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1637 Collection (page 5)

"1637: A Tapestry of Trials, Theories, and Triumphs" Step back in time to the year 1637, a pivotal moment in history where various events unfolded

Background image1637 Collection: Crispijn de Passe I after Maarten de Vos (Dutch, c. 1565 - 1637), Belshazzars Feast

Crispijn de Passe I after Maarten de Vos (Dutch, c. 1565 - 1637), Belshazzars Feast, engraving on laid paper

Background image1637 Collection: Giovanni Battista Mercati (Italian, 1600 - active 1637), Saint Anthony of Padua, etching

Giovanni Battista Mercati (Italian, 1600 - active 1637), Saint Anthony of Padua, etching

Background image1637 Collection: Stefano Della Bella after Alfonso Parigi II (Italian, 1610 - 1664), Sesta Scena di

Stefano Della Bella after Alfonso Parigi II (Italian, 1610 - 1664), Sesta Scena di Tutto Cielo, 1637, etching on laid paper

Background image1637 Collection: Sa bastien Le Clerc I (French, 1637 - 1714), Landscape with Church and Town in Distance

Sa bastien Le Clerc I (French, 1637 - 1714), Landscape with Church and Town in Distance
Sa© bastien Le Clerc I (French, 1637 - 1714), Landscape with Church and Town in Distance, 1673, etching

Background image1637 Collection: Tiberio Tinelli (Italian, 1586 - 1638), Lodovico Widmann, probably 1637, oil on canvas

Tiberio Tinelli (Italian, 1586 - 1638), Lodovico Widmann, probably 1637, oil on canvas

Background image1637 Collection: The Sovereign of the Seas. 1637

The Sovereign of the Seas. 1637

Background image1637 Collection: Siege of Breda, The Netherlands, sheet with portrait of Frederik Hendrik, 1637, Jan

Siege of Breda, The Netherlands, sheet with portrait of Frederik Hendrik, 1637, Jan Gerritsz. van Bronchorst, 1637

Background image1637 Collection: Penitent Mary Magdalene, Jan Barentsz. Muyckens, 1637

Penitent Mary Magdalene, Jan Barentsz. Muyckens, 1637

Background image1637 Collection: The transept of the Mariakerk in Utrecht, seen from the northeast, The Netherlands

The transept of the Mariakerk in Utrecht, seen from the northeast, The Netherlands, Pieter Jansz. Saenredam, 1637

Background image1637 Collection: Harbour at Sunrise, Gellee, Le Lorrain, Claude, c. 1637 - c. 1638

Harbour at Sunrise, Gellee, Le Lorrain, Claude, c. 1637 - c. 1638

Background image1637 Collection: Pan and Syrinx, Caesar Boetius van Everdingen, c. 1637 - c. 1640

Pan and Syrinx, Caesar Boetius van Everdingen, c. 1637 - c. 1640

Background image1637 Collection: Portrait of a Woman, Pieter Dubordieu, 1637

Portrait of a Woman, Pieter Dubordieu, 1637

Background image1637 Collection: View of the Island of Itamaraca, Brazil, Frans Jansz Post, 1637

View of the Island of Itamaraca, Brazil, Frans Jansz Post, 1637

Background image1637 Collection: The carrying of the cross, Peter Paul Rubens, 1634 - 1637

The carrying of the cross, Peter Paul Rubens, 1634 - 1637

Background image1637 Collection: Portrait of a young Woman, Anonymous, 1637

Portrait of a young Woman, Anonymous, 1637

Background image1637 Collection: Return of the Falconer, Simon de Vlieger, 1637

Return of the Falconer, Simon de Vlieger, 1637

Background image1637 Collection: Siege of Breda (leaf with riders), 1637, Jan Gerritsz. van Bronchorst, 1637

Siege of Breda (leaf with riders), 1637, Jan Gerritsz. van Bronchorst, 1637

Background image1637 Collection: Boy with stick near cave, Jan Gerritsz. van Bronchorst, Aegidius Roman, 1637

Boy with stick near cave, Jan Gerritsz. van Bronchorst, Aegidius Roman, 1637

Background image1637 Collection: Christ on the cross, Nicolaes de Bruyn, Pieter Schenk (I), 1637

Christ on the cross, Nicolaes de Bruyn, Pieter Schenk (I), 1637

Background image1637 Collection: Solomon Writing

Solomon Writing; Malnazar, Armenian, active about 1630s, and Aghap ir; Isfahan, Persia, Asia; 1637 - 1638; Tempera colors, gold paint

