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Allegorical Collection (page 100)

"Unveiling the Depths: Allegorical Representations Across Time and Space" From the "Kiss of the Oceans" at the Panama Canal, where Atlantic meets Pacific

Background imageAllegorical Collection: Allegorical Study

Allegorical Study
BAL1742 Allegorical Study by Thornhill, James (1675-1734); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageAllegorical Collection: Engineer shows a construction drawing, Theodor Matham, Lowijs Elzevier III, 1648

Engineer shows a construction drawing, Theodor Matham, Lowijs Elzevier III, 1648

Background imageAllegorical Collection: Allegory in Honour of the Birth of Henri de France (1820-83) Duke of Bordeaux in 1820

Allegory in Honour of the Birth of Henri de France (1820-83) Duke of Bordeaux in 1820
XIR232684 Allegory in Honour of the Birth of Henri de France (1820-83) Duke of Bordeaux in 1820, 1821 (oil on canvas) by Tardieu, Jean-Charles (1765-1830); 146.5x114 cm; Musee des Beaux-Arts, Rouen

Background imageAllegorical Collection: Death on a Pale Horse, c. 1775 (pen and black ink on wove paper)

Death on a Pale Horse, c. 1775 (pen and black ink on wove paper)
XYC172890 Death on a Pale Horse, c.1775 (pen and black ink on wove paper) by Mortimer, John Hamilton (1741-79); 62.5x46.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageAllegorical Collection: Genius Teaching the Arts, 1761 (oil on canvas) (detail)

Genius Teaching the Arts, 1761 (oil on canvas) (detail)
XIR172611 Genius Teaching the Arts, 1761 (oil on canvas) (detail) by Boucher, Francois (1703-70); 350x320 cm; Musee des Beaux-Arts, Angers

Background imageAllegorical Collection: Illustration for The Dog and the Ox, from Aesops Fables, 1666 (engraving)

Illustration for The Dog and the Ox, from Aesops Fables, 1666 (engraving)
XIR172445 Illustration for The Dog and the Ox, from Aesops Fables, 1666 (engraving) (b/w photo) by Barlow, Francis (1626-1702); Bibliotheque Nationale, Paris

Background imageAllegorical Collection: Illustration from the Introduction to Aesops Fables, 1666 (engraving) (b / w photo)

Illustration from the Introduction to Aesops Fables, 1666 (engraving) (b / w photo)
XIR172444 Illustration from the Introduction to Aesops Fables, 1666 (engraving) (b/w photo) by Barlow, Francis (1626-1702); Bibliotheque Nationale, Paris, France; English, out of copyright

Background imageAllegorical Collection: The French Constitution, engraved by Jacques Louis Copia (1764-99) (engraving) (b / w

The French Constitution, engraved by Jacques Louis Copia (1764-99) (engraving) (b / w
XIR172163 The French Constitution, engraved by Jacques Louis Copia (1764-99) (engraving) (b/w photo) by Prud hon, Pierre-Paul (1758-1823) (after); 40.9x50.3 cm; Louvre, Paris, France; French

Background imageAllegorical Collection: Electricity, c. 1889 (plaster) (b / w photo)

Electricity, c. 1889 (plaster) (b / w photo)
XIR172161 Electricity, c.1889 (plaster) (b/w photo) by Barrias, Louis Ernest (1841-1905); Paris, France; (add.info.: Electricite; displayed at the Galerie des Machines; the Galerie was built for)

Background imageAllegorical Collection: Physician with staff wrapped by snake and pomegranate, birds and dragon, Cornelis

Physician with staff wrapped by snake and pomegranate, birds and dragon, Cornelis van Dalen I, Franciscus Hackius, 1642

Background imageAllegorical Collection: Portrait of B. Spranger, Jan Harmensz. Muller, 1595 - 1597

Portrait of B. Spranger, Jan Harmensz. Muller, 1595 - 1597

Background imageAllegorical Collection: The Purveyor of Misery, 1860 (oil on canvas)

