1528 Collection (page 6)

Albrecht DaOErer (German, 1471 - 1528), The Virgin Nursing the Child, 1519, engraving

Bernhard Strigel (German, 1460-1461 - 1528), Hans Roth [obverse], 1527, oil on panel

Veronese, The Martyrdom and Last Communion of Saint Lucy, Italian, 1528 - 1588, c. 1582, oil on canvas

Albrecht DaOErer, Portrait of a Clergyman (Johann Dorsch?), German, 1471 - 1528, 1516, oil on parchment on fabric

Albrecht DaOErer, The Triumphal Arch of Maximilian, German, 1471 - 1528, 1515 (1799 edition), 42 woodcuts and 2 etchings on laid paper assembled to form one image

Albrecht DaOErer, Saint Michael Fighting the Dragon, German, 1471 - 1528, probably c. 1496-1498, woodcut

Albrecht DaOErer, The Betrothal of Maximilian with Mary of Burgundy, German, 1471 - 1528, 1511, woodcut

Albrecht DaOErer, An Oriental Ruler Seated on His Throne, German, 1471 - 1528, c. 1495, pen and black ink on laid paper

Albrecht DaOErer (German, 1471 - 1528), Knight, Death and Devil, 1513, engraving

Albrecht DaOErer, Title Page, German, 1471 - 1528, 1498, woodcut on laid paper

Albrecht DaOErer, The Man of Sorrows with Hands Bound, German, 1471 - 1528, 1512, drypoint

Giuliano Bugiardini, Leonardo de Ginori, Italian, 1475 - 1554, c. 1528, oil on panel

Martha and Mary Magdalene before Christ, Penni, Giovanni Francesco, approximately 1496-approximately 1528, Martha presenting her sister Mary Magdalene to Jesus, who reaches his arm out to greet them

CLOTHWORKERS COMPANYs CUP, PEPYS. The Worshipful Company of Clothworkers was incorporated by Royal Charter in 1528, london, UK, britain, british, europe, united kingdom, great britain, european

The arms of the Amsterdam Chamber of Rhetoric The Eglantine, The Netherlands
The arms of the Amsterdam Chamber of Rhetoric " The Eglantine", The Netherlands, Jacob Cornelisz van Oostsanen, 1528

Portrait of Erard de la Marck, Jan Cornelisz Vermeyen, c. 1528 - c. 1530

Muse with Lute, Jacopo Tintoretto, 1528 - 1594

Giuseppe Maria Mitelli (Italian, 1634 - 1718) after Paolo Veronese (Italian, 1528 - 1588). St. Magdalen Anointing the Feet of Christ in the House of Simon the Pharisee. Engraving and etching

Etienne Delaune (French, ca. 1519-1583) after Giovanni Francesco Penni (aka Francesco Penni il Fattore, Italian, ca. 1496 - ca. 1528)

Federico Barocci (Italian, 1528 - 1612). St. Francis Receiving the Stigmata. Engraving and etching from unfinished plate with an unsuccessful attempt at multiple bite

Federico Barocci (Italian, 1528 - 1612). Virgin and Child on a Cloud. Etching

Stag Beetle; Albrecht Durer, German, 1471 - 1528; 1505; Watercolor and gouache; upper left corner of paper added, with tip of left antenna painted in by a later hand; 14.1 x 11.4 cm

Sheet of Studies for The Martyrdom of Saint George (recto), S
Sheet of Studies for " The Martyrdom of Saint George" (recto), Studies of a House, Tree, Heads, Artists Tools, Decorative Motifs, and Computations (verso); Paolo Veronese (Paolo Caliari)

Study of the Good Thief; Albrecht Durer, German, 1471 - 1528; about 1503 - 1505; Pen and brown ink; 26.8 x 12.7 cm (10 9/16 x 5 in.)

Studies of Armor; Paolo Veronese (Paolo Caliari) or workshop, Italian, 1528 - 1588; Italy, Europe; about 1570; Black chalk, brown wash

Study of the Martyrdom of Saint Peter Martyr; Pordenone (Giovanni Antonio de Sacchis), Italian, about 1483/1484 - 1539; Italy, Europe; 1526 - 1528; Red chalk; 24.4 x 20.6 cm (9 5/8 x 8 1/8 in.)

The Martyrdom of Saint Justina; Paolo Veronese (Paolo Caliari), Italian, 1528 - 1588; Italy, Europe; 1575; Pen and brown ink, brush with brown and gray washes, heightened with white gouache

Design for an Ornament or Signet Ring with the Arms of Lazarus Spengler; Albrecht Durer, German, 1471 - 1528; Germany, Europe; 1516; Pen and brown ink; 5.9 x 5.4 cm (2 5/16 x 2 1/8 in.)