Background image1637 Collection: The Creation of the World

The Creation of the World; Malnazar, Armenian, active about 1630s, and Aghap ir; Isfahan, Persia, Asia; 1637 - 1638; Tempera colors, gold paint

Background image1637 Collection: Hannah before Eli the High Priest

Hannah before Eli the High Priest; Malnazar, Armenian, active about 1630s, and Aghap ir; Isfahan, Persia, Asia; 1637 - 1638; Tempera colors, gold paint

Background image1637 Collection: Saint Paul and Sergius, Roman Proconsul in Cyprus

Saint Paul and Sergius, Roman Proconsul in Cyprus; Malnazar, Armenian, active about 1630s, and Aghap ir; Isfahan, Persia, Asia; 1637 - 1638; Tempera colors, gold paint

Background image1637 Collection: Adriaen Haelwegh (Dutch, 1637-after 1696), Cardinal Giovanni Carlo dei Medici, before

Adriaen Haelwegh (Dutch, 1637-after 1696), Cardinal Giovanni Carlo dei Medici, before 1691, engraving on laid paper

Background image1637 Collection: Crispijn de Passe I (Dutch, c. 1565-1637), Elizabeth, Queen of England, engraving

Crispijn de Passe I (Dutch, c. 1565-1637), Elizabeth, Queen of England, engraving

Background image1637 Collection: Crispijn van de Passe I after Maarten de Vos, History of the Maccabees, Dutch, c

Crispijn van de Passe I after Maarten de Vos, History of the Maccabees, Dutch, c. 1565-1637, engraving on laid paper

Background image1637 Collection: SIEGE OF STRALSUND, 1628. Albrecht von Wallensteins unsuccessful siege of Stralsund

SIEGE OF STRALSUND, 1628. Albrecht von Wallensteins unsuccessful siege of Stralsund, Germany, 1628. Line engraving, 1637

Background image1637 Collection: GERMANY: MERCHANTS, 1637. German merchants mourning the death of credit, represented

GERMANY: MERCHANTS, 1637. German merchants mourning the death of credit, represented by the supine figure, and the poor state of the economy after nearly twenty years of war. German broadsheet, 1637

Background image1637 Collection: PHYSIOGNOMY, 1637. Forehead of an adventurer. Woodcut, 1637, from Ciro Spontinis Metoposcopia

PHYSIOGNOMY, 1637. Forehead of an adventurer. Woodcut, 1637, from Ciro Spontinis Metoposcopia

Background image1637 Collection: PHYSIOGNOMY, 1637. Forehead of an imbecile and long-lived man

PHYSIOGNOMY, 1637. Forehead of an imbecile and long-lived man. Woodcut, 1637, from Ciro Spontinis Metoposcopia

Background image1637 Collection: PHYSIOGNOMY, 1637. Forehead of an unintelligent man

PHYSIOGNOMY, 1637. Forehead of an unintelligent man. Woodcut, 1637, from Ciro Spontinis Metoposcopia

Background image1637 Collection: PHYSIOGNOMY, 1637. Forehead of an immoderate and sick man

PHYSIOGNOMY, 1637. Forehead of an immoderate and sick man. Woodcut, 1637, from Ciro Spontinis Metoposcopia

Background image1637 Collection: MARIN MERSENNE (1588-1648). French musician, mathematician, natural philosopher

MARIN MERSENNE (1588-1648). French musician, mathematician, natural philosopher. Half-title page of the first edition of Marin Mersennes Harmonie Universelle. Paris, 1636-37

Background image1637 Collection: DESCARTES MANUSCRIPT. Title-page of the first edition of Rene Descartes Discours de la Methode

DESCARTES MANUSCRIPT. Title-page of the first edition of Rene Descartes Discours de la Methode, Leyden, 1637. This fundamental work in philosophy and on the method of science

Background image1637 Collection: SIR JOHN BACKHOUSE (1582-1649). English landowner and politician

SIR JOHN BACKHOUSE (1582-1649). English landowner and politician. Wearing the badge of the Order of Bath while standing next to a painting of the New River Company reservoir that had been built

Background image1637 Collection: PRINTING DECREE, 1637. Title-page of the Star Chamber decree on printing, London, 1637

PRINTING DECREE, 1637. Title-page of the Star Chamber decree on printing, London, 1637

Background image1637 Collection: Albrecht von Wallensteins assault on the Swedish camp near Furth, Germany

Albrecht von Wallensteins assault on the Swedish camp near Furth, Germany, during the Thirty Years War, 1632
BATTLE OF FURTH, 1632. Albrecht von Wallensteins assault on the Swedish camp near Furth, Germany, during the Thirty Years War, 1632. Line engraving, 1637