The Purveyor of Misery, 1860 (oil on canvas)
XIR231721 The Purveyor of Misery, 1860 (oil on canvas) by Glaize, Auguste Barthelemy (1807-93); 155x260 cm; Musee des Beaux-Arts, Rouen, France; French, out of copyright

Background imageAllegorical Collection: Minerva protects the innocence against the temptation, Johannes Glauber, 1656 - 1726

Minerva protects the innocence against the temptation, Johannes Glauber, 1656 - 1726

Background imageAllegorical Collection: Science (oil on canvas)

Science (oil on canvas)
XIR231550 Science (oil on canvas) by Montemezzano, Francesco (c.1540-c.1602); diam: 100 cm; Musee des Beaux-Arts, Lille, France; Italian, out of copyright

Background imageAllegorical Collection: Triumph of the Republic, 1875 (colour litho)

Triumph of the Republic, 1875 (colour litho)
XIR169527 Triumph of the Republic, 1875 (colour litho) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageAllegorical Collection: View of the city Bantam, Pieter Serwouters, Dirck Pietersz. Voscuyl, 1614 - 1622

View of the city Bantam, Pieter Serwouters, Dirck Pietersz. Voscuyl, 1614 - 1622

Background imageAllegorical Collection: Autumn, 1718 (oil on canvas)

Autumn, 1718 (oil on canvas)
XIR16841 Autumn, 1718 (oil on canvas) by Tournieres, Robert (1668-1752); 128x96 cm; Musee des Beaux-Arts, Rouen, France; French, out of copyright

Background imageAllegorical Collection: Tabula Cebetis, Jacob Matham, print maker: Anonymous, Hendrick Goltzius, 1640

Tabula Cebetis, Jacob Matham, print maker: Anonymous, Hendrick Goltzius, 1640

Background imageAllegorical Collection: The Republic, 1848 (oil on canvas)

The Republic, 1848 (oil on canvas)
XIR16760 The Republic, 1848 (oil on canvas) by Ziegler, Jules Claude (1804-56); Musee des Beaux-Arts, Lille, France; French, out of copyright

Background imageAllegorical Collection: Poetry and Music (stone)

Poetry and Music (stone)
XIR165561 Poetry and Music (stone) by Clodion, Claude Michel (1738-1814); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: la poesie et la musique; ); French, out of copyright

Background imageAllegorical Collection: Study for Liberty, 1830 (oil on canvas)

Study for Liberty, 1830 (oil on canvas)
XIR165553 Study for Liberty, 1830 (oil on canvas) by Boulanger, Louis (1806-67); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

Background imageAllegorical Collection: Vanitas, 1543 (oil on panel)

Vanitas, 1543 (oil on panel)
XIR165550 Vanitas, 1543 (oil on panel) by Holbein the Younger, Hans (1497/8-1543); Private Collection; German, out of copyright

Background imageAllegorical Collection: Theatrum anatomicum van Leidse Academie, 1609. Jacob Marcus, 1609

Theatrum anatomicum van Leidse Academie, 1609. Jacob Marcus, 1609

Background imageAllegorical Collection: Gloria Victis, 1874 (bronze)

Gloria Victis, 1874 (bronze)
XIR229914 Gloria Victis, 1874 (bronze) by Mercie, Marius Jean Antonin (1845-1916); Musee de la Ville de Paris, Musee du Petit-Palais, France; French, out of copyright

Background imageAllegorical Collection: Anniversary of the Universal Democratic and Social Republic, 1848 (colour litho)

Anniversary of the Universal Democratic and Social Republic, 1848 (colour litho)
XIR163137 Anniversary of the Universal Democratic and Social Republic, 1848 (colour litho) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageAllegorical Collection: The Walk to Death (oil on panel)

The Walk to Death (oil on panel)
XIR162343 The Walk to Death (oil on panel) by Baldung Grien, Hans (1484/5-1545) (after); Musee des Beaux-Arts, Rennes, France; (add.info.: La Marche a la Mort; ); German, out of copyright

Background imageAllegorical Collection: Je Savais Bien Que Nous Aurions Notre Tour, caricature depicting the Three Orders

