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British Art On Paper Collection (#3)

"Exploring the Rich Tapestry of British Art on Paper" Immerse yourself in the captivating world of British art on paper

Background imageBritish Art On Paper Collection: The Auction, 1864 (watercolour heightened with white)

The Auction, 1864 (watercolour heightened with white)
652108 The Auction, 1864 (watercolour heightened with white) by Green, Charles (1840-98); 27.9x43.2 cm; Private Collection; (add.info.: The Auction. Charles Green (1840-1898)

Background imageBritish Art On Paper Collection: Chester: Watergate Street from the Corner of Crook Street, with Eastgate Beyond

Chester: Watergate Street from the Corner of Crook Street, with Eastgate Beyond
652100 Chester: Watergate Street from the Corner of Crook Street, with Eastgate Beyond, (watercolour heightened with white) by Rayner

Background imageBritish Art On Paper Collection: The Lotus Eaters, 1883 (pencil and watercolour heightened with white)

The Lotus Eaters, 1883 (pencil and watercolour heightened with white)
652065 The Lotus Eaters, 1883 (pencil and watercolour heightened with white) by Staniland, Charles J. (1838-1896); 74.9x121.9. cm; Private Collection; (add.info.: The Lotus Eaters)

Background imageBritish Art On Paper Collection: Peacocks in a Field, (pencil, watercolour and bodycolour on card)

Peacocks in a Field, (pencil, watercolour and bodycolour on card)
652050 Peacocks in a Field, (pencil, watercolour and bodycolour on card) by Butler, Mildred Anne (1858-1941); 25.4x35.6 cm; Private Collection; (add.info.: Peacocks in a Field)

Background imageBritish Art On Paper Collection: Shipping on the Thames Below St. Paul s, 1930 (pencil

Shipping on the Thames Below St. Paul s, 1930 (pencil
652048 Shipping on the Thames Below St. Paul s, 1930 (pencil and watercolour heightened with white) by Dixon, Charles Edward (1872-1934); 55.9x77.8 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Shipping Off Scarborough, 1848 (watercolour)

Shipping Off Scarborough, 1848 (watercolour)
652014 Shipping Off Scarborough, 1848 (watercolour) by Bentley, Charles (1805/6-54); 48.8x74.9 cm; Private Collection; (add.info.: Shipping Off Scarborough. Charles Bentley (1805/06-1854)

Background imageBritish Art On Paper Collection: The Breakfast Room in Sir John Soanes Museum at 13 Lincolns Inns Fields

The Breakfast Room in Sir John Soanes Museum at 13 Lincolns Inns Fields
652003 The Breakfast Room in Sir John Soanes Museum at 13 Lincolns Inns Fields, Looking South into the Hall and Staircase, (pencil and watercolour) by Richardson

Background imageBritish Art On Paper Collection: The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil

The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil
652002 The Library of Stanmore Hall, the seat of Robert Holland, Esq, (pencil, pen and black ink and watercolour with touches of white) by Mackenzie

Background imageBritish Art On Paper Collection: View of the Bedroom where Napoleon III died, Camden Place, Chislehurst, Kent

View of the Bedroom where Napoleon III died, Camden Place, Chislehurst, Kent
652001 View of the Bedroom where Napoleon III died, Camden Place, Chislehurst, Kent, 1873 (pencil and watercolour with touches of white heightening) by Kilburne

Background imageBritish Art On Paper Collection: Figures Collecting Faggots by a Road, (pencil, watercolour and bodycolour)

Figures Collecting Faggots by a Road, (pencil, watercolour and bodycolour)
651993 Figures Collecting Faggots by a Road, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 19.6x29.2 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Eton Colleage, 1827 (pencil and watercolour)

Eton Colleage, 1827 (pencil and watercolour)
651985 Eton Colleage, 1827 (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.4 cm; Private Collection; (add.info.: Eton Colleage. William Daniell (1769-1837). Pencil and watercolour

Background imageBritish Art On Paper Collection: Designs for a Neo-Classical House for Lord Charleville: Three Sections (nos

Designs for a Neo-Classical House for Lord Charleville: Three Sections (nos
651983 Designs for a Neo-Classical House for Lord Charleville: Three Sections (nos.9-11), 1789 (pencil, pen and grey ink and watercolour) by Byres

Background imageBritish Art On Paper Collection: London from Greenwich Hill, (pencil and watercolour)

London from Greenwich Hill, (pencil and watercolour)
651976 London from Greenwich Hill, (pencil and watercolour) by Cozens, John Robert (1752-99); 45.7x62.1 cm; Private Collection; (add.info.: London from Greenwich Hill. John Robert Cozens (1752-1797)

