Giovanni Battista Collection (page 15)

Buffe, French, ca. 1550. Creator: Unknown
Buffe, French, ca. 1550

Trade Card for W. E. Vaughan, Printseller & Restorer, 18th century
Trade Card for W.E. Vaughan, Printseller & Restorer, 18th century

The Graces Crowning the Bust of Raphael, July 28, 1788. Creator: Francesco Bartolozzi
The Graces Crowning the Bust of Raphael, July 28, 1788

The Banquet of Anthony and Cleopatra, ca. 1764. Creator: Jean-Honore Fragonard
The Banquet of Anthony and Cleopatra, ca. 1764. After Giovanni Battista Tiepolo

Landscape with Ornamental Frame, ca. 1543. Creator: Antonio Fantuzzi
Landscape with Ornamental Frame, ca. 1543

The Sacrifice, 1542. Creator: Antonio Fantuzzi
The Sacrifice, 1542

Plan ancient Rome view Pantheon lower left triumphal arch right
Artokoloro

Plan spacious magnificent College designed ancient gymnasia
Artokoloro

Cross-shaped Pendant Four Motifs 1622 Blackwork
Artokoloro

Classical Landscape Herdsmen Foreground 1755-1821
Artokoloro

Peasant Donkey ca 1783-87 Watercolor graphite
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Young Woman Standing Traditional Neapolitan Dress
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Triumph Nature Art design engraving De Florum Cultura
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Frontispiece Part Two Roman Antiquities outside Rome drawn
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Title page volume IV Antiquities Rome Giambatista Piranesi
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Parte di ampio magnifico Porto uso degli antichi Romani
Artokoloro

Classical Landscape Hunters Foreground 1755-1821
Artokoloro

A Boy with a Lute, c. 1740 (black and white chalk and charcoal on blue paper)
XOS1766038 A Boy with a Lute, c.1740 (black and white chalk and charcoal on blue paper) by Piazzetta, Giambattista (1682-1754); 36.3x29.5 cm; National Gallery of Art, Washington DC, USA; Italian

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"Giovanni Battista: A Master of Artistic Splendor" In the world of art, few names evoke a sense of grandeur and magnificence quite like Giovanni Battista. Renowned for his breathtaking works, this Italian artist left an indelible mark on the artistic landscape. As we delve into Volume IV of "The Antiquities of Rome" by Giambatista Piranesi, we are transported to a realm where ancient ruins come alive with intricate details and vibrant colors. Among these pages, we encounter Tiepolo's masterpiece "Saint Thecla Praying for the Plague-Stricken. " With each brushstroke, he captures not only the saint's fervent devotion but also the anguish and hope in her eyes. Moving forward, we find ourselves mesmerized by "The Chariot of Aurora, " a celestial scene that seems to transcend time itself. Tiepolo's skillful hand brings forth an ethereal beauty as dawn breaks across the canvas, and is here that we witness his ability to create harmonious compositions filled with light and movement. In "Allegory of the Planets and Continents, " Tiepolo showcases his mastery over both mythological symbolism and architectural precision. As planets align above majestic continents, his attention to detail transports us into a world where imagination reigns supreme. Continuing our journey through Giovanni Battista's oeuvre, we stumble upon "View of the Facade of Basilica S. Croce in Gerusalemme. " Here, stairways adorned with magnificent architecture beckon us towards sacred spaces steeped in history and reverence. Tiepolo's genius extends beyond religious subjects; it encompasses scenes from mythology as well. In "Woman and Infant Satyr in a Landscape, " he captures a moment frozen in time – a woman twisting her body to catch sight of something unseen while an infant satyr curiously observes their surroundings.