Design for a Pendant Jewel; Attributed to Theodor de Bry, Flemish, active in Germany, 1528 - 1598; Netherlands, Europe; about 1580 - 1590; Pen and black ink and brown wash; 7.4 x 4.8 cm

Rocky Landscape with a Waterfall; Girolamo Muziano, Italian, 1528 ? - 1592; about 1570 - 1575; Pen and brown ink; 48.1 x 38.6 cm (18 15/16 x 15 3/16 in.)

Portrait of a Halberdier (Francesco Guardi?); Pontormo (Jacopo Carucci), Italian (Florentine), 1494 - 1557; Italy, Europe; 1528 - 1530; Oil (or oil and tempera)

Bust of a Young Man; Antico (Pier Jacopo Alari-Bonacolsi), Italian (Mantua), about 1460 - 1528; Mantua, Italy, Lombardia, Europe; about 1520; Bronze with silver eyes; Object: H: 54.6 x W: 45 x D

Saint Paul; Master of the Getty Epistles, French, active about 1528 - about 1549; Paris, France, Europe; about 1520 - 1530; Tempera colors and gold paint on parchment; Leaf: 16.5 x 10.3 cm (Leaf)

Agnolo Bronzino, The Holy Family, Italian, 1503-1572, c. 1527-1528, oil on panel

Veronese, The Annunciation, Italian, 1528-1588, c. 1580, oil on canvas

Veronese (Italian, 1528-1588), Rebecca at the Well, 1580-1585, oil on canvas

Bernhard Strigel, Saint Mary Salome and Her Family, German, 1460-1461-1528, c. 1520-1528, oil on panel

Bernhard Strigel, Saint Mary Cleophas and Her Family, German, 1460-1461-1528, c. 1520-1528, oil on panel

Veronese, Saint Lucy and a Donor, Italian, 1528-1588, probably c. 1580, oil on canvas

Moderno, Cacus Stealing the Cattle of Geryon from Hercules, Italian, 1467-1528, late 15th-early 16th century, bronze--Medium brown patina

Parmigianino (Italian, 1503-1540), The Resurrection of Christ, c. 1528-1529, etching and engraving on laid paper

Master IB (German, active c. 1523-1530), The Triumph of Bacchus, 1528, engraving

Albrecht Durer (German, 1471-1528), Eobanus Hess, 1526, woodcut

Albrecht Durer (German, 1471-1528), Justice, Truth and Reason in the Stocks with the Seated Judge and Sleeping Piety, probably 1526, woodcut

Albrecht Durer (German, 1471-1528), The Rhinoceros, 1515, woodcut

Albrecht Durer (German, 1471-1528), The Birth of the Virgin, c. 1503-1504, woodcut

Albrecht Durer (German, 1471-1528), The Last Supper, 1523, woodcut

Albrecht Durer (German, 1471-1528), The Resurrection, 1510, woodcut

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In the year 1528, a multitude of significant events unfolded across different parts of the world. Ambrose Dudley Warwick and Balthasar Hubmaier were prominent figures during this time, leaving their mark on history. Meanwhile, in the Azores Islands, a woodcut map created by Benedetto Bordone provided a glimpse into the beauty and geography of these enchanting lands. It was a testament to human curiosity and exploration. The political landscape also witnessed upheaval as Catherine of Aragon faced her infamous divorce from King Henry VIII. This event would forever alter the course of English history and have far-reaching consequences for both individuals involved. Amidst all these happenings, Margaret Vergh Gryffyth emerged as an intriguing figure - known as the horned woman. Her presence challenged societal norms and sparked curiosity among those who encountered her. Artistic expression flourished during this period too. Jan Cornelisz Vermeyen's painting "The Holy Family" captured the essence of familial love with its delicate brushwork and tender portrayal. Similarly, Albrecht Dürer's "The Annunciation" depicted a divine moment frozen in time through his masterful technique. On another continent, Juan de Garay laid the foundation for Buenos Aires for the second time - shaping its destiny as one of South America's most vibrant cities today. Philipp Schwarzerd Melanchthon played an influential role in religious reform alongside Martin Luther during this era. His intellectual contributions left an indelible mark on Protestantism and theological discourse at large. Lastly, Theodor de Bry showcased various aspects of life through his works such as "Ritual Friendship Dance" and "Brevis Narratio Eorum. " These illustrations offered glimpses into diverse cultures around the world while fostering understanding between different societies.