Background imageBritish Art On Paper Collection: The Deputy Rangers Lodge, Windsor Great Park, (pencil

The Deputy Rangers Lodge, Windsor Great Park, (pencil
651966 The Deputy Rangers Lodge, Windsor Great Park, (pencil, pen and grey ink and watercolour heightend with white) by Sandby

Background imageBritish Art On Paper Collection: Figures in Harp Lane, Ludlow, (pencil and watercolour heightened with white)

Figures in Harp Lane, Ludlow, (pencil and watercolour heightened with white)
651954 Figures in Harp Lane, Ludlow, (pencil and watercolour heightened with white) by Rayner, Louise Ingram (1832-1924); 31.1x17.8 cm; Private Collection; (add.info.: Figures in Harp Lane, Ludlow)

Background imageBritish Art On Paper Collection: A Dutch Academy, (pencil, pen and ink and watercolour)

A Dutch Academy, (pencil, pen and ink and watercolour)
651935 A Dutch Academy, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 18.7x28.6 cm; Private Collection; (add.info.: A Dutch Academy. Thomas Rowlandson (1756-1827)

Background imageBritish Art On Paper Collection: Santa Maria della Salute and the Grand Canal, Venice, (watercolour with touches of white

Santa Maria della Salute and the Grand Canal, Venice, (watercolour with touches of white
651934 Santa Maria della Salute and the Grand Canal, Venice, (watercolour with touches of white heightening) by Callow, William (1812-1908); 56.5x85 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Cricceith Castle, (pencil and watercolour heightened with white)

Cricceith Castle, (pencil and watercolour heightened with white)
651889 Cricceith Castle, (pencil and watercolour heightened with white) by Wolfe, George (1834-90); 57.2x106.7 cm; Private Collection; (add.info.: Cricceith Castle. George Wolfe (1834-1890)

Background imageBritish Art On Paper Collection: Portrait of Sarah Whitmore, Seated by a Column, 1787 (black chalk, stump and watercolour)

Portrait of Sarah Whitmore, Seated by a Column, 1787 (black chalk, stump and watercolour)
651800 Portrait of Sarah Whitmore, Seated by a Column, 1787 (black chalk, stump and watercolour) by Dowman, John (1750-1824); 20.6x17.2 cm; Private Collection; (add.info.: Portrait of Sarah Whitmore)

Background imageBritish Art On Paper Collection: An Interior of a Room, Christ Church, Oxford, (pencil, watercolour and gum arabic)

An Interior of a Room, Christ Church, Oxford, (pencil, watercolour and gum arabic)
651796 An Interior of a Room, Christ Church, Oxford, (pencil, watercolour and gum arabic) by Pyne, George (1800/01-84); 35.6x53.4 cm; Private Collection; (add.info.: An Interior of a Room)

Background imageBritish Art On Paper Collection: A Quiet Moment, (pencil and watercolour heightened with white on board)

A Quiet Moment, (pencil and watercolour heightened with white on board)
652107 A Quiet Moment, (pencil and watercolour heightened with white on board) by Strachan, Arthur Claude (1865-1935); 45.1x27.3 cm; Private Collection; (add.info.: A Quiet Moment)

Background imageBritish Art On Paper Collection: Horse Guards Parade, (pencil and watercolour heightened with white)

Horse Guards Parade, (pencil and watercolour heightened with white)
652101 Horse Guards Parade, (pencil and watercolour heightened with white) by Rayner, Louise Ingram (1832-1924); 20.9x16.5 cm; Private Collection; (add.info.: Horse Guards Parade)

Background imageBritish Art On Paper Collection: A Sea Nymph Seated on a Rock with a Ribbon of Seaweed, 1897 (watercolour)

A Sea Nymph Seated on a Rock with a Ribbon of Seaweed, 1897 (watercolour)
652098 A Sea Nymph Seated on a Rock with a Ribbon of Seaweed, 1897 (watercolour) by Glendening, Alfred, Jr. (1861-1907); 76.2x50.8 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Children Reading Beside a Country Lane, (pencil and watercolour heightened with white)

Children Reading Beside a Country Lane, (pencil and watercolour heightened with white)
652095 Children Reading Beside a Country Lane, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 13.6x20.9 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white

A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white
652094 A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white) by Kilburne, George Goodwin (1839-1924); 25.1x35 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: A Boy Seated on a Bench with a Pitcher, 1839 (pencil and watercolour heightened with gum

