British Art On Paper Collection (#7)

The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with
652047 The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with bodycolour o) by Goodwin, Albert (1845-1932); 25.4x36.8 cm; Private Collection; (add.info.: The Port of Sollo)

Ferry Carrig Castle, Co. Wexford, Seen Through a Bank of Wild Flowers
652027 Ferry Carrig Castle, Co. Wexford, Seen Through a Bank of Wild Flowers, (pencil and watercolour) by Nicholl, Andrew (1804-66); 34.9x51.8 cm; Private Collection; (add.info.: Ferry Carrig Castle)

An Interruption, (pencil and watercolour)
652019 An Interruption, (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 25.4x17.8 cm; Private Collection; (add.info.: An Interruption. Charles Edward Wilson (1854-1941)

A Peep at the Hounds: Here They Come, (pencil, watercolour and bodycolour)
651992 A Peep at the Hounds: Here They Come, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 24x36.7 cm; Private Collection; (add.info.: A Peep at the Hounds: Here They Come)

Soho House: Plan of the Ground Storey; Plan of the Bedchamber Storey
651989 Soho House: Plan of the Ground Storey; Plan of the Bedchamber Storey; Elevation of the South Front, Design A, Elevation of the South Front, Design B, and Elevation of the North Front

Scene on the Virginia Water, 1827 (pencil and watercolour)
651987 Scene on the Virginia Water, 1827 (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.4 cm; Private Collection; (add.info.: Scene on the Virginia Water)

Windsor Castle: the North Terrace Looking East, with Elegant Figures
651945 Windsor Castle: the North Terrace Looking East, with Elegant Figures, 1803 (pencil and bodycolour) by Sandby, Paul (1725-1809); 63.5x88.9 cm; Private Collection; (add.info.: Windsor Castle)

Farnley Hall From Above Otley, (pencil and watercolour)
651937 Farnley Hall From Above Otley, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 28.3x39.7 cm; Private Collection; (add.info.: Farnley Hall From Above Otley)

Unloading a Coaster Below St. Michaels Mount, (watercolour)
651933 Unloading a Coaster Below St. Michaels Mount, (watercolour) by Bentley, Charles (1805/6-54); 24.7x36.1 cm; Private Collection; (add.info.: Unloading a Coaster Below St. Michaels Mount)

Durham Cathedral, 1846 (pencil and watercolour with touches of bodycolour)
651932 Durham Cathedral, 1846 (pencil and watercolour with touches of bodycolour) by Fripp, George Arthur (1813-96); 33.6x62.2 cm; Private Collection; (add.info.: Durham Cathedral)

Shipping Off Shakespeares Cliff, 1806 (pencil and watercolour heightened with white)
651929 Shipping Off Shakespeares Cliff, 1806 (pencil and watercolour heightened with white) by Atkins, Samuel (fl.1787-1808); 34.2x48.2 cm; Private Collection; (add.info)

Exeter College, Oxford, 1848 (pencil and watercolour)
651909 Exeter College, Oxford, 1848 (pencil and watercolour) by Pyne, George (1800/01-84); 24.5x20.9 cm; Private Collection; (add.info.: Exeter College, Oxford. George Pyne (1800-1884)

Bubbles for Kitty, 1908 (pencil and watercolour)
651891 Bubbles for Kitty, 1908 (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 25.7x18.4 cm; Private Collection; (add.info.: Bubbles for Kitty. Charles Edward Wilson (1854-1941)

Dieppe, 1828 (pencil, pen and brown ink and watercolour heightened with white)
651886 Dieppe, 1828 (pencil, pen and brown ink and watercolour heightened with white) by Roberts, David (1796-1864); 22.9x30.7 cm; Private Collection; (add.info.: Dieppe. David Roberts (1796-1864)

Durham Cathedral and Castle from the River Wear, 1811 (pencil
651881 Durham Cathedral and Castle from the River Wear, 1811 (pencil, pen and grey ink and watercolour on two joined sheets) by Towne

Portrait of a Lady, standing full length in a White Dress by a Piano
651879 Portrait of a Lady, standing full length in a White Dress by a Piano, 1801 (pencil and watercolour heightened with white) by Buck

Loading Slate at Bangor Ferry, (pencil and bodycolour)
651874 Loading Slate at Bangor Ferry, (pencil and bodycolour) by Laporte, John (1761-1839); 37x54.6 cm; Private Collection; (add.info.: Loading Slate at Bangor Ferry. John Laporte (1761-1839)

