1609 Collection (#6)

Franazois Collignon after Stefano Della Bella (French, c. 1609 - 1657), Cartouche, probably 1646, etching

Attributed to Franazois Collignon after Jacques Callot (French, c. 1609 - 1657), Saint John on the Isle of Patmos, etching

Federico Zuccaro (Italian, 1542-1543 - 1609), Angels and Putti in the Clouds, 1566, red and black chalk, incised with stylus, on laid paper squared with red chalk

Alvise dal Friso (Italian, c. 1544 - 1609), The Lamentation with Saints, c. 1580, pen and brown ink on laid paper

Joseph Heintz the Elder (Swiss, 1564 - 1609), The Toilet of Venus, c. 1590, pen and ink over red and black chalk with wash and heightening on laid paper

Giovanni Benedetto Castiglione, The Nativity with God the Father and the Holy Spirit, Italian, 1609 or before - 1664, c. 1645, etching on laid paper

Giovanni Benedetto Castiglione, The Madonna and Child, Italian, 1609 or before - 1664, 1650-1655, etching on laid paper

The miraculous draught of fishes, between 1500 and 1530, printed 1609, Carpi, Ugo da, 1480-approximately 1532

CAPTAIN SMITH, FROM THE PORTRAIT IN HIS VIRGINIA, He was an English soldier, explorer, and author. He was considered to have played an important part in the establishment of the first permanent

Christ among the Doctors, Orazio Borgianni, c. 1609

Portrait of Sir William Brog, Colonel of the Old Scotch Guards, workshop of Jan Antonisz van Ravesteyn, c. 1609 - c. 1633

Portrait of Nicols Schmelzing, workshop of Michiel Jansz van Mierevelt, c. 1609 - c. 1633

Portrait of Francisco Hurtado de Mendoza, Admiral of Aragon, workshop of Jan Antonisz van Ravesteyn, c. 1609 - c. 1633

Portrait of Sir Robert Henderson of Tunnegask, Colonel of the Scotch Guards, workshop of Jan Antonisz van Ravesteyn, c. 1609 - c. 1633

Portrait of Ambrogio Spinola, workshop of Michiel Jansz van Mierevelt, c. 1609 - c. 1633

Portrait of Willem de Soete de Laeke, Lord of Hautain, workshop of Jan Antonisz van Ravesteyn, c. 1609 - c. 1633

Portrait of Charles de Levin, Lord of Famars, Forimont and Lousart, workshop of Jan Antonisz van Ravesteyn, c. 1609 - c. 1633

Portrait of Adolf, Count of Nassau-Siegen, workshop of Jan Antonisz van Ravesteyn, c. 1609 - 1633

Portrait of Gaspard de Coligny, workshop of Jan Antonisz van Ravesteyn, c. 1609 - c. 1633

Portrait of Robert Dudley, Earl of Leicester, workshop of Jan Antonisz van Ravesteyn, c. 1609 - c. 1633

Kenau Simonsdr Hasselaer, Anonymous, c. 1590 - c. 1609

Portrait of an unknown Count or Officer, possibly Count John the Old of Nassau or Louis of Nassau, Anonymous, c. 1609 - c. 1633

Portrait of Count William-Louis of Nassau, nicknamed Our Father in West Frisian, workshop of Michiel Jansz van Mierevelt, 1609

Portrait of Count Louis-Gunther of Nassau, workshop of Jan Antonisz van Ravesteyn, c. 1609 - c. 1633

Portrait of Louis, Count of Nassau, Anonymous, c. 1609 - c. 1633

Portrait of Prince Philip William of Orange, workshop of Michiel Jansz van Mierevelt, c. 1609 - c. 1633

Portrait of Ambrogio Spinola, Michiel Jansz van Mierevelt, 1609

Esau selling his birthright, copy after Paulus Moreelse, after 1609

Death of Adonis, Hendrick Goltzius, 1609

H Penitent Mary Magdalene, Willem Isaacsz. van Swanenburg, Cornelis Gijsbertsz. Plemp, Jacques Razet, 1609

Theatrum anatomicum van Leidse Academie, 1609. Jacob Marcus, 1609

The physician as a devil, Johann Gelle, Egbert van Panderen, Hendrick Goltzius, 1609