A Boy Seated on a Bench with a Pitcher, 1839 (pencil and watercolour heightened with gum
652068 A Boy Seated on a Bench with a Pitcher, 1839 (pencil and watercolour heightened with gum arabic) by Hunt, William Henry (1790-1864); 27.3x17.7 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: An Illustration to Rip van Winkle: They Were Ruled by an Old Squaw Spirit

An Illustration to Rip van Winkle: They Were Ruled by an Old Squaw Spirit
652067 An Illustration to Rip van Winkle: They Were Ruled by an Old Squaw Spirit, 1904 (pen and black ink and watercolour on card) by Rackham

Background imageBritish Art On Paper Collection: Grandfathers Boots, (watercolour heightened with white)

Grandfathers Boots, (watercolour heightened with white)
652054 Grandfathers Boots, (watercolour heightened with white) by Hunt, William Henry (1790-1864); 33x22.2 cm; Private Collection; (add.info.: Grandfathers Boots. William Henry Hunt (1790-1864)

Background imageBritish Art On Paper Collection: His Last Investment, (watercolour)

His Last Investment, (watercolour)
652032 His Last Investment, (watercolour) by Wilson, Charles Edward (1853-1941); 36.2x26.7 cm; Private Collection; (add.info.: His Last Investment. Charles Edward Wilson (1854-1941). Watercolour

Background imageBritish Art On Paper Collection: Unloading Fishing Boats on the Quay, Brittany, (watercolour heightened with white)

Unloading Fishing Boats on the Quay, Brittany, (watercolour heightened with white)
652030 Unloading Fishing Boats on the Quay, Brittany, (watercolour heightened with white) by Caffieri, Hector (1847-1932); 34.3x50.2 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: A View of Paris from St. Cloud, 1830 (watercolour with touches of white heightening

A View of Paris from St. Cloud, 1830 (watercolour with touches of white heightening
651977 A View of Paris from St. Cloud, 1830 (watercolour with touches of white heightening, and gum arabic) by Boys, Thomas Shotter (1803-74); 42.8x59 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: A Lady Sketching in a Glade Under the Shade of a Parasol, (watercolour)

A Lady Sketching in a Glade Under the Shade of a Parasol, (watercolour)
651961 A Lady Sketching in a Glade Under the Shade of a Parasol, (watercolour) by Butler, Mildred Anne (1858-1941); 10x7in cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Ramsgate, 1805 (pencil and watercolour)

Ramsgate, 1805 (pencil and watercolour)
651928 Ramsgate, 1805 (pencil and watercolour) by Atkins, Samuel (fl.1787-1808); 28.2x39.3 cm; Private Collection; (add.info.: Ramsgate. Samuel Atkins (1787-1808). Pencil and watercolour. Dated 1805

Background imageBritish Art On Paper Collection: Portrait of a Young Lady, traditionally identified as Sarah Jennings

Portrait of a Young Lady, traditionally identified as Sarah Jennings
651927 Portrait of a Young Lady, traditionally identified as Sarah Jennings, Duchess of Marlborough, half length, Holding a Book, Her Hands Crossed on her Lap

Background imageBritish Art On Paper Collection: Idle Moments, (pencil and watercolour heightend with white)

Idle Moments, (pencil and watercolour heightend with white)
651913 Idle Moments, (pencil and watercolour heightend with white) by Wilson, Charles Edward (1853-1941); 37.1x53.9 cm; Private Collection; (add.info.: Idle Moments)

Background imageBritish Art On Paper Collection: At the Sick Mans Door, (watercolour heightened with bodycolour)

At the Sick Mans Door, (watercolour heightened with bodycolour)
651911 At the Sick Mans Door, (watercolour heightened with bodycolour) by Walker, Frederick (1840-75); 18.9x13 cm; Private Collection; (add.info.: At the Sick Mans Door. Frederick Walker (1841-1875)

Background imageBritish Art On Paper Collection: Ludlow Castle (pencil & w / c heightened with scratching out and gum arabic on paper)

Ludlow Castle (pencil & w / c heightened with scratching out and gum arabic on paper)
651898 Ludlow Castle (pencil & w/c heightened with scratching out and gum arabic on paper) by Turner, Joseph Mallord William (1775-1851)

Background imageBritish Art On Paper Collection: A Coach and Figures on an Open Country Road, (pencil, pen and grey ink and watercolour)

A Coach and Figures on an Open Country Road, (pencil, pen and grey ink and watercolour)
651884 A Coach and Figures on an Open Country Road, (pencil, pen and grey ink and watercolour) by Ibbetson, Julius Caesar (1759-1817); 37.2x51.8 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Figures on a Lane Before Rochester Castle, (pen and ink and watercolour)

