English Landscape Collection (#8)

Lympne Castle, Kent, 1790 (w / c on wove paper)
474056 Lympne Castle, Kent, 1790 (w/c on wove paper) by Dayes, Edward (1763-1804); 57.1x46.1 cm; Laing Art Gallery, Newcastle-upon-Tyne

Landscape (b / c on paper)
474038 Landscape (b/c on paper) by Zuccarelli, Francesco (1702-88); 62.8x41.3 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info)

The River Wall at Wylam Scars (w / c & ink on paper)
474015 The River Wall at Wylam Scars (w/c & ink on paper) by Carmichael, John Wilson (1800-68); 18.2x12.2 cm; Laing Art Gallery, Newcastle-upon-Tyne

Cockermouth Castle (pasted on board)
473874 Cockermouth Castle (pasted on board) by Dodgson, George Haydock (1811-80); 34.1x22.5 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

Lowerhouse Print Works, Burnley (oil on canvas)
THA222199 Lowerhouse Print Works, Burnley (oil on canvas) by English School, (19th century); 66x91.4 cm; Towneley Hall Art Gallery and Museum, Burnley

Trees in a Field (w / c on paper)
AGN268122 Trees in a Field (w/c on paper) by Wint, Peter de (1784-1849); Private Collection; Photo eAgnew s, London; English, out of copyright

Two Gentlemen Going a Shooting, Plate 2 (engraving)
BSA266816 Two Gentlemen Going a Shooting, Plate 2 (engraving) by Stubbs, George (1724-1806) (after); 69x78 cm; Private Collection; (add.info)

Birmingham, Winner of The St Leger, 1830, engraved by R. G
BSA266496 Birmingham, Winner of The St Leger, 1830, engraved by R.G. Reeve, 1831 (aquatint) by Herring Snr, John Frederick (1795-1865) (after); 61x69 cm; Private Collection; (add.info)

Breaking Cover, from Fox Hunting, engraved by Thomas Sutherland (1785-1838
BSA266485 Breaking Cover, from Fox Hunting, engraved by Thomas Sutherland (1785-1838) 1817 (colour litho) by Alken, Henry Thomas (1785-1851) (after); 50x56.5 cm; Private Collection; (add.info)

Elterwater, 12th August 1786 (pen & brown ink and w / c on paper)
WRD274289 Elterwater, 12th August 1786 (pen & brown ink and w/c on paper) by Towne, Francis (1740-1816); 15.5x47.7 cm; Wordsworth Trust; eThe Wordsworth Trust; English, out of copyright

Partridge Shooting (w / c on paper)
AGN284323 Partridge Shooting (w/c on paper) by Wint, Peter de (1784-1849); 33x72.4 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Hellvellyn, 1806 (w / c on paper)
WRD276296 Hellvellyn, 1806 (w/c on paper) by Constable, John (1776-1837) (after); 19.7x36.8 cm; Wordsworth Trust; eThe Wordsworth Trust; English, out of copyright

A Cigar Box painted with Scenes from Taglioni Prints, c
XYC285536 A Cigar Box painted with Scenes from Taglioni Prints, c.1840 (oil on fruitwood) (see 285535 for front view) by English School

On the River Ouse, Hemingford Grey, 1904 (w / c on paper)
CW278937 On the River Ouse, Hemingford Grey, 1904 (w/c on paper) by Garden, William Fraser (1856-1921); 18x26.6 cm; Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

On Chalden Down, Dorset, c. 1834-35 (oil on canvas)
FIT278745 On Chalden Down, Dorset, c.1834-35 (oil on canvas) by Palmer, Samuel (1805-81); 26.1x38.1 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Avon Gorge from Leigh Woods, looking towards St. Vincent Rocks (w / c on paper)
AGN281861 Avon Gorge from Leigh Woods, looking towards St. Vincent Rocks (w/c on paper) by Jackson, Samuel (1794-1868); 22.1x29.8 cm; Private Collection; Photo eAgnew s, London; English

Michelgrove House, Clapham, near Worthing, Sussex (oil on canvas)
DON279027 Michelgrove House, Clapham, near Worthing, Sussex (oil on canvas) by English School, (19th century); 30.5x40.6 cm; His Grace The Duke of Norfolk

