1528 Collection (#7)

Studies of Armor; Paolo Veronese (Paolo Caliari) or workshop, Italian, 1528 - 1588; Italy, Europe; about 1570; Black chalk, brown wash

Study of the Martyrdom of Saint Peter Martyr; Pordenone (Giovanni Antonio de Sacchis), Italian, about 1483/1484 - 1539; Italy, Europe; 1526 - 1528; Red chalk; 24.4 x 20.6 cm (9 5/8 x 8 1/8 in.)

The Martyrdom of Saint Justina; Paolo Veronese (Paolo Caliari), Italian, 1528 - 1588; Italy, Europe; 1575; Pen and brown ink, brush with brown and gray washes, heightened with white gouache

Design for an Ornament or Signet Ring with the Arms of Lazarus Spengler; Albrecht Durer, German, 1471 - 1528; Germany, Europe; 1516; Pen and brown ink; 5.9 x 5.4 cm (2 5/16 x 2 1/8 in.)

Design for a Pendant Jewel; Attributed to Theodor de Bry, Flemish, active in Germany, 1528 - 1598; Netherlands, Europe; about 1580 - 1590; Pen and black ink and brown wash; 7.4 x 4.8 cm

Rocky Landscape with a Waterfall; Girolamo Muziano, Italian, 1528 ? - 1592; about 1570 - 1575; Pen and brown ink; 48.1 x 38.6 cm (18 15/16 x 15 3/16 in.)

Portrait of a Halberdier (Francesco Guardi?); Pontormo (Jacopo Carucci), Italian (Florentine), 1494 - 1557; Italy, Europe; 1528 - 1530; Oil (or oil and tempera)

Bust of a Young Man; Antico (Pier Jacopo Alari-Bonacolsi), Italian (Mantua), about 1460 - 1528; Mantua, Italy, Lombardia, Europe; about 1520; Bronze with silver eyes; Object: H: 54.6 x W: 45 x D

Saint Paul; Master of the Getty Epistles, French, active about 1528 - about 1549; Paris, France, Europe; about 1520 - 1530; Tempera colors and gold paint on parchment; Leaf: 16.5 x 10.3 cm (Leaf)

Agnolo Bronzino, The Holy Family, Italian, 1503-1572, c. 1527-1528, oil on panel

Veronese, The Annunciation, Italian, 1528-1588, c. 1580, oil on canvas

Veronese (Italian, 1528-1588), Rebecca at the Well, 1580-1585, oil on canvas

Bernhard Strigel, Saint Mary Salome and Her Family, German, 1460-1461-1528, c. 1520-1528, oil on panel

Bernhard Strigel, Saint Mary Cleophas and Her Family, German, 1460-1461-1528, c. 1520-1528, oil on panel

Veronese, Saint Lucy and a Donor, Italian, 1528-1588, probably c. 1580, oil on canvas

Moderno, Cacus Stealing the Cattle of Geryon from Hercules, Italian, 1467-1528, late 15th-early 16th century, bronze--Medium brown patina

Parmigianino (Italian, 1503-1540), The Resurrection of Christ, c. 1528-1529, etching and engraving on laid paper

Master IB (German, active c. 1523-1530), The Triumph of Bacchus, 1528, engraving

Albrecht Durer (German, 1471-1528), Eobanus Hess, 1526, woodcut

Albrecht Durer (German, 1471-1528), Justice, Truth and Reason in the Stocks with the Seated Judge and Sleeping Piety, probably 1526, woodcut

Albrecht Durer (German, 1471-1528), The Rhinoceros, 1515, woodcut

Albrecht Durer (German, 1471-1528), The Birth of the Virgin, c. 1503-1504, woodcut

Albrecht Durer (German, 1471-1528), The Last Supper, 1523, woodcut

Albrecht Durer (German, 1471-1528), The Resurrection, 1510, woodcut

Albrecht Durer (German, 1471-1528), The Prodigal Son, c. 1496, engraving

Albrecht Durer (German, 1471-1528), Four Naked Women, 1497, engraving

Albrecht Durer (German, 1471-1528), The Cook and His Wife, c. 1496-1497, engraving

Albrecht Durer (German, 1471-1528), Small Horse, 1505, engraving

Albrecht Durer (German, 1471-1528), The Ascension, probably c. 1509-1510, woodcut

Albrecht Durer (German, 1471-1528), The Deposition, probably c. 1509-1510, woodcut

Albrecht Durer (German, 1471-1528), The Lamentation, probably c. 1509-1510, woodcut

Albrecht Durer (German, 1471-1528), Christ in Limbo, probably c. 1509-1510, woodcut

Albrecht Durer (German, 1471-1528), Ecce Homo, probably c. 1509-1510, woodcut

Albrecht Durer (German, 1471-1528), Christ on the Mount of Olives, probably c. 1509-1510, woodcut

Albrecht Durer (German, 1471-1528), The Annunciation, probably c. 1509-1510, woodcut

Albrecht Durer (German, 1471-1528), Saint Thomas, 1514, engraving

Albrecht Durer (German, 1471-1528), Saint Simon, 1523, engraving

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In the year 1528, a multitude of significant events unfolded across different parts of the world. Ambrose Dudley Warwick and Balthasar Hubmaier were prominent figures during this time, leaving their mark on history. Meanwhile, in the Azores Islands, a woodcut map created by Benedetto Bordone provided a glimpse into the beauty and geography of these enchanting lands. It was a testament to human curiosity and exploration. The political landscape also witnessed upheaval as Catherine of Aragon faced her infamous divorce from King Henry VIII. This event would forever alter the course of English history and have far-reaching consequences for both individuals involved. Amidst all these happenings, Margaret Vergh Gryffyth emerged as an intriguing figure - known as the horned woman. Her presence challenged societal norms and sparked curiosity among those who encountered her. Artistic expression flourished during this period too. Jan Cornelisz Vermeyen's painting "The Holy Family" captured the essence of familial love with its delicate brushwork and tender portrayal. Similarly, Albrecht Dürer's "The Annunciation" depicted a divine moment frozen in time through his masterful technique. On another continent, Juan de Garay laid the foundation for Buenos Aires for the second time - shaping its destiny as one of South America's most vibrant cities today. Philipp Schwarzerd Melanchthon played an influential role in religious reform alongside Martin Luther during this era. His intellectual contributions left an indelible mark on Protestantism and theological discourse at large. Lastly, Theodor de Bry showcased various aspects of life through his works such as "Ritual Friendship Dance" and "Brevis Narratio Eorum. " These illustrations offered glimpses into diverse cultures around the world while fostering understanding between different societies.