Je Savais Bien Que Nous Aurions Notre Tour, caricature depicting the Three Orders
XIR162336 Je Savais Bien Que Nous Aurions Notre Tour, caricature depicting the Three Orders, 1789 (coloured engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet

Background imageAllegorical Collection: Reason Paying Tribute to the Emblems of Liberty and Equality (oil on canvas)

Reason Paying Tribute to the Emblems of Liberty and Equality (oil on canvas)
XIR161706 Reason Paying Tribute to the Emblems of Liberty and Equality (oil on canvas) by French School, (18th century); Musee Historique, Lyon

Background imageAllegorical Collection: Allegorical portrait of Leopold Willem, governor of the Southern Netherlands

Allegorical portrait of Leopold Willem, governor of the Southern Netherlands. Frans van den Wijngaerde, 1636 - 1679

Background imageAllegorical Collection: The Three Orders, forging the New Constitution on an Anvil, 1789 (engraving) (b / w photo)

The Three Orders, forging the New Constitution on an Anvil, 1789 (engraving) (b / w photo)
XIR160226 The Three Orders, forging the New Constitution on an Anvil, 1789 (engraving) (b/w photo) by French School, (18th century); Bibliotheque Nationale, Paris, France; (add.info.: Tot, Tot, Tot)

Background imageAllegorical Collection: Self Portrait of Michiel van Musscher in allegorical frame, Michiel van Musscher, 1685

Self Portrait of Michiel van Musscher in allegorical frame, Michiel van Musscher, 1685

Background imageAllegorical Collection: The Artists Studio, a Real Allegory, detail of the painter and his model, 1854-55

The Artists Studio, a Real Allegory, detail of the painter and his model, 1854-55
XIR159110 The Artists Studio, a Real Allegory, detail of the painter and his model, 1854-55 (oil on canvas) by Courbet, Gustave (1819-77); 361x598 cm; Musee d Orsay, Paris, France; French

Background imageAllegorical Collection: Napoleon (1769-1821) Crowned by Time, before 1833 (oil on canvas)

Napoleon (1769-1821) Crowned by Time, before 1833 (oil on canvas)
XIR157786 Napoleon (1769-1821) Crowned by Time, before 1833 (oil on canvas) by Mauzaisse, Jean Baptiste (1784-1844); 131x160 cm; Musee National du Chateau de Malmaison, Rueil-Malmaison

Background imageAllegorical Collection: Decree Instituting the Freedom of Worship, November 1799 (coloured engraving)

Decree Instituting the Freedom of Worship, November 1799 (coloured engraving)
XIR157741 Decree Instituting the Freedom of Worship, November 1799 (coloured engraving) by French School, (18th century); Bibliotheque Nationale, Paris

Background imageAllegorical Collection: In Praise of George Washington

In Praise of George Washington
XBP227783 In Praise of George Washington by American School, (19th century); Private Collection; (add.info.: Washington (1732-99); 1st President of the United States of America;

Background imageAllegorical Collection: Allegory of a Perfect Minister or, The Minister of State with his Attributes, 1653

Allegory of a Perfect Minister or, The Minister of State with his Attributes, 1653
XIR227683 Allegory of a Perfect Minister or, The Minister of State with his Attributes, 1653 (oil on canvas) by Le Sueur, Eustache (1617-55); 90x75 cm; Musee des Beaux-Arts, Dunkirk

Background imageAllegorical Collection: Universal Democratic and Social Republic, 1848 (litho)

Universal Democratic and Social Republic, 1848 (litho)
XIR156589 Universal Democratic and Social Republic, 1848 (litho) by Sorrieu, Frederic (1807-c.1861); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageAllegorical Collection: The Triumph of Civilization, c. 1794-98 (oil on canvas)

The Triumph of Civilization, c. 1794-98 (oil on canvas)
XKH155719 The Triumph of Civilization, c.1794-98 (oil on canvas) by Reattu, Jacques (1760-1833); Hamburger Kunsthalle, Hamburg

