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British Art On Paper Collection (#6)

"Exploring the Rich Tapestry of British Art on Paper" Immerse yourself in the captivating world of British art on paper

Background imageBritish Art On Paper Collection: The Bishop and Death (pencil, pen and ink and watercolour)

The Bishop and Death (pencil, pen and ink and watercolour)
651903 The Bishop and Death (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 14x20.6 cm; Private Collection; (add.info.: The Bishop and Death. Thomas Rowlandson (1756-1827)

Background imageBritish Art On Paper Collection: A View of Versailles with Elegant Figures in the Foreground at Sunset

A View of Versailles with Elegant Figures in the Foreground at Sunset
651899 A View of Versailles with Elegant Figures in the Foreground at Sunset, (pencil and watercolour heightened with bodycolour and gum arabic) by Barret

Background imageBritish Art On Paper Collection: A Sportsman with a Boy, a Pony and a Dog, 1827 (pencil and watercolour)

A Sportsman with a Boy, a Pony and a Dog, 1827 (pencil and watercolour)
651897 A Sportsman with a Boy, a Pony and a Dog, 1827 (pencil and watercolour) by Hunt, William Henry (1790-1864); 45x55.9 cm; Private Collection; (add.info.: A Sportsman with a Boy)

Background imageBritish Art On Paper Collection: Rouen from St. Catherines Hill, 1849 (pencil and watercolour heightened with white)

Rouen from St. Catherines Hill, 1849 (pencil and watercolour heightened with white)
651890 Rouen from St. Catherines Hill, 1849 (pencil and watercolour heightened with white) by Rowbotham, Thomas Charles Leeson (1823-75); 69.9x107.9 cm; Private Collection; (add.info.: Rouen from St)

Background imageBritish Art On Paper Collection: Oriel College, Oxford, with St. Marys Church in the Distance

Oriel College, Oxford, with St. Marys Church in the Distance
651885 Oriel College, Oxford, with St. Marys Church in the Distance, (pen and ink and watercolour) by Malton Jnr. Thomas (1748-1804); 32x46 cm; Private Collection; (add.info.: Oriel College, Oxford)

Background imageBritish Art On Paper Collection: A Brunnichs Guillemot, (pencil and watercolour with touches of white heightening)

A Brunnichs Guillemot, (pencil and watercolour with touches of white heightening)
651871 A Brunnichs Guillemot, (pencil and watercolour with touches of white heightening) by Thorburn, Archibald (1860-1935); 24.5x17.2 cm; Private Collection; (add.info.: A Brunnichs Guillemot)

Background imageBritish Art On Paper Collection: A Woodcock and Chicks, 1933 (pencil and watercolour heightened with white)

A Woodcock and Chicks, 1933 (pencil and watercolour heightened with white)
651852 A Woodcock and Chicks, 1933 (pencil and watercolour heightened with white) by Thorburn, Archibald (1860-1935); 28x38.1 cm; Private Collection; (add.info.: A Woodcock and Chicks)

Background imageBritish Art On Paper Collection: Portrait of William Lock II (1767-1847) of Norbury Park, Surrey, Bust Length

Portrait of William Lock II (1767-1847) of Norbury Park, Surrey, Bust Length
651845 Portrait of William Lock II (1767-1847) of Norbury Park, Surrey, Bust Length, in Profile to the Right, (oiled charcoal on a prepared light blue canvas) by Lawrence

Background imageBritish Art On Paper Collection: A Hooded Crow and a Carrion Crow, 1924 (pencil and watercolour with touches of white

A Hooded Crow and a Carrion Crow, 1924 (pencil and watercolour with touches of white
651835 A Hooded Crow and a Carrion Crow, 1924 (pencil and watercolour with touches of white heightening) by Thorburn, Archibald (1860-1935); 17.8x27.9 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Figures on the River Banks at St. Etienne, Caen, (pencil and watercolour)

Figures on the River Banks at St. Etienne, Caen, (pencil and watercolour)
651833 Figures on the River Banks at St. Etienne, Caen, (pencil and watercolour) by Prout, Samuel (1783-1852); 54.3x71.8 cm; Private Collection; (add.info.: Figures on the River Banks at St)

Background imageBritish Art On Paper Collection: The Gaming Table, (pencil, pen and ink and watercolour)

The Gaming Table, (pencil, pen and ink and watercolour)
651828 The Gaming Table, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 27.3x37.2 cm; Private Collection; (add.info.: The Gaming Table. Thomas Rowlandson (1756-1827)

Background imageBritish Art On Paper Collection: Caernarvon Castle, with a Harper in the Foreground, (bodycolour)

Caernarvon Castle, with a Harper in the Foreground, (bodycolour)
651807 Caernarvon Castle, with a Harper in the Foreground, (bodycolour) by Sandby, Paul (1725-1809); 49.5x70.5 cm; Private Collection; (add.info.: Caernarvon Castle, with a Harper in the Foreground)