Background image1637 Collection: The position of the planets on the human forehead. Woodcut from Ciro Spontonis Metoposcopia

The position of the planets on the human forehead. Woodcut from Ciro Spontonis Metoposcopia, Venice, Italy, 1637
METOPOSCOPY CHART, 1637. The position of the planets on the human forehead. Woodcut from Ciro Spontonis Metoposcopia, Venice, Italy, 1637

Background image1637 Collection: Self Portrait, 1637. Oil on canvas. Rembrandt van Rijn (1606-1669) Dutch painter

Self Portrait, 1637. Oil on canvas. Rembrandt van Rijn (1606-1669) Dutch painter. Head-and-shoulders image with subject facing front

Background image1637 Collection: Henry Burton (1578-1648) English Puritan divine. Engraving after Wenceslaus Hollar (1637)

Henry Burton (1578-1648) English Puritan divine. Engraving after Wenceslaus Hollar (1637)

Background image1637 Collection: The Sovereign of the Seas. 1637

The Sovereign of the Seas. 1637

Background image1637 Collection: Oil on wood by Willem Claesz Heda

Oil on wood by Willem Claesz Heda
HEDA: A DESSERT, 1637. Oil on wood by Willem Claesz Heda

Background image1637 Collection: PHYSIOGNOMY, 1637. Forehead of a poet and musician. Woodcut, 1637, from Ciro Spontinis Metoposcopia

PHYSIOGNOMY, 1637. Forehead of a poet and musician. Woodcut, 1637, from Ciro Spontinis Metoposcopia

Background image1637 Collection: CONNECTICUT: PEQUOT WAR. Colonial and religious leader Thomas Hooker addressing the soldiers of

CONNECTICUT: PEQUOT WAR. Colonial and religious leader Thomas Hooker addressing the soldiers of Connecticut Colony during the Pequot War (1636-37). Line engraving, early 19th century

Background image1637 Collection: EDINBURGH: RIOT, 1637. Rioting erupts at the High Church in Edinburgh, Scotland

EDINBURGH: RIOT, 1637. Rioting erupts at the High Church in Edinburgh, Scotland, in response to the first reading of the new Scottish prayer book, known as Lauds Liturgy, in 1637

Background image1637 Collection: EDINBURGH: RIOT, 1637. A bishop pursued to the steps of the council house in Edinburgh, Scotland

EDINBURGH: RIOT, 1637. A bishop pursued to the steps of the council house in Edinburgh, Scotland, by a riotous crowd incensed at attempts to introduce Lauds Liturgy into Scottish churches, 1637

Background image1637 Collection: PEQUOT WAR, 1637. Colonial soldiers resting at Porters Rocks before the assault on the main Pequot

PEQUOT WAR, 1637. Colonial soldiers resting at Porters Rocks before the assault on the main Pequot fort near Stonington, Connecticut, May 1637. Wood engraving, early 19th century




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"1637: A Tapestry of Trials, Theories, and Triumphs" Step back in time to the year 1637, a pivotal moment in history where various events unfolded, shaping the world as we know it today. Among these significant occurrences was the trial of Anne Hutchinson at Boston. This wood engraving from the 19th century vividly depicts this historic event, showcasing the strength and resilience of a woman who dared to challenge societal norms. Meanwhile, across continents and disciplines, great minds were delving into new realms of knowledge. René Descartes' groundbreaking optics theory emerged during this era, revolutionizing our understanding of light and vision. His ideas paved the way for advancements that would shape modern science. Artistic brilliance also flourished during this period with Theodore Rombouts' masterpiece "Boulon. " This captivating painting transports us to another realm as we witness Peter Paul Rubens' interpretation of Icarus's tragic fall in his oil sketch on wood titled "The Fall of Icarus. " These works serve as timeless reminders of human creativity transcending time. In matters political and social, Charles I reigned over England and Scotland during these tumultuous times. His rule faced challenges that would ultimately lead to his downfall but not before leaving an indelible mark on British history. Amidst all these happenings came a satirical take on Tulipomania – a craze surrounding tulips that gripped society in 1637. Through biting humor and wit, this satire shed light on irrational exuberance within financial markets while offering commentary on human nature itself. Johann Gerhard's contributions to theology further enriched intellectual discourse during this period. His writings explored profound questions about faith and spirituality that continue to resonate with seekers even today. As dawn broke over Durbar Square with its majestic Garuda statue perched atop a column, one could sense both tranquility and grandeur.