English Landscape Collection (#4)

In the Garden (w / c on paper)
PNH349146 In the Garden (w/c on paper) by Allingham, Helen (1848-1926); 29x17 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Speke Shore, c. 1875 (drypoint on paper)
FSG324684 Speke Shore, c.1875 (drypoint on paper) by Whistler, James Abbott McNeill (1834-1903); 15.2x22.7 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Valley of the Aire, Armley Pastures and Kirkstall, 1853 (oil on board)
LMG327899 Valley of the Aire, Armley Pastures and Kirkstall, 1853 (oil on board) by Alexander, George (1832-1913); 27.5x45.3 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Pough Hill, near Bude, Cornwall (pen & ink and w / c on paper)
AGN260395 Pough Hill, near Bude, Cornwall (pen & ink and w/c on paper) by Towne, Francis (1740-1816); 14.6x21.3 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

On the Dart in Holne Chase (w / c on paper)
AGN260375 On the Dart in Holne Chase (w/c on paper) by Abbott, John White (1764-1851); 23x15.6 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

On the Norfolk Broads, Evening (pencil & w / c on paper)
AGN260370 On the Norfolk Broads, Evening (pencil & w/c on paper) by Duncan, Edward (1803-82); 28.6x61 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Blakeney Church and Wiveton Hall, 1818 (ink on paper)
LMG140042 Blakeney Church and Wiveton Hall, 1818 (ink on paper) by Cotman, John Sell (1782-1842); 17.2x28.5 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Stoke Park, 1867 (oil on canvas)
AKM202285 Stoke Park, 1867 (oil on canvas) by Bensell, Edmund Birckhead (b.1842); 40.6x61 cm; Philadelphia History Museum at the Atwater Kent; (add.info)

Old Sarum, engraved by David Lucas (1802-81), 1833 (mezzotint engraving)
FIT183813 Old Sarum, engraved by David Lucas (1802-81), 1833 (mezzotint engraving) by Constable, John (1776-1837) (after); Fitzwilliam Museum, University of Cambridge

Mousehold Heath, Norwich, 1808 (w / c on laid paper)
XYC175253 Mousehold Heath, Norwich, 1808 (w/c on laid paper) by Francia, Francois Louis Thomas (1772-1839); 31.8x23.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; French

View of Rochester in 1669, from Travels of Cosimo III (1642-1723
TRV227744 View of Rochester in 1669, from Travels of Cosimo III (1642-1723) Grand Duke of Tuscany, through England during the reign of Charles II, English translation

View of Durham Cathedral across the River Wear, begun 1093 (photo)
MAE170027 View of Durham Cathedral across the River Wear, begun 1093 (photo) by English School, (11th century); Durham, County Durham, UK; ePaul Maeyaert; English, out of copyright

Dartmouth Cove (w / c on paper)
AGN153986 Dartmouth Cove (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 27.3x39.4 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

A View of Windsor Castle from the Thames (oil on canvas)
FC68098 A View of Windsor Castle from the Thames (oil on canvas) by Pyne, James Baker (1800-70); diameter:23 cm; The FORBES Magazine Collection, New York; eForbes Magazine Collection; English

View of Shrewsbury across the Severn (w / c on paper)
BAL33348 View of Shrewsbury across the Severn (w/c on paper) by English School, (19th century); Victoria & Albert Museum, London, UK; English, out of copyright

Essex Landscape
GG16942 Essex Landscape by Meadows, James Edwin (1828-88); Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

Going to Market (oil on canvas)
5984045 Going to Market (oil on canvas) by Barret, George the Elder (1728/32-84); 53.5 x 102.5 cm; Private Collection; Irish, out of copyright

The Milkmaid, 1860 (w / c on paper)
STC205074 The Milkmaid, 1860 (w/c on paper) by Foster, Myles Birket (1825-99); Victoria & Albert Museum, London, UK; The Stapleton Collection; English, out of copyright

Thames Head, 1793 (litho)
KDC384217 Thames Head, 1793 (litho) by Farington, Joseph (1747-1821) (after); Private Collection; (add.info.: Traditionally considered to be the source of the River Thames near Cirencester;)

The Valley of the Rocks (w / c & gouache heightened with white)
Ma360539 The Valley of the Rocks (w/c & gouache heightened with white) by Millais, William Henry (1828-99); 83.8x516.1 cm; Private Collection; (add.info.: Lynton)

Straithes (hand-coloured photo)
908108 Straithes (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Wherry leaving Wroxham (hand-coloured photo)
908103 Wherry leaving Wroxham (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Severn Bridge, Worcester (hand-coloured photo)
908101 Severn Bridge, Worcester (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

