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Framed Print : Charles Sims, The rebel powers that thee array
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Charles Sims, The rebel powers that thee array
The rebel powers that thee array. One of a series of Spiritual Ideas pictures by Charles Sims (1873-1928) which were exhibited at the Royal Academy in 1928, shortly after his death by suicide. They represent his last phase, entirely different from his earlier representational painting. Date: 1928
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Media ID 23059516
© Illustrated London News Ltd/Mary Evans
Academy Array Exhibited Ideas Mar18 Mystical Pictures Powers Rebel Sims Spiritual Thee 1928
18"x14" Modern Frame
Discover the captivating artistry of Charles Sims with our Framed Prints featuring his evocative work, "The rebel powers that thee array." This powerful piece, part of a series exhibited posthumously at the Royal Academy in 1928, showcases Sims' unique interpretation of spiritual ideas. Each print is meticulously framed to preserve and enhance the beauty of the original artwork, bringing a touch of timeless elegance and inspiration to your home or office space.
16x12 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 35.6cm x 40.6cm (14" x 16")
Estimated Product Size is 35.6cm x 45.7cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Charles Sims: The Rebel Powers That Thee Array (1928) - A Visionary Leap into the Mystical Realm Charles Sims' painting, "The Rebel Powers That Thee Array," is a captivating and enigmatic piece from his final series of Spiritual Ideas pictures, exhibited posthumously at the Royal Academy in 1928. This work, created in the late 1920s, represents a radical departure from Sims' earlier representational painting, offering a glimpse into the artist's deeply personal and mystical exploration of the human condition. The title itself, "The Rebel Powers That Thee Array," hints at the painting's complex and intriguing narrative. The term "rebel powers" suggests a challenge to the established order, while "array" implies a gathering or alignment. The viewer is left to ponder the nature of these powers and their intentions. The painting's composition is characterized by its rich, swirling colors and abstract, almost dreamlike forms. The use of bold brushstrokes and expressive lines adds to the sense of movement and energy, as if the painting is alive with the very forces it seeks to depict. The figures, if they can be discerned, are obscured by the vibrant colors and dynamic shapes that surround them. This work, along with the other Spiritual Ideas pictures, marked a significant shift in Sims' artistic style. These late paintings were created during a time of personal turmoil and introspection for the artist, who took his own life shortly after completing the series. The mystical and spiritual themes that emerge in these works reflect Sims' deep exploration of the human psyche and the complexities of the human experience. "The Rebel Powers That Thee Array" invites the viewer to contemplate the unknown, the mysterious, and the deeply personal. It is a testament to Sims' artistic vision and his willingness to push the boundaries of conventional painting, offering a glimpse into the realm of the spiritual and the unknown.
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