Giovanni Battista Collection (page 9)

Crucifixion, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Crucifixion, mid 18th century, (1928). Pen wash. At one time known to have been in the Former Orloff Collection, Paris, France

Two geniuses holding a Jar, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Two geniuses holding a Jar, mid 18th century, (1928). Two female Geniuses with butterfly wings, holding a jar, pen with wash on paper

Young Woman sitting, holding a Jug by her side, mid 18th century, (1928). Artist
Young Woman sitting, holding a Jug by her side, mid 18th century, (1928). Young woman, seated on clouds, holding a jug by her side, pen with wash on white paper

Woman sitting, seen obliquely from below, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of G Bellingham Smith, London

Squatting Youth, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Squatting Youth, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of G Bellingham Smith, London

Zephyr and Flora, 1757, (1928). Artist: Giovanni Battista Tiepolo
Zephyr and Flora, (1928). Pen with wash on white paper. At one time known to have been in the collection of the late Professor W Bateson, London

Bearded man, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Bearded man, mid 18th century, (1928). Bearded man walking towards the left, pen and wash over pencil on white paper. At one time known to have been in the collection of Vicomte B d Hendecourt

Holy Family and Angels, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Holy Family and Angels, mid 18th century, (1928). The Holy Family with Angels worshipping the Christ Child, pen with wash

Sketch for a Ceiling Painting, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Sketch for a Ceiling Painting, mid 18th century, (1928). Pen with wash over pencil on paper. At one time known to have been in the collection of the Horne Foundation, Florence, Italy

Madonna with two female Saints, 1747-1748, (1928). Artist: Giovanni Battista Tiepolo
Madonna with two female Saints, 1747-1748, (1928). The Madonna (?) and Child and two female Saints, pen with wash on paper

The Trinity and Saints, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
The Trinity and Saints, mid 18th century, (1928). The Trinity, Joseph, and a Bishop Saint, beside whom a beggar kneels, pen with wash on paper. Sketch for a ceiling painting

Chronos and a Young Woman, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Chronos and a Young Woman, mid 18th century, (1928). Chronos and a young woman (youth or beauty), pen with wash on paper. At one time known to have been in the collection of the late Professor W

Madonna enthroned with Saints, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Madonna enthroned with Saints, mid 18th century, (1928). Madonna enthroned with St Sebastian and two Monks, pen with wash

A Soldier and an Old Man, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
A Soldier and an Old Man, mid 18th century, (1928). A soldier drawing his sword. Left near him an old man, pen with wash. At one time known to have been in the collection of the Victoria & Albert

Two Women, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Two Women, mid 18th century, (1928). A woman seated on a throne, laying her right hand on the shoulder of another woman seated at her feet, pen with wash over chalk on paper

A Soldier and a Woman, early-mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
A Soldier and a Woman, early-mid 18th century, (1928). A soldier in antique costume, leading a woman by the hand, also known as A Roman Soldier and a Lady, pen with slight wash

Two Young Women, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Two Young Women, mid 18th century, (1928). Pen with wash over chalk on paper. At one time known to have been in the collection of the Victoria & Albert Museum, London

Cupid frightening other children, c1757, (1928). Artist: Giovanni Battista Tiepolo
Cupid frightening other children, c1757, (1928). Cupid with a cloth over his head frightening other children, pen with wash on white paper

Old Man and Young Woman, 1761, (1928). Artist: Giovanni Battista Tiepolo
Old Man and Young Woman, 1761, (1928). Allegorical Subject: A young woman holding a shield or mirror, seated beside a bearded man, pen with wash over red chalk on white paper

Diana, 1757, (1928). Artist: Giovanni Battista Tiepolo
Diana, 1757, (1928). Pen with wash on paper. Part design for a fresco in the Villa Valmarana near Vicenza, Italy. Staatsgalerie, Stuttgart, Germany

Woman resting on Clouds and supported by a Cupid, mid 18th century, (1928). Artist
Woman resting on Clouds and supported by a Cupid, mid 18th century, (1928). Woman half draped, crowned, resting on clouds, supported from behind by a cupid, pen with wash

Apollo, c1757, (1928). Artist: Giovanni Battista Tiepolo
Apollo, c1757, (1928). Pen with wash on white paper. Design for a fresco in the Villa Valmarana near Vicenza, Italy. Victoria & Albert Museum, London

Cupid and Three Women, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Cupid and Three Women, mid 18th century, (1928). Eros and three women in clouds, pen with wash on paper. At one time known to have been in the collection of the Horne Foundation, Florence, Italy

Kneeling Figure seen from behind, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Kneeling Figure seen from behind, mid 18th century, (1928). Male figure kneeling seen from behind and obliquely from below, pen with wash on paper

Rinaldo or Aeneas, 1757, (1928). Artist: Giovanni Battista Tiepolo
Rinaldo or Aeneas, 1757, (1928). A soldier, his right arm raised; on the right in front the bow of a skiff with a rower. Pen with wash on white paper

Diana (?), mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Diana (?), mid 18th century, (1928). Pen with wash over pencil on paper. At one time known to have been in the collection of the Horne Foundation, Florence, Italy

Elderly Man beside a Young Woman who points up to the Sun, mid 18th century, (1928). Pen over pencil, wash on paper. At one time known to have been in the collection of Bellingham Smith, London

Angelica tends the Wounds of Medor, c1757, (1928). Artist: Giovanni Battista Tiepolo
Angelica tends the Wounds of Medor, c1757, (1928). Angelica staunching the wounds of Medor. Pen with wash on white paper. Design for a fresco in the Villa Valmarana near Vicenza, Italy