Satan Exulting, (pencil and watercolour)
651873 Satan Exulting, (pencil and watercolour) by Westall, Richard (1765-1836); 56.5x38.7 cm; Private Collection; (add.info.: Satan Exulting. Richard Westall (1765-1836). Pencil and watercolour

Reading the News, 1913 (pencil and watercolour)
651866 Reading the News, 1913 (pencil and watercolour) by Tozer, Henry Spernon (c.1870-1940); 20.3x27.9 cm; Private Collection; (add.info.: Reading the News. Henry Spernon Tozer (c.1870-1940)

Golden Eagles at Their Eyrie, 1900 (pencil and watercolour heightened with white
651851 Golden Eagles at Their Eyrie, 1900 (pencil and watercolour heightened with white, on brown paper) by Thorburn, Archibald (1860-1935); 22.2x14.6 cm; Private Collection; (add.info)

Scaup Duck (Anas Marila), (pencil and watercolour heightened with gum arabic)
651836 Scaup Duck (Anas Marila), (pencil and watercolour heightened with gum arabic) by Atkinson, Rev. C. (18th century); 25.6x22.6 cm; Private Collection; (add.info.: Scaup Duck (Anas Marila)

Dresden from the River Elbe, 1853 (pencil and watercolour with touches of white
651832 Dresden from the River Elbe, 1853 (pencil and watercolour with touches of white heightening) by Callow, William (1812-1908); 22.8x33 cm; Private Collection; (add.info)

A Reconstruction of the Hecatompedon, (pencil, watercolour and oil on card)
651817 A Reconstruction of the Hecatompedon, (pencil, watercolour and oil on card) by Walcot, William (1874-1943); 57.2x72.4 cm; Private Collection; (add.info.: A Reconstruction of the Hecatompedon)

Portrait of Annabella, Lady Blake as Juno Receiving the Cestus from Venus, c
824231 Portrait of Annabella, Lady Blake as Juno Receiving the Cestus from Venus, c.1769 (oil on canvas) by Reynolds, Joshua (1723-92); 237x146 cm; Private Collection; (add.info)

Preparing to Start for the Emperor of Russias Cup at Ascot, 1845
824229 Preparing to Start for the Emperor of Russias Cup at Ascot, 1845, 1845 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 47.6x72.5 cm; Private Collection; (add.info)

A Gentleman Reclining with a Gun and Dog and his Gamekeeper Standing Nearby
824228 A Gentleman Reclining with a Gun and Dog and his Gamekeeper Standing Nearby, (oil on canvas) by Walton, Henry (1746-1813); 70.8x88.9 cm; Private Collection; (add.info)

Market Street, Lichfield, (pencil and watercolour)
824143 Market Street, Lichfield, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 20.9x26.5 cm; Private Collection; (add.info.: Market Street, Lichfield)

The Expulsion from the Garden of Eden, c. 1877 (pencil, watercolour and bodycolour)
824140 The Expulsion from the Garden of Eden, c.1877 (pencil, watercolour and bodycolour) by Stanhope, John Roddam Spencer (1829-1908); 32.5x39.4 cm; Private Collection; (add.info)

Temptation, (pencil, pen and ink and watercolour)
824131 Temptation, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 38.1x32 cm; Private Collection; (add.info.: Temptation. Thomas Rowlandson (1756-1827)

A View of Newcastle from the River Tyne, c. 1810 (pencil and watercolour)
824127 A View of Newcastle from the River Tyne, c.1810 (pencil and watercolour) by English School, (19th century); 23.2x29.8 cm; Private Collection; (add.info)

The Boxing Match, (pen and ink and watercolour)
824123 The Boxing Match, (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 18.2x27 cm; Private Collection; (add.info.: The Boxing Match. Thomas Rowlandson (1756-1827)

Ladies Cutting Out Silhouettes: and Ladies Conversing in an Interior
824122 Ladies Cutting Out Silhouettes: and Ladies Conversing in an Interior, (pen and grey ink and watercolour) by Burney

View of the Towers and Spires of Oxford, Oxfordshire (pencil and watercolour)
824103 View of the Towers and Spires of Oxford, Oxfordshire (pencil and watercolour) by Fisher, George Bulteer (1764-1834); 33.6x47.7 cm; Private Collection; (add.info)

Portrait of Antonio Canova, Bust Length, Wearing a Coat, (pastel)
824099 Portrait of Antonio Canova, Bust Length, Wearing a Coat, (pastel) by Hamilton, Hugh Douglas (1739-1808); 26x17.8 cm; Private Collection; (add.info.: Portrait of Antonio Canova, Bust Length)

