English Landscape Collection (#6)

Bengeo (w / c on paper)
AGN264317 Bengeo (w/c on paper) by Gosselin, Joshua (1739-1813); Private Collection; Photo eAgnew s, London; English, out of copyright

The Leamington, Oct. 20th 1840: The Start (colour litho)
BSA266819 The Leamington, Oct. 20th 1840: The Start (colour litho) by Hunt, Charles (Snr.) (1803-77); 63.5x76.5 cm; Private Collection; (add.info)

Coursing - A View of Hatfield Park, engraved by James Pollard (1797-1867) (colour litho
BSA266807 Coursing - A View of Hatfield Park, engraved by James Pollard (1797-1867) (colour litho) (see also 266808) by Pollard

The Mail Coach in a Thunderstorm, engraved by R. G. Reeve, 1827 (colour litho)
BSA266462 The Mail Coach in a Thunderstorm, engraved by R.G. Reeve, 1827 (colour litho) by Pollard, James (1797-1867) (after); 52x62.5 cm; Private Collection; (add.info)

Going Home, Meltonians As They Are, from The Meltonians
BSA266453 Going Home, Meltonians As They Are, from The Meltonians, engraved by George Hunt, 1823 (colour litho) by Alken, Henry Thomas (1785-1851) (after); 54.5x61 cm; Private Collection; (add.info)

Going Home, Meltonians as They Were, from The Meltonians
BSA266452 Going Home, Meltonians as They Were, from The Meltonians, engraved by George Hunt, 1823 (colour litho) by Alken

The Grand Leicestershire Fox Hunt, plate 3, engraved by Charles Hunt (colour litho)
BSA266448 The Grand Leicestershire Fox Hunt, plate 3, engraved by Charles Hunt (colour litho) by Alken, Samuel Henry (1810-94) (after); 54.5x61 cm; Private Collection; (add.info)

Dock Plants by a shaded Stream (pen & ink and w / c on paper)
AGN355080 Dock Plants by a shaded Stream (pen & ink and w/c on paper) by Abbott, John White (1764-1851); 13.7x19.7 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Skiddaw from the Newlands Valley, Bassenthwaite Lake in the distance
AGN355072 Skiddaw from the Newlands Valley, Bassenthwaite Lake in the distance (pencil & w/c on paper) by Turner, Joseph Mallord William (1775-1851); 14.6x23.2 cm; Private Collection; Photo eAgnew s

Caley Crags with Deer, c. 1818 (w / c on paper)
AGN355042 Caley Crags with Deer, c.1818 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

An Old Mill near Worcester, 1880 (oil on canvas)
WAG292686 An Old Mill near Worcester, 1880 (oil on canvas) by Leader, Benjamin Williams (1831-1923); 35.6x28 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English

On the Tees (oil on canvas)
WAG292625 On the Tees (oil on canvas) by Creswick, Thomas (1811-69); 26.7x36.2 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

Autumn Evening, mid 19th century (oil on canvas)
WAG292546 Autumn Evening, mid 19th century (oil on canvas) by Anthony, Henry Mark (1817-86); 79x104 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; British

View of the terrace looking across the canal to the side of the villa
CTS336416 View of the terrace looking across the canal to the side of the villa, Chiswick Villa (oil on canvas) by Rysbrack, Pieter Andreas (c.1684-1748); 59.7x105.4 cm; eThe Devonshire Collections

The Railway Terminus, Kent, c. 1860 (w / c on paper)
CJP343900 The Railway Terminus, Kent, c.1860 (w/c on paper) by English School, (19th century); Private Collection; eCharles Plante Fine Arts; English, out of copyright

The Primitive Cottage, Shoreham (pen, ink and wash on paper)
XYC291041 The Primitive Cottage, Shoreham (pen, ink and wash on paper) by Palmer, Samuel (1805-81); 27.8x37.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Views - England and Wales - Vol. 1 (w / c and graphite on paper)
XYC291031 Views - England and Wales - Vol. 1 (w/c and graphite on paper) by Smith, Charles Hamilton (1776-1859); 41x32.4 cm; Yale Center for British Art, Paul Mellon Collection

Aynhoe Park (oil on canvas)
Ma283723 Aynhoe Park (oil on canvas) by Leighton, Frederic (1830-96); 27.3x34.9 cm; Private Collection; (add.info.: house of Leightons close friend William Cornwallis Cartwright, MP)