Figures on a Lane Before Rochester Castle, (pen and ink and watercolour)
651883 Figures on a Lane Before Rochester Castle, (pen and ink and watercolour) by Sandby, Paul (1725-1809); 49.5x63.2 cm; Private Collection; (add.info.: Figures on a Lane Before Rochester Castle)

Background imageBritish Art On Paper Collection: A Razorbill, (pencil and watercolour heightened with white)

A Razorbill, (pencil and watercolour heightened with white)
651870 A Razorbill, (pencil and watercolour heightened with white) by Thorburn, Archibald (1860-1935); 22.5x15.3 cm; Private Collection; (add.info.: A Razorbill. Archibald Thorburn (1860-1935)

Background imageBritish Art On Paper Collection: The Game of Draughts, 1918 (pencil and watercolour)

The Game of Draughts, 1918 (pencil and watercolour)
651865 The Game of Draughts, 1918 (pencil and watercolour) by Tozer, Henry Spernon (c.1870-1940); 20.3x27.9 cm; Private Collection; (add.info.: The Game of Draughts)

Background imageBritish Art On Paper Collection: A Peasant Family Going to Market, (black and white chalk, stump

A Peasant Family Going to Market, (black and white chalk, stump
651831 A Peasant Family Going to Market, (black and white chalk, stump, grey and brown wash extensively he) by Gainsborough

Background imageBritish Art On Paper Collection: Portrait of Harriet Wright, the Artists Daughter, as a Child, Bust Length

Portrait of Harriet Wright, the Artists Daughter, as a Child, Bust Length
651797 Portrait of Harriet Wright, the Artists Daughter, as a Child, Bust Length, Looking Over Her Right Shoulder, (pastel) by Wright of Derby

Background imageBritish Art On Paper Collection: Portrait of Queen Charlotte, Seated by a Table with a Landscape Beyond

Portrait of Queen Charlotte, Seated by a Table with a Landscape Beyond
651792 Portrait of Queen Charlotte, Seated by a Table with a Landscape Beyond, 1784 (black and white chalk, stump and watercolour, paper laid on line) by Dowman

Background imageBritish Art On Paper Collection: Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham

Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham
824214 Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham, three-quarter-length, 1743 (oil on canvas) by Highmore

Background imageBritish Art On Paper Collection: A Swiss Alpine Landscape, c. 1843 (pencil and watercolour)

A Swiss Alpine Landscape, c. 1843 (pencil and watercolour)
824151 A Swiss Alpine Landscape, c.1843 (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 22.9x33.7 cm; Private Collection; (add.info.: A Swiss Alpine Landscape)

Background imageBritish Art On Paper Collection: The North-West Front, Cassiobury, with Hounds and Huntsmen, (watercolour and pencil)

The North-West Front, Cassiobury, with Hounds and Huntsmen, (watercolour and pencil)
824108 The North-West Front, Cassiobury, with Hounds and Huntsmen, (watercolour and pencil) by Turner, Joseph Mallord William (1775-1851); 27.7x39 cm; Private Collection; (add.info)




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"Exploring the Rich Tapestry of British Art on Paper" Immerse yourself in the captivating world of British art on paper, where masterpieces come to life through various mediums and techniques. From oil on canvas to pencil and watercolour, each artwork tells a unique story that resonates with history, culture, and emotion. Witness the grandeur of "The Battle of Trafalgar, " an epic depiction rendered in oil on canvas. Feel the intensity as Admiral Nelson's fleet clashes with its adversaries, forever etching this historic event into our collective memory. In contrast, "A Woman Reading at a Window" transports us to a serene moment captured in 1933. The delicate strokes of oil paint bring forth a sense of tranquility as we glimpse into her private world filled with contemplation and introspection. Stroll through lush gardens alongside "A Lady Walking, " holding her child's hand tightly. This standing figure exudes elegance while showcasing the bond between mother and child. The artist's skillful use of light adds depth to their connection. Venture into nature's embrace with "Children Feeding Ducks Beside a Cottage. " This exquisite watercolour painting invites us down a wooded lane where playful children interact harmoniously with their feathered friends. The artist's white heightening technique enhances every detail, making it truly enchanting. Indulge your senses during teatime depicted in delicate pencil and watercolour strokes heightened by touches of white. In "Teatime, " you can almost smell freshly brewed tea wafting from the card as you join these elegant figures for an intimate gathering. Marvel at architectural wonders like "The Doges Palace" rising majestically against Venetian skies viewed from San Giorgio Maggiore steps. The intricate details meticulously captured transport us to Venice’s romantic allure. Delve into academia within “The Library of Royal Institution.