Riders in an Avenue in the Park at Luton, with Figures in a Phaeton
824093 Riders in an Avenue in the Park at Luton, with Figures in a Phaeton and Rustics on the Left, (pencil and watercolour and bodycolour) by Sandby

Portrait of His Excellency Hamet Ben Hamet Ben Hadii, Ambassador Extraordinary from
824092 Portrait of His Excellency Hamet Ben Hamet Ben Hadii, Ambassador Extraordinary from the Empire of Morocco, 1682 (pencil and bodycolour) by Rosse

Study of Mrs Mercier seated in a Chair, and her youngest son
824081 Study of Mrs Mercier seated in a Chair, and her youngest son, Henry Mercier standing behind her, (pencil, black and red chalk with grey wash) by Sandby, Paul (1725-1809); 17.2x14.3

Sixty-three Moths, arranged inthree or five irregular columns
824072 Sixty-three Moths, arranged inthree or five irregular columns, (watercolour with bodycolour on grey paper) by Rowan

A packed plate of sixty-two butterflies, in five columns
824071 A packed plate of sixty-two butterflies, in five columns, mostly representing some of the larger members of the Lycaendidae, (watercolour with bodycolour on grey paper) by Rowan

Twenty-two butterflies in three columns, all belonging to the family Nymphalidae
824070 Twenty-two butterflies in three columns, all belonging to the family Nymphalidae, (watercolour with bodycolour on grey paper) by Rowan

Lady Amhersts Pheasant, (pencil and watercolour)
824065 Lady Amhersts Pheasant, (pencil and watercolour) by Richter, Henry Constantine (1821-1902); 35.9x53.7 cm; Private Collection; (add.info.: Lady Amhersts Pheasant)

A Rest in the Row, 1892 (watercolour)
1765040 A Rest in the Row, 1892 (watercolour) by Barton, Rose Maynard (1856-1929); Private Collection; (add.info.: A Rest in the Row. Rose Maynard Barton (1856-1929). Watercolour

The Cross, Winchester (watercolour and bodycolour)
1765031 The Cross, Winchester (watercolour and bodycolour) by Rayner, Louise Ingram (1832-1924); Private Collection; (add.info.: The Cross, Winchester. Louise Rayner (1832-1924)

Job and his Daughters (pencil, brush and grey ink and watercolour)
1765029 Job and his Daughters (pencil, brush and grey ink and watercolour) by Blake, William (1757-1827); Private Collection; (add.info.: Job and his Daughters. William Blake (1757-1827)

Captain Cook Landing n Owyhee, from the Voyages of Captain Cook (watercolour)
1767266 Captain Cook Landing n Owyhee, from the Voyages of Captain Cook (watercolour) by Cruikshank, Isaac Robert (1789-1856); 96x14.8 cm; Private Collection; (add.info)

Oatehite, from the Voyages of Captain Cook (watercolour)
1767264 Oatehite, from the Voyages of Captain Cook (watercolour) by Cruikshank, Isaac Robert (1789-1856); 96x14.8 cm; Private Collection; (add.info.: Oatehite, from the Voyages of Captain Cook)

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"Exploring the Rich Tapestry of British Art on Paper" Immerse yourself in the captivating world of British art on paper, where masterpieces come to life through various mediums and techniques. From oil on canvas to pencil and watercolour, each artwork tells a unique story that resonates with history, culture, and emotion. Witness the grandeur of "The Battle of Trafalgar, " an epic depiction rendered in oil on canvas. Feel the intensity as Admiral Nelson's fleet clashes with its adversaries, forever etching this historic event into our collective memory. In contrast, "A Woman Reading at a Window" transports us to a serene moment captured in 1933. The delicate strokes of oil paint bring forth a sense of tranquility as we glimpse into her private world filled with contemplation and introspection. Stroll through lush gardens alongside "A Lady Walking, " holding her child's hand tightly. This standing figure exudes elegance while showcasing the bond between mother and child. The artist's skillful use of light adds depth to their connection. Venture into nature's embrace with "Children Feeding Ducks Beside a Cottage. " This exquisite watercolour painting invites us down a wooded lane where playful children interact harmoniously with their feathered friends. The artist's white heightening technique enhances every detail, making it truly enchanting. Indulge your senses during teatime depicted in delicate pencil and watercolour strokes heightened by touches of white. In "Teatime, " you can almost smell freshly brewed tea wafting from the card as you join these elegant figures for an intimate gathering. Marvel at architectural wonders like "The Doges Palace" rising majestically against Venetian skies viewed from San Giorgio Maggiore steps. The intricate details meticulously captured transport us to Venice’s romantic allure. Delve into academia within “The Library of Royal Institution.