In the Canterbury Meadows, 1863 (oil on panel)
WAG292689 In the Canterbury Meadows, 1863 (oil on panel) by Cooper, Thomas Sidney (1803-1902); 22.9x30.5 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English

The Thames at Isleworth, c. 1805-10 (graphite and w / c on laid paper)
XYC290797 The Thames at Isleworth, c.1805-10 (graphite and w/c on laid paper) by Glover, John (1767-1849); 68.6x101.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot
BSA266812 Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot, Plate 1 (engraving) by Stubbs

The Death, engraved by R. G. Reeve, 1808 (colour litho)
BSA266463 The Death, engraved by R.G. Reeve, 1808 (colour litho) by Wolstenholme, Dean Snr. (1757-1837) (after); 55x67.5 cm; Private Collection; (add.info)

A Meltonian As He Is, engraved from The Meltonians, engraved by George Hunt
BSA266451 A Meltonian As He Is, engraved from The Meltonians, engraved by George Hunt, 1823 (colour litho) by Alken, Henry Thomas (1785-1851) (after); 54.5x61 cm; Private Collection; (add.info)

The Grand Leicestershire Fox Hunt, plate 2, engraved by Charles Hunt, 1839 (colour litho)
BSA266447 The Grand Leicestershire Fox Hunt, plate 2, engraved by Charles Hunt, 1839 (colour litho) by Alken, Samuel Henry (1810-94) (after); 64x72.5 cm; Private Collection; (add.info)

The Grand Leicestershire Fox Hunt, plate 1, 1839, engraved by Charles Hunt (1829-1900)
BSA266446 The Grand Leicestershire Fox Hunt, plate 1, 1839, engraved by Charles Hunt (1829-1900), 1839 (colour litho) by Alken

Barefoot ridden by Dick Goodison, 1829 (oil on canvas)
BSA266414 Barefoot ridden by Dick Goodison, 1829 (oil on canvas) by Herring Jnr, John Frederick (1815-1907); 31x38.5 cm; Private Collection; (add.info.: owned by Richard Watt, Esq)

Lord Rivers Stud Farm, Stratfield Saye, 1807 (oil on canvas)
XYC288955 Lord Rivers Stud Farm, Stratfield Saye, 1807 (oil on canvas) by Agasse, Jacques-Laurent (1767-1849); 152.4x213.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; Swiss

Riders at Ulverstone (w / c on paper)
AGN260359 Riders at Ulverstone (w/c on paper) by Cox, David (1783-1859); Private Collection; Photo eAgnew s, London; English, out of copyright

The Lake District, c. 1830 (w / c on paper)
AGN150773 The Lake District, c.1830 (w/c on paper) by Constable, John (1776-1837); Private Collection; Photo eAgnew s, London; English, out of copyright

A Surrey Cornfield, 1865 (oil on canvas)
GG139320 A Surrey Cornfield, 1865 (oil on canvas) by Williams, Walter (1835-1906); 61x106.6 cm; Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

On the Thames near Marlow (oil on canvas)
TAY153943 On the Thames near Marlow (oil on canvas) by Parker, Henry (1858-1930); Private Collection; The Taylor Gallery, London, UK; English, out of copyright

Richmond, Yorkshire (w / c on paper)
NWP132616 Richmond, Yorkshire (w/c on paper) by Palmer, Henry Sutton (1854-1933); 34.5x53 cm; Newport Museum and Art Gallery, South Wales; eNewport Museum and Art Gallery; English, out of copyright

The Valley of the Stour with Dedham in the Distance, 1836-37
SC20321 The Valley of the Stour with Dedham in the Distance, 1836-37 by Constable, John (1776-1837); 20.3x16.9 cm; Victoria & Albert Museum, London, UK; English, out of copyright

Skirts of the Forest, 1855 (oil on canvas)
BIR189872 Skirts of the Forest, 1855 (oil on canvas) by Cox, David (1783-1859); 45.1x90.2 cm; Birmingham Museums and Art Gallery; English, out of copyright

Gypsies with an Ass Race, 1792 (oil on canvas)
BIR189807 Gypsies with an Ass Race, 1792 (oil on canvas) by Ibbetson, Julius Caesar (1759-1817); 41.5x59.8 cm; Birmingham Museums and Art Gallery; English, out of copyright