Wooded landscape with two hunters and a dog, Aegidius Sadeler, Roelant Savery, 1609

Forest landscape with wooden bridge, Aegidius Sadeler, 1609

Black Ornament, Esaias van Hulsen, 1609

Portrait of Camillus Berellius, Martin van Buyten, 1609

Esau sells his birthright to Jacob William Isaacsz. van Swanenburg, Petrus Scriverius, Johannes Janssonius, 1609

Carlo Francesco Nuvolone (Italian, 1609 - 1662). The Holy Family, ca. 1630- 1660. Woodcut

Portrait of Carolus Clusius at the age of 75, Jacob de Gheyn (II), 1601

Charles-Antoine Coypel (French, 1694 - 1752) after Giovanni Benedetto Castiglione (Italian, 1609 - 1664). Hagar and Ishmael, ca. 1740-1750. Etching. Plate: 320 mm x 467 mm (12.6 in. x 18.39 in.)

Francesco Brizio (Italian, ca. 1574-1623) after Annibale Carracci (Italian, 1560 - 1609). The Virgin with the White Raven (La Vierge du Corbeau Blanc). Etching

Giovanni Benedetto Castiglione (Italian, 1609 - 1664). God the Father and the Holy Spirit, Watching over the Newborn Child (Dieu le pere considerant son fils, nouvellement ne), ca. 1645. Etching

Annibale Carracci (Italian, 1560 - 1609). St. Jerome in the Wilderness, ca. 1591. Etching. Plate: 255 mm x 188 mm (10.04 in. x 7.4 in.). Second state

The Expulsion of Hagar; Giovanni Benedetto Castiglione, Italian, 1609 - 1664; Italy, Europe; late 1640s; Red-brown, blue-green

Four Studies of Heads Drawn over a Copy of Saint John the Evangelist by Correggio (recto), Three Studies of Men (verso); Annibale Carracci, Italian, 1560 - 1609, or Lodovico Carracci, Italian

Young Woman Assisted by a Gentleman; Joachim Anthonisz. Wtewael, Dutch, 1566 - 1638; about 1609 - 1611; Pen and black ink, gray wash

View of Saint Peters (recto), Study of a Young Man (verso); Federico Zuccaro, Italian, about 1541 - 1609; Italy, Europe; 1603; Red chalk (recto); Red and black chalk (verso)

Pastoral Journey; Giovanni Benedetto Castiglione, Italian, 1609 - 1664; about 1650; Brush and brown oil paint and touches of white, blue and rose gouache; 28.1 x 41.3 cm (11 1/16 x 16 1/4 in.)

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In the year 1609, a multitude of significant events unfolded across various corners of the world. Johannes Kepler's groundbreaking discoveries in the Kepler Planetary System revolutionized our understanding of celestial bodies and their movements. Meanwhile, Jacobus Arminius challenged prevailing religious beliefs with his theological teachings. A letter from Captain Cook shed light on his encounters with indigenous Huron Indians during his explorations, while Samuel de Champlain navigated through treacherous waters near Bermuda after the Somers wreck. In Scotland, The Auld Brig stood as a testament to enduring engineering marvels in Keith. The expulsion of Moriscos from Spain under Philip III's order marked a dark chapter in history, highlighting religious intolerance and persecution. On a brighter note, New River Head brought fresh water to Londoners for the first time. Fast forward to 1942 when American S160 Class locomotive No. 1609 arrived at Newport Docks—a symbol of industrial progress and transportation advancements during World War II. In Colmar, France, La Maison des Tetes showcased architectural splendor within its old town walls. Artistic endeavors thrived as Peter Paul Rubens immortalized himself and his wife Isabella Brandt in "Self-portrait with Honeysuckle. " Across Europe, The Venice Haggadah provided an invaluable glimpse into Jewish culture and traditions. As we reflect upon these diverse events that transpired in 1609, it becomes evident that this year was not merely defined by one singular narrative but rather by an intricate tapestry woven together by scientific breakthroughs, cultural exchanges, human triumphs and tragedies alike—each contributing to shaping our shared history.