The Old Bridge in Devon (graphite and w / c with white b / c on paper)
XYC290796 The Old Bridge in Devon (graphite and w/c with white b/c on paper) by Girtin, Thomas (1775-1802); 22.2x30 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Haymaking in Matthews Field, Handsworth, 1859 (oil on canvas)
BIR190005 Haymaking in Matthews Field, Handsworth, 1859 (oil on canvas) by Ellis, William (19th century); 51x61.4 cm; Birmingham Museums and Art Gallery; English, out of copyright

Eton from the River (oil on canvas)
STC400540 Eton from the River (oil on canvas) by Hilder, John (1811-1839); Private Collection; (add.info.: Eton College is a British independent school for boys)

Durham Cathedral, 1795 (w / c with touches of gum arabic on wove paper)
474141 Durham Cathedral, 1795 (w/c with touches of gum arabic on wove paper) by Girtin, Thomas (1775-1802); 39.6x26.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

Stanhope Castle, Durham (pencil & wash on wove paper)
474033 Stanhope Castle, Durham (pencil & wash on wove paper) by Allom, Thomas (1804-72); 15.3x9.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

The Cliffs at Marsden Bay (oil on canvas)
TW427980 The Cliffs at Marsden Bay (oil on canvas) by Sticks, George Blackie (1843-1938); 92.5x71.5 cm; South Shields Museum & Art Gallery, South Shields

The Abbey Bridge, Barnard Castle, 1882 (oil on board)
TW427966 The Abbey Bridge, Barnard Castle, 1882 (oil on board) by Brown, James Miller (fl.1882); 47x62.5 cm; South Shields Museum & Art Gallery, South Shields

Sunrise on Loughrigg, Cumbria (oil on canvas)
TW429314 Sunrise on Loughrigg, Cumbria (oil on canvas) by Peel, James (1811-1906); 75.5x121.3 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; eSunderland Museums; English, out of copyright

Newcastle upon Tyne from Gateshead, 1895 (oil on canvas)
TW427326 Newcastle upon Tyne from Gateshead, 1895 (oil on canvas) by Lund, Niels Moller (1863-1916); 70.2x125.9 cm; Laing Art Gallery, Newcastle-upon-Tyne

Among the Shingle at Clovelly, 1864 (oil on canvas)
TW427294 Among the Shingle at Clovelly, 1864 (oil on canvas) by Hemy, Charles Napier (1841-1917); 43.5x72.1 cm; Laing Art Gallery, Newcastle-upon-Tyne

Chestnut Horse in a Landscape, 1815 (oil on canvas)
TW427292 Chestnut Horse in a Landscape, 1815 (oil on canvas) by Sartorius, John Nott (1759-1828); 63.4x77.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

Beer Head, South Devon, c. 1879 (oil on canvas)
TW427271 Beer Head, South Devon, c.1879 (oil on canvas) by Edwards, Edwin (1823-79); 108x183.5 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

Coast Scene, Cullercoats (oil & pencil on card)
TW427136 Coast Scene, Cullercoats (oil & pencil on card) by Ewbank, John Wilson (1779-1847); 28.5 x 47.0 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

Wild Cattle of Chillingham, Northumberland, c. 1867 (oil on canvas)
TW426901 Wild Cattle of Chillingham, Northumberland, c.1867 (oil on canvas) by Landseer, Edwin (1802-73); 228.9x156.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

Deer of Chillingham Park, Northumberland, c. 1867 (oil on canvas)
TW426898 Deer of Chillingham Park, Northumberland, c.1867 (oil on canvas) by Landseer, Edwin (1802-73); 228.5x155.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

The Tyne from Windmill Hills, Gateshead, c. 1818 (oil on canvas)
TW426852 The Tyne from Windmill Hills, Gateshead, c.1818 (oil on canvas) by Richardson, Thomas Miles (1784-1848); 75.1x122.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

Billy Purvis Stealing the Bundle (oil on canvas)
TW426827 Billy Purvis Stealing the Bundle (oil on canvas) by Corvan, Ned (1829-65); 46x61 cm; Laing Art Gallery, Newcastle-upon-Tyne