Background imageBritish Art On Paper Collection: Bartholomew Fair, (oil on canvas)

Bartholomew Fair, (oil on canvas)
824217 Bartholomew Fair, (oil on canvas) by Heemskerck, Egbert van (the younger) (d.1744); 91.5x152.4 cm; Private Collection; (add.info.: Bartholomew Fair. Egbert van Heemskerk the Younger (d.1744)

Background imageBritish Art On Paper Collection: Portrait of William Petty, 2nd Earl of Shelburne, 1st Marquis of Lansdowne (1737-1805)

Portrait of William Petty, 2nd Earl of Shelburne, 1st Marquis of Lansdowne (1737-1805)
824183 Portrait of William Petty, 2nd Earl of Shelburne, 1st Marquis of Lansdowne (1737-1805), seated three-quarter-length in Generals Uniform holding a letter addressed to Lt

Background imageBritish Art On Paper Collection: Head of a Lady, (oil on canvas)

Head of a Lady, (oil on canvas)
824177 Head of a Lady, (oil on canvas) by Lawrence, Thomas (1769-1830); 47x39.5 cm; Private Collection; (add.info.: Head of a Lady. Sir Thomas Lawrence (1769-1830). Oil on canvas

Background imageBritish Art On Paper Collection: The Artists Farmyard at Meopham, Kent, with Horses, Shetland Ponies, Pigs, Ducks

The Artists Farmyard at Meopham, Kent, with Horses, Shetland Ponies, Pigs, Ducks
824173 The Artists Farmyard at Meopham, Kent, with Horses, Shetland Ponies, Pigs, Ducks, Pigeons and Chickens, 1857 (oil on canvas) by Herring Snr

Background imageBritish Art On Paper Collection: Portrait of General James Pattison (1723-1805) three-quarter-length, in Military Uniform

Portrait of General James Pattison (1723-1805) three-quarter-length, in Military Uniform
824170 Portrait of General James Pattison (1723-1805) three-quarter-length, in Military Uniform, Holding a Document, a Battle in Progress Beyond, (oil on canvas) by Lawrence

Background imageBritish Art On Paper Collection: Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from

Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from
824158 Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from the Floating Stone; La Cole Male Taile Slays the Lion that Endangered Queen Guenevere;

Background imageBritish Art On Paper Collection: The Flower Market, Toulon, (watercolour heightened with bodycolour)

The Flower Market, Toulon, (watercolour heightened with bodycolour)
824157 The Flower Market, Toulon, (watercolour heightened with bodycolour) by Foster, Myles Birket (1825-99); 45.7x71.1 cm; Private Collection; (add.info.: The Flower Market, Toulon)

Background imageBritish Art On Paper Collection: The Market Place, Coburg, (pencil and watercolour)

The Market Place, Coburg, (pencil and watercolour)
824155 The Market Place, Coburg, (pencil and watercolour) by Callow, William (1812-1908); 65.7x47.6 cm; Private Collection; (add.info.: The Market Place, Coburg. William Callow (1812-1908)

Background imageBritish Art On Paper Collection: Rebuilding London Bridge, (pencil, pen, ink and watercolour)

Rebuilding London Bridge, (pencil, pen, ink and watercolour)
824153 Rebuilding London Bridge, (pencil, pen, ink and watercolour) by Yates, Gideon (fl.1825-37); 32.7x58.1 cm; Private Collection; (add.info.: Rebuilding London Bridge. Gideon Yates (fl.1790-1840)

Background imageBritish Art On Paper Collection: Edinburgh from Arthurs Seat, (pencil and watercolour)

Edinburgh from Arthurs Seat, (pencil and watercolour)
824152 Edinburgh from Arthurs Seat, (pencil and watercolour) by Williams, Hugh William (1773-1829); 43.1x61.6 cm; Private Collection; (add.info.: Edinburgh from Arthurs Seat)

Background imageBritish Art On Paper Collection: Lycurgus Entering Athens; and Theseuss Approach to Athens, (pencil, pen and ink)

Lycurgus Entering Athens; and Theseuss Approach to Athens, (pencil, pen and ink)
824150 Lycurgus Entering Athens; and Theseuss Approach to Athens, (pencil, pen and ink) by Dayes, Edward (1763-1804); 56.8x79.2 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Old Houses on the Rhone at Geneva, 1856 (pencil and watercolour heightened with white)

Old Houses on the Rhone at Geneva, 1856 (pencil and watercolour heightened with white)
824146 Old Houses on the Rhone at Geneva, 1856 (pencil and watercolour heightened with white) by Callow, William (1812-1908); 25.7x48.5 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Chepstow Castle, 1790s (pencil and bodycolour on paper)