Background imageAllegorical Collection: House in Nieuburch in Rijswijk, location of the peace negotiations in 1697, The Netherlands

House in Nieuburch in Rijswijk, location of the peace negotiations in 1697, The Netherlands

Background imageAllegorical Collection: Portrait of Pope Adrian VI, Hendrik Bary, Geeraert Brandt (I), 1657-1707

Portrait of Pope Adrian VI, Hendrik Bary, Geeraert Brandt (I), 1657-1707

Background imageAllegorical Collection: Portrait of Filips van Marnix heer van St. Aldegonde. Hendrik Bary, Geeraert Brandt (I)

Portrait of Filips van Marnix heer van St. Aldegonde. Hendrik Bary, Geeraert Brandt (I), 1657 - 1707

Background imageAllegorical Collection: Portrait of William I, Prince of Orange, Hendrik Bary, Geeraert Brandt (I), 1657 - 1707

Portrait of William I, Prince of Orange, Hendrik Bary, Geeraert Brandt (I), 1657 - 1707

Background imageAllegorical Collection: Allegory of Taste (oil on canvas)

Allegory of Taste (oil on canvas)
XIR153752 Allegory of Taste (oil on canvas) by Brueghel, Jan the Elder (1568-1625); Musee Jeanne d Aboville, La Fere, France; Flemish, out of copyright

Background imageAllegorical Collection: What do I See!... plate 92 from Jerusalem (Bentley Copy E) 1804-20

What do I See!... plate 92 from Jerusalem (Bentley Copy E) 1804-20
XYC151894 What do I See!... plate 92 from Jerusalem (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper) by Blake, William (1757-1827); 20.3x14.3 cm; Yale Center for British Art

Background imageAllegorical Collection: The Five Senses - Sight (oil on canvas)

The Five Senses - Sight (oil on canvas)
XIR226022 The Five Senses - Sight (oil on canvas) by Bosse, Abraham (1602-76) (after); Musee des Beaux-Arts, Tours, France; French, out of copyright

Background imageAllegorical Collection: The Morning (second version), c. 1808-9 (oil on canvas) (see 147752)

The Morning (second version), c. 1808-9 (oil on canvas) (see 147752)
XKH147751 The Morning (second version), c.1808-9 (oil on canvas) (see 147752) by Runge, Philipp Otto (1777-1810); 152x113 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageAllegorical Collection: Fregat Pollux bij het wachtschip in de Schelde, 1784. Anonymous, 1784

Fregat Pollux bij het wachtschip in de Schelde, 1784. Anonymous, 1784




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"Unveiling the Depths: Allegorical Representations Across Time and Space" From the "Kiss of the Oceans" at the Panama Canal, where Atlantic meets Pacific, to the "Defenders of the Empire" - British Army, Navy, and Airforce standing tall; allegory has long been a powerful tool in conveying complex ideas. Intriguingly, even socialist ideals found their way into art with "The Workers May-Pole, " a design for a thought-provoking socialist poster. Similarly, alchemy's mystique is captured in the enigmatic "Alchemical Tree. " "Bismarck as Blacksmith" portrays political power through an allegorical lens while William John Wainwright's masterpiece - "Parable Of The Wise And Foolish Virgins" - invites contemplation on wisdom and folly. "WOMENs SUFFRAGE: The Awakening, " by Henry Mayer showcases an allegorical representation striding across western states towards equality. Alice Duer Miller's poignant poem echoes this sentiment below. A trades union membership certificate symbolizes solidarity among workers while Vera Mukhina's sculpture captures unity between laborers in Moscow. Mary L. Macomber delves into darkness with her evocative piece titled "Night and Her Daughter Sleep. " Meanwhile, Hieronymus Bosch takes us on a surreal journey through sin and pleasure with his iconic triptych - "The Garden of Earthly Delights. " Lastly, we find ourselves immersed in satire as Hogarth presents us with "The Bathos, " reminding us that humor can also be employed within allegory to convey profound messages. These diverse examples remind us that allegories have transcended time and culture to provoke thought, challenge norms, and inspire change throughout history.