Giovanni Battista Collection (#13)

Holy Family Angels Arch Giovanni Battista Tiepolo
The Holy Family with Angels before an Arch; Giovanni Battista Tiepolo (Italian, 1696 - 1770); second half of 1750s; Pen and brown ink and brown and gray wash; 31.4 × 22.6 cm (12 3, 8 × 8 7, 8 in.)

Head Man Looking Up Giovanni Battista Tiepolo
Head of a Man Looking Up; Giovanni Battista Tiepolo (Italian, 1696 - 1770); about 1750 - 1760; Red and white chalk on blue laid paper; 21.1 × 15.2 cm (8 5, 16 × 6 in.)

Caricature Man Wearing Overcoat Giovanni Battista
Caricature of a Man Wearing an Overcoat; Giovanni Battista Tiepolo (Italian, 1696 - 1770); about 1753 - 1762; Pen and black ink and brush with gray wash; 21 × 14 cm (8 1, 4 × 5 1, 2 in.)

Alexander Great Campaspe Studio Apelles Giovanni Battista
Alexander the Great and Campaspe in the Studio of Apelles; Giovanni Battista Tiepolo (Italian, 1696 - 1770); Italy; about 1740; Oil on canvas; 42.5 × 54 cm (16 3, 4 × 21 1, 4 in.)

Dancing Faun Giovanni Battista Foggini Italian
Dancing Faun; Giovanni Battista Foggini (Italian, 1652 - 1725); Florence, Italy; about 1700; Bronze; 54 cm (21 1, 4 in.)

Studies Four Figures Giovanni Battista Piranesi
Studies of Four Figures; Giovanni Battista Piranesi (Italian, 1720 - 1778); 1760 - 1765; Pen and brown ink and brown wash, traces of black chalk; 25 × 17.3 cm (9 13, 16 × 6 13, 16 in.)

Buffe, French, ca. 1550. Creator: Unknown
Buffe, French, ca. 1550

Trade Card for W. E. Vaughan, Printseller & Restorer, 18th century
Trade Card for W.E. Vaughan, Printseller & Restorer, 18th century

The Graces Crowning the Bust of Raphael, July 28, 1788. Creator: Francesco Bartolozzi
The Graces Crowning the Bust of Raphael, July 28, 1788

The Banquet of Anthony and Cleopatra, ca. 1764. Creator: Jean-Honore Fragonard
The Banquet of Anthony and Cleopatra, ca. 1764. After Giovanni Battista Tiepolo

Landscape with Ornamental Frame, ca. 1543. Creator: Antonio Fantuzzi
Landscape with Ornamental Frame, ca. 1543

The Sacrifice, 1542. Creator: Antonio Fantuzzi
The Sacrifice, 1542

Saint Peter enthroned with Saints, John the Baptist and Saint Paul, c1516. Artist: Giovanni Battista Cima da Conegliano
Saint Peter enthroned with Saints, John the Baptist and Saint Paul, c1516. Painting held at the Pinacoteca di Brera, Milan. From The Connoisseur Volume 104. [Otto Limited, London, 1939]

Giovanni Ciprianis painted panels on the Gold State Coach, 1762, (1937). Detail of the coach which has been used at every British coronation since that of George IV

Madonna in Sorrow, mid 17th century, (c1915). Artist: Giovanni Battista Salvi da Sassoferrato
Madonna in Sorrow, mid 17th century, (c1915). From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Scene from Ancient History, c1750. Artist: Giovanni Battista Tiepolo
Scene from Ancient History, c1750. The painting is part of the Kress Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Pope Innocent X, c1650. Artist: Diego Velazquez
Pope Innocent X, c1650. Pope Innocent X (1574-1655), born Giovanni Battista Pamphilj. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC

A Knight with his Jousting Helmet, 1554-1558, (1936). Artist: Giovanni Battista Moroni
A Knight with his Jousting Helmet, 1554-1558, (1936). Held in the National Gallery, London. From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

Catania Cathedral, Sicily, Italy, 1927. Artist: Eugen Poppel
Catania Cathedral, Sicily, Italy, 1927. The Baroque cathedral of Catania was built in the 18th century after the previous church was almost completely destroyed by an earthquake in 1693

