor Joseph Wirth. Bismarck, depicted on the left, is shown attempting to contain the social democracy movement with one hand, represented by a large, muscular figure labeled "Socialism," while being confronted by a monarchist, symbolized by an aristocratic figure labeled "Reaction." The caption below reads, "Otto von Bismarck (1815-1898): The Oppressor vs. the Oppressed." On the right, Chancellor Joseph Wirth (1879-1956), who served as Chancellor from 1921 to 1922, is shown struggling to contain the monarchists, symbolized by a group of hooded figures labeled "Monarchists." The caption below reads, "Joseph Wirth (1879-1956): The Oppressed vs. the Oppressor." This caricature highlights the political instability and turmoil that marked the Weimar Republic, a period of German history marked by political and social upheaval. The image underscores the challenges faced by German leaders during this time, as they sought to navigate the complexities of a rapidly changing political landscape and maintain the stability of the young democracy. Thomas Theodor Heine's engraving is a testament to the power of satire as a means of commenting on political events and engaging the public in the discourse of the day. The image remains a valuable historical document, shedding light on the political tensions and challenges faced by Germany during the Weimar Republic and beyond.
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