Venus and Cupid, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Venus and Cupid, mid 18th century, (1928). Venus with Cupid in her arms, resting on a cloud, pen with wash on paper. At one time known to have been in the collection of the Horne Foundation

Minerva checks the Wrath of Achilles, c1757, (1928). Artist: Giovanni Battista Tiepolo
Minerva checks the Wrath of Achilles, c1757, (1928). Pen with wash on paper. Sketch for one of the frescoes in the Villa Valmarana near Vicenza, Italy. Staatsgalerie, Stuttgart, Germany

Two young Women and a Soldier, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Two young Women and a Soldier, mid 18th century, (1928). Two women seated, and a young soldier, pen with wash on paper. At one time known to have been in the collection of the Horne Foundation

Soldier raising his arm to strike, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Soldier raising his arm to strike, mid 18th century, (1928). Pen with wash. Victoria & Albert Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Kneeling Figure, seen from behind, 1743-1744, (1928). Artist: Giovanni Battista Tiepolo
Kneeling Figure, seen from behind, 1743-1744, (1928). Two kneeling figures seen from behind, pen with wash. Staatsgalerie, Stuttgart, Germany

Young Woman with Boy, Rivergod and Satyr, mid 18th century, (1928). Pen with wash over pencil on paper. At one time known to have been in the collection of the Horne Foundation, Florence, Italy

A Soldier seated, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
A Soldier seated, mid 18th century, (1928). A young soldier, seated before a tombstone, has his fortune told, pen on paper. Drawing in the style of the Scherzi di fantasia

Group of Soldiers with a Horse, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Group of Soldiers with a Horse, mid 18th century, (1928). A Standard Bearer with Three Other Soldiers and a Horse. Victoria & Albert Museum, London

Alexander and Bucephalus, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Alexander and Bucephalus, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of the Horne Foundation, Florence, Italy

A rider leaning on his horse, c1740s, (1928). Artist: Giovanni Battista Tiepolo
A rider leaning on his horse, c1740s, (1928). The Rider Standing by His Horse, pen over a pencil sketch for an etching, Le chevalier a pied pres de son cheval

St. Jerome, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
St. Jerome, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of the Louvre, Paris, France

Dedication of a young soldier, 1735-1740, (1928). Artist: Giovanni Battista Tiepolo
Dedication of a young soldier, 1735-1740, (1928). Priests dedicate a young Soldier, pen with wash. Collection of the Kupferstichkabinett der Staatlichen Museen zu Berlin, Germany

Madonna and Child, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Madonna and Child, mid 18th century, (1928). Pen with wash on white paper. Victoria & Albert Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Hagar and Ishmael, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Hagar and Ishmael, mid 18th century, (1928). Pen with wash. Staatsgalerie, Stuttgart, Germany. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770), worked not only in Italy

Beheading of a Saint, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Beheading of a Saint, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of Herr FW Boehler, Lucerne, Switzerland

Studies for a Madonna with child and angels, mid 18th century, (1928). Artist
Studies for a Madonna with child and angels; half figures of soldiers, mid 18th century, (1928). Madonna with Child and hovering angels, half figures of soldiers, pen on white paper

Group of Figures, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Group of Figures, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of Herr FW Boehler, Lucerne, Switzerland

Young Lady, early-mid 18th century (1928). Artist: Giovanni Battista Tiepolo
Young Lady, early-mid 18th century (1928). Young lady standing, also known as A lady wearing a gown with high collar and pointed bodice, pen with wash on white paper

Three Trophies, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Three Trophies, mid 18th century, (1928). Pen with wash over pencil on white paper. Victoria & Albert Museum, London. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Prophet with Arms raised, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Prophet with Arms raised, mid 18th century, (1928). A bearded man with arms upraised, pen with wash on white paper. Victoria & Albert Museum, London

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"Giovanni Battista: A Master of Artistic Splendor" In the world of art, few names evoke a sense of grandeur and magnificence quite like Giovanni Battista. Renowned for his breathtaking works, this Italian artist left an indelible mark on the artistic landscape. As we delve into Volume IV of "The Antiquities of Rome" by Giambatista Piranesi, we are transported to a realm where ancient ruins come alive with intricate details and vibrant colors. Among these pages, we encounter Tiepolo's masterpiece "Saint Thecla Praying for the Plague-Stricken. " With each brushstroke, he captures not only the saint's fervent devotion but also the anguish and hope in her eyes. Moving forward, we find ourselves mesmerized by "The Chariot of Aurora, " a celestial scene that seems to transcend time itself. Tiepolo's skillful hand brings forth an ethereal beauty as dawn breaks across the canvas, and is here that we witness his ability to create harmonious compositions filled with light and movement. In "Allegory of the Planets and Continents, " Tiepolo showcases his mastery over both mythological symbolism and architectural precision. As planets align above majestic continents, his attention to detail transports us into a world where imagination reigns supreme. Continuing our journey through Giovanni Battista's oeuvre, we stumble upon "View of the Facade of Basilica S. Croce in Gerusalemme. " Here, stairways adorned with magnificent architecture beckon us towards sacred spaces steeped in history and reverence. Tiepolo's genius extends beyond religious subjects; it encompasses scenes from mythology as well. In "Woman and Infant Satyr in a Landscape, " he captures a moment frozen in time – a woman twisting her body to catch sight of something unseen while an infant satyr curiously observes their surroundings.