Villa Doria Pamphili on the Gianicolo, Rome, Italy, c1926 (1927). Artist: Eugen Poppel
Villa Doria Pamphili on the Gianicolo, Rome, Italy, c1926 (1927). The Villa Doria Pamphili is a 17th century villa located within in a large public garden in Rome

Small Mahogany Cabinet on Stand, c1680. Small Mahogany Cabinet on Stand, with painted decorations in the manner of Cipriani. The interior is similarly decorated and fitted with eleven drawings

Christina, c1762. Artist: Giovanni Battista Tiepolo
Christina, c1762. Painting held at the Carnegie Museum of Art, Pittsburgh. From The Connoisseur Volume 102. [The Connoisseur Ltd. London, 1938]

The Annunciation, c1625-1630 (1931). Artist: Giovanni Battista Caracciolo
The Annunciation, c1625-1630 (1931). Painting held in the Wadsworth Atheneum Art Museum, Conneticut. From The Studio Volume 102. [London Offices of the Studio, London, 1931]

Portrait of a Lady ( La Dama in Rosso ), c1556-60. Artist: Giovanni Battista Moroni
Portrait of a Lady ( La Dama in Rosso ), c1556-60. Painting in The National Gallery, London. From The Studio Volume 103. [London Offices of the Studio, London, 1932]

The Virgin and Child, c1496-9. Artist: Giovanni Battista Cima da Conegliano
The Virgin and Child, c1496-9. Painting housed in The National Gallery, London. From The Studio Volume 122. [The Studio Ltd, London, 1941]

Portrait of a Lady (La Dama in Rosso), c1556. Artist: Giovanni Battista Moroni
Portrait of a Lady (La Dama in Rosso), c1556. Painting held in The National Gallery, London. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

The Finding of Moses, c1730. Artist: Giovanni Battista Tiepolo
The Finding of Moses, c1730. Painting held in the National Galleries Scotland. From A History of Painting, Volume III by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Modern Emulation of Piranesi: No. 3 escalator tunnel at Piccadilly Circus Station, 1929
A Modern Emulation of Piranesi: No. 3 escalator tunnel at Piccadilly Circus Station, 1929. The station was opened on 10 March 1906 and was designed by Charles Henry Holden (1875-1960)

Ceres, c1747-1815, (1915). Artist: Francesco Bartolozzi
Ceres. In ancient Roman religion Ceres was a goddess of agriculture, grain crops, fertility and motherly relationships. After J. B. Cipriani

The Tailor (Il Tagliapanni), c1565, (1911). Artist: Giovanni Battista Moroni
The Tailor (Il Tagliapanni), c1565. After an oil painting by Giovanni Battista Moroni (c1520-1579). Original housed in the National Gallery, London. From A History of Painting Vol

Head of a Youth, c1750-1753 (1958). Red and white chalk on grey-blue paper. A print from The Fitzwilliam Museum an Illustrated Survey, Trianon Press, 1958

Pope Innocent X, c1650, (1929). Artist: Alinari
Pope Innocent X, c1650, (1929). Illustration from the Apollo Volume X, no 55, (July 1929)

An Amusing Story, 1877, (1938). Artist: Giovanni Battista Quadrone
An Amusing Story, 1877, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

The Apollo Belvidere, 1843. Artist: J Jackson
The Apollo Belvidere, 1843. An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Oliver Cromwell, his daughter and his chaplain, 17th century. Artist: A Suntach
Oliver Cromwell, his daughter and his chaplain, 17th century. Cromwell, Lord Protector from 1653, pictured with his youngest daughter, Frances, and his chaplain, Jeremy Withe

The Gold State Coach, 1762, (1937). The coach is gilded and features painted panels by Giovanni Cipriani and rich gilded sculpture including three cherubs on the roof and four tritons

Abrahams Sacrifice of Isaac, c1615-c1620. Artist: Giovanni Battista Caracciolo
Abrahams Sacrifice of Isaac, c1615-c1620. God ordered Abraham to sacrifice his son Isaac as a test of his faith (Genesis, XXII: 1-13)