Haddon Hall from the Park, 1831 (w / c over pencil on paper)
BIR189277 Haddon Hall from the Park, 1831 (w/c over pencil on paper) by Cox, David (1783-1859); 27.6x40.3 cm; Birmingham Museums and Art Gallery; English, out of copyright

Autumn, c. 1860-62 (oil on panel)
BIR189238 Autumn, c.1860-62 (oil on panel) by Sandys, Anthony Frederick Augustus (1829-1904); 24.7x35.5 cm; Birmingham Museums and Art Gallery; (add.info)

Stourhead, c. 1780s (pen and ink on paper)
STC171677 Stourhead, c.1780s (pen and ink on paper) by Bamfylde, Copplestone Warre (1720-91); Private Collection; (add.info.: Temple of Apollo built 1765; ); The Stapleton Collection; British

View of Portsmouth from Portsdown Hill (oil on canvas)
SOU180992 View of Portsmouth from Portsdown Hill (oil on canvas) by Jones, Thomas (1743-1803); Southampton City Art Gallery, Hampshire, UK; eSouthhampton City Art Gallery; Welsh, out of copyright

Portrait of Sir Patrick Blake, MP, 1773 (oil on canvas)
JBN202321 Portrait of Sir Patrick Blake, MP, 1773 (oil on canvas) by Carter, George (1737-94); 71.1x91.5 cm; Private Collection; John Bennett Fine Paintings; English, out of copyright

South-West Prospect of Coalbrookdale (hand coloured engraving)
IGM199571 South-West Prospect of Coalbrookdale (hand coloured engraving) by Vivares, Francois (1709-80); Ironbridge Gorge Museum, Telford, Shropshire, UK; eIronbridge Gorge Museum; French

An Extensive Mountainous Landscape with a Gypsy Encampment in the Foreground
5984049 An Extensive Mountainous Landscape with a Gypsy Encampment in the Foreground (oil on canvas) by Morland, George (1763-1804); Private Collection; English, out of copyright

View of an English beach (hand-coloured photo)
908106 View of an English beach (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Ryde Hotels, Isle of Wight (hand-coloured photo)
908098 Ryde Hotels, Isle of Wight (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Sands, Weston-Super-Mare (hand-coloured photo)
908095 The Sands, Weston-Super-Mare (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Saltash Bridge, Plymouth (hand-coloured photo)
908084 Saltash Bridge, Plymouth (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Harbour, Lowestoft (hand-coloured photo)
908070 The Harbour, Lowestoft (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

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"Captivating English Landscapes: A Glimpse into Nature's Masterpieces" Immerse yourself in the enchanting world of English landscapes, where beauty and tranquility intertwine. From the vibrant Gypsy Encampment in Appleby, 1919, painted with watercolors on delicate paper, to the captivating A Distant View of Maidstone from Lower Bell Inn, Boxley Hill, depicted with meticulous gouache strokes on paper. Step back in time and witness The Last Gleam of 1872 through an oil-on-canvas masterpiece that captures a fleeting moment as sunlight dances upon rolling hills. Marvel at Brixham Harbour's charm frozen in a hand-colored photograph that brings life to this coastal gem. Discover Roundhay Park's serene allure portrayed with watercolors on paper—an oasis nestled within Leeds' bustling cityscape. Lose yourself amidst Red House Farm's rustic charm immortalized by skillful brushstrokes on canvas—a testament to England's agricultural heritage. Experience the grandeur of The Impregnable captured through a hand-colored photograph—Plymouth standing tall against crashing waves. Journey to Castle Howard in North Yorkshire and be awestruck by its majestic presence—a true architectural marvel nestled within Europe. Indulge your senses as you explore In the heart of the Cotswolds—an oil-on-canvas masterpiece that transports you to idyllic countryside bliss. Behold Sandown Bay's breathtaking vistas brought to life through a hand-colored photograph—the Isle of Wight beckoning you towards serenity. Marvel at Plymouth Dock from Mount Edgecombe—a picturesque view immortalized by Cooke’s Picturesque Views—where history meets natural splendor. Finally, revel in Friesian Cows' magnificence painted meticulously onto canvas—a contemporary ode celebrating England's rural traditions. These diverse glimpses into English landscapes offer an escape into nature’s embrace—one filled with rich history, stunning scenery, and timeless beauty.