View of Newcastle upon Tyne, Taken from a Windmill to the East of St. Ann s, c
TW426802 View of Newcastle upon Tyne, Taken from a Windmill to the East of St. Ann s, c.1802-03 (oil on canvas) by Daniell, William (1769-1837); 95.3x186 cm; Laing Art Gallery, Newcastle-upon-Tyne

On the Wear, Stanhope, 1900 (oil on canvas)
TW426652 On the Wear, Stanhope, 1900 (oil on canvas) by Sticks, Harry (1867-1938); 40.5x61 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; British

Prudhoe Castle, Northumberland (oil on canvas)
TW426538 Prudhoe Castle, Northumberland (oil on canvas) by Wallace, John (1841-1905); 51.4x76.8 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; British

Dedham Vale, Suffolk (oil on canvas)
TW426532 Dedham Vale, Suffolk (oil on canvas) by Paul, John Dean (1775-1852); 30.5x45.8 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; English, out of copyright

Newcastle upon Tyne from the East, 1898 (oil on canvas)
TW427327 Newcastle upon Tyne from the East, 1898 (oil on canvas) by Lund, Niels Moller (1863-1916); 122x183.4 cm; Laing Art Gallery, Newcastle-upon-Tyne

An October Flood, Ludlow, Shropshire, 1930 (oil on canvas)
TW427098 An October Flood, Ludlow, Shropshire, 1930 (oil on canvas) by Garvie, Thomas Bowman (1859-1944); 41.1x61.4 cm; Laing Art Gallery, Newcastle-upon-Tyne

Landscape with a Country House, 1838 (oil on canvas)
TW427093 Landscape with a Country House, 1838 (oil on canvas) by Carmichael, John Wilson (1800-68); 33x44.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

Glastonbury, Somerset (oil on board)
TW427033 Glastonbury, Somerset (oil on board) by Parker, Henry Perlee (1795-1873); 14.8x19.4 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

Haymaking, 1900 (oil on canvas)
TW426933 Haymaking, 1900 (oil on canvas) by Atkinson, John (1863-1924); 51x76.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

Kenwood, Lord Mansfields Pedigree Cattle, 1797 (oil on canvas)
TW426632 Kenwood, Lord Mansfields Pedigree Cattle, 1797 (oil on canvas) by Ibbetson, Julius Caesar (1759-1817); 28x39.4 cm; Shipley Art Gallery, Gateshead, Tyne & Wear

View near Norwich (oil on canvas)
TW426622 View near Norwich (oil on canvas) by Crome, John (1768-1821); 38.6x48.9 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; English, out of copyright

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"Captivating English Landscapes: A Glimpse into Nature's Masterpieces" Immerse yourself in the enchanting world of English landscapes, where beauty and tranquility intertwine. From the vibrant Gypsy Encampment in Appleby, 1919, painted with watercolors on delicate paper, to the captivating A Distant View of Maidstone from Lower Bell Inn, Boxley Hill, depicted with meticulous gouache strokes on paper. Step back in time and witness The Last Gleam of 1872 through an oil-on-canvas masterpiece that captures a fleeting moment as sunlight dances upon rolling hills. Marvel at Brixham Harbour's charm frozen in a hand-colored photograph that brings life to this coastal gem. Discover Roundhay Park's serene allure portrayed with watercolors on paper—an oasis nestled within Leeds' bustling cityscape. Lose yourself amidst Red House Farm's rustic charm immortalized by skillful brushstrokes on canvas—a testament to England's agricultural heritage. Experience the grandeur of The Impregnable captured through a hand-colored photograph—Plymouth standing tall against crashing waves. Journey to Castle Howard in North Yorkshire and be awestruck by its majestic presence—a true architectural marvel nestled within Europe. Indulge your senses as you explore In the heart of the Cotswolds—an oil-on-canvas masterpiece that transports you to idyllic countryside bliss. Behold Sandown Bay's breathtaking vistas brought to life through a hand-colored photograph—the Isle of Wight beckoning you towards serenity. Marvel at Plymouth Dock from Mount Edgecombe—a picturesque view immortalized by Cooke’s Picturesque Views—where history meets natural splendor. Finally, revel in Friesian Cows' magnificence painted meticulously onto canvas—a contemporary ode celebrating England's rural traditions. These diverse glimpses into English landscapes offer an escape into nature’s embrace—one filled with rich history, stunning scenery, and timeless beauty.