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Photographic Print : Charles Sims, The rebel powers that thee array
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Charles Sims, The rebel powers that thee array
The rebel powers that thee array. One of a series of Spiritual Ideas pictures by Charles Sims (1873-1928) which were exhibited at the Royal Academy in 1928, shortly after his death by suicide. They represent his last phase, entirely different from his earlier representational painting. Date: 1928
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Media ID 23059516
© Illustrated London News Ltd/Mary Evans
Academy Array Exhibited Ideas Mar18 Mystical Pictures Powers Rebel Sims Spiritual Thee 1928
11"x8.5" Photo Print
Experience the captivating allure of historical art with our Media Storehouse range of Photographic Prints featuring "The rebel powers that thee array" by Charles Sims. This evocative masterpiece, sourced from Mary Evans Prints Online, is a thought-provoking representation from the Spiritual Ideas series, which was exhibited at the Royal Academy in 1928. Charles Sims, a talented British painter, created this powerful work before taking his own life. Each print offers a stunning, high-quality reproduction, allowing you to bring a piece of history into your home or office.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 19.3cm x 27.9cm (7.6" x 11")
Estimated Product Size is 21.6cm x 27.9cm (8.5" x 11")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Charles Sims: The Rebel Powers That Thee Array (1928) - A Visionary Leap into the Mystical Realm Charles Sims' painting, "The Rebel Powers That Thee Array," is a captivating and enigmatic piece from his final series of Spiritual Ideas pictures, exhibited posthumously at the Royal Academy in 1928. This work, created in the late 1920s, represents a radical departure from Sims' earlier representational painting, offering a glimpse into the artist's deeply personal and mystical exploration of the human condition. The title itself, "The Rebel Powers That Thee Array," hints at the painting's complex and intriguing narrative. The term "rebel powers" suggests a challenge to the established order, while "array" implies a gathering or alignment. The viewer is left to ponder the nature of these powers and their intentions. The painting's composition is characterized by its rich, swirling colors and abstract, almost dreamlike forms. The use of bold brushstrokes and expressive lines adds to the sense of movement and energy, as if the painting is alive with the very forces it seeks to depict. The figures, if they can be discerned, are obscured by the vibrant colors and dynamic shapes that surround them. This work, along with the other Spiritual Ideas pictures, marked a significant shift in Sims' artistic style. These late paintings were created during a time of personal turmoil and introspection for the artist, who took his own life shortly after completing the series. The mystical and spiritual themes that emerge in these works reflect Sims' deep exploration of the human psyche and the complexities of the human experience. "The Rebel Powers That Thee Array" invites the viewer to contemplate the unknown, the mysterious, and the deeply personal. It is a testament to Sims' artistic vision and his willingness to push the boundaries of conventional painting, offering a glimpse into the realm of the spiritual and the unknown.
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