Chepstow Castle, 1790s (pencil and bodycolour on paper)
824135 Chepstow Castle, 1790s (pencil and bodycolour on paper) by Sandby, Paul (1725-1809); 47x64.2 cm; Private Collection; (add.info.: Chepstow Castle. Paul Sandby (1731-1809)

Background imageBritish Art On Paper Collection: Caernarvon Castle, 1790s (pencil and bodycolour)

Caernarvon Castle, 1790s (pencil and bodycolour)
824134 Caernarvon Castle, 1790s (pencil and bodycolour) by Sandby, Paul (1725-1809); 49.5x79.2 cm; Private Collection; (add.info.: Caernarvon Castle. Paul Sandby (1731-1809). Pencil and bodycolour

Background imageBritish Art On Paper Collection: Musa, (pencil and watercolour with bodycolour)

Musa, (pencil and watercolour with bodycolour)
824118 Musa, (pencil and watercolour with bodycolour) by Ehret, Georg Dionysius (1710-70); 54.7x39.7 cm; Private Collection; (add.info.: Musa. Georg Dionysius Ehret (1710-1770)

Background imageBritish Art On Paper Collection: Castle Howard, Yorkshire: An Early Design for the three Bays of the Elevation of

Castle Howard, Yorkshire: An Early Design for the three Bays of the Elevation of
824114 Castle Howard, Yorkshire: An Early Design for the three Bays of the Elevation of the South or Garden Front and nine Bay single storey lower lateral wings with an Inset of the Ground Plan

Background imageBritish Art On Paper Collection: The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour)

The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour)
824111 The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour) by Turner, Joseph Mallord William (1775-1851); 22.6x28.6

Background imageBritish Art On Paper Collection: A Rocky Coastline at Padstow, Cornwall, (pastel)

A Rocky Coastline at Padstow, Cornwall, (pastel)
824102 A Rocky Coastline at Padstow, Cornwall, (pastel) by Bright, Henry (1810-73); 60.3x107.4 cm; Private Collection; (add.info.: A Rocky Coastline at Padstow, Cornwall. Henry Bright (1814-1873)

Background imageBritish Art On Paper Collection: The Young Angler, (pencil and watercolour)

The Young Angler, (pencil and watercolour)
824101 The Young Angler, (pencil and watercolour) by Hunt, William Henry (1790-1864); 35.6x22.8 cm; Private Collection; (add.info.: The Young Angler. William Henry Hunt (1790-1864)

Background imageBritish Art On Paper Collection: Brighton, showing Miss Widgetts circulating Library, Marlborough House

Brighton, showing Miss Widgetts circulating Library, Marlborough House
824082 Brighton, showing Miss Widgetts circulating Library, Marlborough House, the Castle Inn and Assembly Rooms and the Marine Pavilion, 1792 (pen and brown ink and watercolour) by Nixon

Background imageBritish Art On Paper Collection: Thirty-three butterflies, in four columns, belonging to the Papilionidae

Thirty-three butterflies, in four columns, belonging to the Papilionidae
824068 Thirty-three butterflies, in four columns, belonging to the Papilionidae and Danainae families, (bodycolour on grey paper) by Rowan

Background imageBritish Art On Paper Collection: Four Birdwing butterflies (family Papilionidae) in two columns

Four Birdwing butterflies (family Papilionidae) in two columns
824067 Four Birdwing butterflies (family Papilionidae) in two columns, representing both sexes of the Common Birdwing (Troides (Ornithoptera) Priamus), (bodycolour on grey paper) by Rowan

Background imageBritish Art On Paper Collection: A Room in an Ancient Mansion, (pen and brown ink and watercolour)

A Room in an Ancient Mansion, (pen and brown ink and watercolour)
824050 A Room in an Ancient Mansion, (pen and brown ink and watercolour) by Price, William Henry Lake (1810-91); 46.4x61.3 cm; Private Collection; (add.info.: A Room in an Ancient Mansion)

Background imageBritish Art On Paper Collection: A Full-colour Cartoon of Tapestry, Silk or Wallpaper, c. 1830-40 (pencil and watercolour)

A Full-colour Cartoon of Tapestry, Silk or Wallpaper, c. 1830-40 (pencil and watercolour)
824049 A Full-colour Cartoon of Tapestry, Silk or Wallpaper, c.1830-40 (pencil and watercolour) by English School, (19th century); 71x53.5 cm; Private Collection; (add.info)

Background imageBritish Art On Paper Collection: Rose Blossom Time, 1891 (pencil, watercolour and bodycolour)

Rose Blossom Time, 1891 (pencil, watercolour and bodycolour)
824046 Rose Blossom Time, 1891 (pencil, watercolour and bodycolour) by Stone, Marcus (1840-1921); 53.3x33.7 cm; Private Collection; (add.info.: Rose Blossom Time. Marcus Stone (1840-1921)