The Nativity of John the Baptist, 16th century. Artist: Giovanni Battista Naldini
The Nativity of John the Baptist, 16th century. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Portrait of the author and historian Nikolay M Karamzin, 1805. Artist: Giovanni Battista Ortolani Damon
Portrait of the author and historian Nikolay M Karamzin, 1805. A writer, historian, poet and critic, Karamzin (1766-1826) is best remembered for his 12 volume History of the Russian State

Christ Enthroned, (Saviour of the World), c1505. Artist: Giovanni Battista Cima da Conegliano
Christ Enthroned, (Saviour of the World), c1505. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Virgin and Child, between 1496 and 1499. Artist: Giovanni Battista Cima da Conegliano
Virgin and Child, between 1496 and 1499. Cima da Conegliano, Giovanni Battista (ca. 1459-1517). Found in the collection of the State Hermitage, St. Petersburg

The Annunciation, 1495. Artist: Giovanni Battista Cima da Conegliano
The Annunciation, 1495. Cima da Conegliano, Giovanni Battista (ca. 1459-1517). Found in the collection of the State Hermitage, St. Petersburg

Minerva, early 17th century. Artist: Giovanni Battista Crespi
Minerva, early 17th century. Crespi, Giovanni Battista (1573-1632). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

The Fine Arts, 18th century (1910). Artist: Marino Bovi
The Fine Arts, 18th century (1910). A print from The Connoisseur, (London, 1910)

Temple of Abou Simbel, Egypt, 1897-1934. Artist: Robert Talbot Kelly
Temple of Abou Simbel, Egypt, 1885-1934. The temple was built during the reign of Rameses II (ruled 1279-1212 BC) and was dedicated to the sun gods Amon-Re and Re-Horakhte

Front of the Great Temple at Abu Simbel, Egypt, c1845. Artist: GF Weston
Front of the Great Temple at Abu Simbel, Egypt, c1845. The temple was built during the reign of Rameses II (ruled 1279-1212 BC) and was dedicated to the sun gods Amon-Re and Re-Horakhte

Colossal head Discovered in the Ruins of Carnak by G Belzoni, 1820. Artist: Agostino Aglio
Colossal head Discovered in the Ruins of Carnak by G Belzoni, 1820. Found in the collection of the British Museum, London

Mural from the Kings Tombs in Thebes, 1820. Artist: Giovanni Battista Belzoni
Mural from the Kings Tombs in Thebes, 1820. A plate from Plates Illustrative of the Researches in Egypt and Nubia. Found in the collection of the British Museum, London

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"Giovanni Battista: A Master of Artistic Splendor" In the world of art, few names evoke a sense of grandeur and magnificence quite like Giovanni Battista. Renowned for his breathtaking works, this Italian artist left an indelible mark on the artistic landscape. As we delve into Volume IV of "The Antiquities of Rome" by Giambatista Piranesi, we are transported to a realm where ancient ruins come alive with intricate details and vibrant colors. Among these pages, we encounter Tiepolo's masterpiece "Saint Thecla Praying for the Plague-Stricken. " With each brushstroke, he captures not only the saint's fervent devotion but also the anguish and hope in her eyes. Moving forward, we find ourselves mesmerized by "The Chariot of Aurora, " a celestial scene that seems to transcend time itself. Tiepolo's skillful hand brings forth an ethereal beauty as dawn breaks across the canvas, and is here that we witness his ability to create harmonious compositions filled with light and movement. In "Allegory of the Planets and Continents, " Tiepolo showcases his mastery over both mythological symbolism and architectural precision. As planets align above majestic continents, his attention to detail transports us into a world where imagination reigns supreme. Continuing our journey through Giovanni Battista's oeuvre, we stumble upon "View of the Facade of Basilica S. Croce in Gerusalemme. " Here, stairways adorned with magnificent architecture beckon us towards sacred spaces steeped in history and reverence. Tiepolo's genius extends beyond religious subjects; it encompasses scenes from mythology as well. In "Woman and Infant Satyr in a Landscape, " he captures a moment frozen in time – a woman twisting her body to catch sight of something unseen while an infant satyr curiously observes their surroundings.