View of Cowes (hand-coloured photo)
908097 View of Cowes (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Market, the Parade, Taunton (hand-coloured photo)
908093 Market, the Parade, Taunton (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Promenade and lakes, Southport (hand-coloured photo)
908090 The Promenade and lakes, Southport (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Margate from the Harbour (hand-coloured photo)
908076 Margate from the Harbour (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Lynmouth Harbour (hand-coloured photo)
908073 Lynmouth Harbour (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Boulters Lock (hand-coloured photo)
908068 Boulters Lock (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Regatta Course I, Henley-on-Thames (hand-coloured photo)
908064 The Regatta Course I, Henley-on-Thames (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Cheapside, London (hand-coloured photo)
908062 Cheapside, London (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Houses of Parliament, London (hand-coloured photo)
908055 The Houses of Parliament, London (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Hereford Cathedral and Wyl Bridge (hand-coloured photo)
908050 Hereford Cathedral and Wyl Bridge (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Victoria Pier, Folkestone (hand-coloured photo)
908046 Victoria Pier, Folkestone (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Padstow Quay (hand-coloured photo)
908039 Padstow Quay (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

High Street, Clovelly (hand-coloured photo)
908036 High Street, Clovelly (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Rows, Chester (hand-coloured photo)
908030 The Rows, Chester (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Carlisle Market Place (hand-coloured photo)
908028 Carlisle Market Place (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The North Pier, Blackpool (hand-coloured photo)
908019 The North Pier, Blackpool (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Tower and beach, Blackpool (hand-coloured photo)
908018 The Tower and beach, Blackpool (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Corner of Hampstead Ponds (oil on board)
LMG140041 Corner of Hampstead Ponds (oil on board) by Constable, John (1776-1837); 21x15.2 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Wherries on the Yare (oil on canvas)
LMG139559 Wherries on the Yare (oil on canvas) by Crome, John (1768-1821); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English, out of copyright

Springtime Ploughing, c. 1900 (oil on canvas)
GG203725 Springtime Ploughing, c.1900 (oil on canvas) by East, Alfred (1849-1913); 42x56 cm; Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

Count Bathyanys Favourite Hunters at Melton Mowbray
BAL13701 Count Bathyanys Favourite Hunters at Melton Mowbray by Ferneley, John E. (1782-1860); Private Collection; Roy Miles Fine Paintings; English, out of copyright

Scene in Oxfordshire
GG13412 Scene in Oxfordshire by Brown, Edward Archibald (fl.1900); Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

Matlock Tor, c. 1778-80 (oil on canvas)
FIT63122 Matlock Tor, c.1778-80 (oil on canvas) by Wright of Derby, Joseph (1734-97); 73.1x100 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

High Tor, Matlock, 1811 (oil on canvas)
FIT63121 High Tor, Matlock, 1811 (oil on canvas) by Crome, John (1768-1821); 38.4x51.1 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Lake Windermere (w / c on paper)
AGN280698 Lake Windermere (w/c on paper) by Jackson, Samuel (1794-1868); 22x29.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

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"Captivating English Landscapes: A Glimpse into Nature's Masterpieces" Immerse yourself in the enchanting world of English landscapes, where beauty and tranquility intertwine. From the vibrant Gypsy Encampment in Appleby, 1919, painted with watercolors on delicate paper, to the captivating A Distant View of Maidstone from Lower Bell Inn, Boxley Hill, depicted with meticulous gouache strokes on paper. Step back in time and witness The Last Gleam of 1872 through an oil-on-canvas masterpiece that captures a fleeting moment as sunlight dances upon rolling hills. Marvel at Brixham Harbour's charm frozen in a hand-colored photograph that brings life to this coastal gem. Discover Roundhay Park's serene allure portrayed with watercolors on paper—an oasis nestled within Leeds' bustling cityscape. Lose yourself amidst Red House Farm's rustic charm immortalized by skillful brushstrokes on canvas—a testament to England's agricultural heritage. Experience the grandeur of The Impregnable captured through a hand-colored photograph—Plymouth standing tall against crashing waves. Journey to Castle Howard in North Yorkshire and be awestruck by its majestic presence—a true architectural marvel nestled within Europe. Indulge your senses as you explore In the heart of the Cotswolds—an oil-on-canvas masterpiece that transports you to idyllic countryside bliss. Behold Sandown Bay's breathtaking vistas brought to life through a hand-colored photograph—the Isle of Wight beckoning you towards serenity. Marvel at Plymouth Dock from Mount Edgecombe—a picturesque view immortalized by Cooke’s Picturesque Views—where history meets natural splendor. Finally, revel in Friesian Cows' magnificence painted meticulously onto canvas—a contemporary ode celebrating England's rural traditions. These diverse glimpses into English landscapes offer an escape into nature’s embrace—one filled with rich history, stunning scenery, and timeless beauty.