Background imageBritish Art On Paper Collection: A View of Princes Street Gardens and the National Gallery

A View of Princes Street Gardens and the National Gallery
3431764 A View of Princes Street Gardens and the National Gallery, Edinburgh looking West Towards the Castle, 1855 (w/c heightened with bodycolour on paper) by Smith

Background imageBritish Art On Paper Collection: Fabric Design, 1916 (pencil & bodycolour on oiled tracing paper)

Fabric Design, 1916 (pencil & bodycolour on oiled tracing paper)
3431728 Fabric Design, 1916 (pencil & bodycolour on oiled tracing paper) by Mackintosh, Charles Rennie (1868-1928); 38.3x73.7 cm; Private Collection; Photo eChristies Images; Scottish

Background imageBritish Art On Paper Collection: Gertrude Jekylls Garden, Munstead Wood (pencil w / c with touches of white

Gertrude Jekylls Garden, Munstead Wood (pencil w / c with touches of white
3431717 Gertrude Jekylls Garden, Munstead Wood (pencil & w/c with touches of white & scratching out on paper) by Allingham

Background imageBritish Art On Paper Collection: The Church of Santa Maria del Rosario or of the Gesuati, Venice

The Church of Santa Maria del Rosario or of the Gesuati, Venice
652109 The Church of Santa Maria del Rosario or of the Gesuati, Venice, (pencil and watercolour heightened with white) by Foster

Background imageBritish Art On Paper Collection: Riding Sea Monsters, (pencil and watercolour heightened with white)

Riding Sea Monsters, (pencil and watercolour heightened with white)
652066 Riding Sea Monsters, (pencil and watercolour heightened with white) by Caffieri, Hector (1847-1932); 53.6x35.8 cm; Private Collection; (add.info.: Riding Sea Monsters)

Background imageBritish Art On Paper Collection: Draw Bridge from St. Augustines Bank, Bristol, (pencil

Draw Bridge from St. Augustines Bank, Bristol, (pencil
652053 Draw Bridge from St. Augustines Bank, Bristol, (pencil, pen and brown ink and watercolour) by Johnson, James (1803-34); 21.6x32.4 cm; Private Collection; (add.info.: Draw Bridge from St)

Background imageBritish Art On Paper Collection: The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with

The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with
652047 The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with bodycolour o) by Goodwin, Albert (1845-1932); 25.4x36.8 cm; Private Collection; (add.info.: The Port of Sollo)

Background imageBritish Art On Paper Collection: Ferry Carrig Castle, Co. Wexford, Seen Through a Bank of Wild Flowers

Ferry Carrig Castle, Co. Wexford, Seen Through a Bank of Wild Flowers
652027 Ferry Carrig Castle, Co. Wexford, Seen Through a Bank of Wild Flowers, (pencil and watercolour) by Nicholl, Andrew (1804-66); 34.9x51.8 cm; Private Collection; (add.info.: Ferry Carrig Castle)

Background imageBritish Art On Paper Collection: An Interruption, (pencil and watercolour)

An Interruption, (pencil and watercolour)
652019 An Interruption, (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 25.4x17.8 cm; Private Collection; (add.info.: An Interruption. Charles Edward Wilson (1854-1941)




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"Exploring the Rich Tapestry of British Art on Paper" Immerse yourself in the captivating world of British art on paper, where masterpieces come to life through various mediums and techniques. From oil on canvas to pencil and watercolour, each artwork tells a unique story that resonates with history, culture, and emotion. Witness the grandeur of "The Battle of Trafalgar, " an epic depiction rendered in oil on canvas. Feel the intensity as Admiral Nelson's fleet clashes with its adversaries, forever etching this historic event into our collective memory. In contrast, "A Woman Reading at a Window" transports us to a serene moment captured in 1933. The delicate strokes of oil paint bring forth a sense of tranquility as we glimpse into her private world filled with contemplation and introspection. Stroll through lush gardens alongside "A Lady Walking, " holding her child's hand tightly. This standing figure exudes elegance while showcasing the bond between mother and child. The artist's skillful use of light adds depth to their connection. Venture into nature's embrace with "Children Feeding Ducks Beside a Cottage. " This exquisite watercolour painting invites us down a wooded lane where playful children interact harmoniously with their feathered friends. The artist's white heightening technique enhances every detail, making it truly enchanting. Indulge your senses during teatime depicted in delicate pencil and watercolour strokes heightened by touches of white. In "Teatime, " you can almost smell freshly brewed tea wafting from the card as you join these elegant figures for an intimate gathering. Marvel at architectural wonders like "The Doges Palace" rising majestically against Venetian skies viewed from San Giorgio Maggiore steps. The intricate details meticulously captured transport us to Venice’s romantic allure. Delve into academia within “The Library of Royal Institution.