Giovanni Battista Collection (page 7)

Head of a Youth, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Youth, mid 18th century, (1928). Head of a youth seen from in front, chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Head of a Youth, almost in profile and looking up, mid 18th century, (1928). Artist
Head of a Youth, almost in profile and looking up, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Head of an Old Man, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of an Old Man, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of the Staatliche Sammlungen, Weimar, Germany

Head of a Young Man, almost in profile and looking up, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of the late Professor W Bateson, London

Head of a Boy, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Boy, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Head of a Laughing Boy, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Laughing Boy, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of the Staatliche Sammlungen, Weimar, Germany

Head of a Young Man, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Young Man, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of the Staatliche Sammlungen, Weimar, Germany

Head of a Girl with a Turban, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Girl with a Turban, mid 18th century, (1928). Head of a young girl with a turban, chalk on paper. Collection of Dr Hans Wendland, Lugano, Switzerland

Head of an Old Man, c1755, (1928). Artist: Giovanni Battista Tiepolo
Head of an Old Man, c1755, (1928). Head of an old bearded man turned to the right, chalk on paper. Study for the altarpiece, The Miracle of the Foot Healed in the church at Mirano, Italy

St. Anthony of Padua, c1755, (1928). Artist: Giovanni Battista Tiepolo
St. Anthony of Padua, c1755, (1928). Study for the upper half of a monk and for a hand grasping drapery, chalk on paper. Study for the altarpiece

Study for a page in the Kaisersaal, 1751-1752, (1928). Artist: Giovanni Battista Tiepolo
Study for a page in the Kaisersaal for the Apollo on the Staircase-hall of Wü rzburg Residence, and Studies of Legs for the Death of Hyacinthus in Bü ckeburg, 1751-1752, (1928)

Hovering Geniuses, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
Hovering Geniuses and other detail for the Fresco on the Staircase-hall of the Wü rzburg Residence, 1752-1753, (1928). Two hovering geniuses and a group of figures, chalk on paper

Hovering Cupids and one of the Horae with a sun steed, 1752-1753, (1928). Artist
Hovering Cupids and one of the Horae with a sun steed, 1752-1753, (1928). One of the Horae with a sun-steed, above three hovering cupids, chalk on paper

Nude lying down, the upper half of the body partly raised, 1752, (1928). Artist
Nude lying down, the upper half of the body partly raised, 1752, (1928). Male nude. Chalk on paper. Staatsgalerie, Stuttgart, Germany

Officer encamped beside a cannon, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
Officer encamped beside a cannon, 1752-1753, (1928). Chalk on paper. Study for the ceiling frescoes of the staircase-hall in the Wü rzburg Residence, Germany

Nude resting, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Nude resting, mid 18th century, (1928). Male nude. Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Nude seated, 1715-1716, (1928). Artist: Giovanni Battista Tiepolo
Nude seated, 1715-1716, (1928). Seated nude figure turned to the right, chalk on paper. Staatsgalerie, Stuttgart, Germany

Figures and heads of Orientals, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Figures and heads of Orientals, mid 18th century, (1928). Pen on paper. At one time known to have been in the University Collection, Wü rzburg, Germany

Officer resting, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
Officer resting, 1752-1753, (1928). Chalk on paper. Study for Balthasar Neumann in the ceiling frescoes of the staircase-hall in the Wü rzburg Residence, Germany

The Annunciation, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
The Annunciation, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the Former Orloff Collection, Paris, France

Madonna with Saints and Angels, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Madonna with Saints and Angels, mid 18th century, (1928). The Madonna surrounded by Saints and Angels, pen with wash. At one time known to have been in the Former Orloff Collection, Paris, France

A Well, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
A Well, mid 18th century, (1928). A well against a wall, pen with wash on paper. At one time known to have been in the collection of Herr FW Boehler, Lucerne, Switzerland

Group of Orientals, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Group of Orientals, mid 18th century, (1928). Studies for a group of Orientals, pen on paper. At one time known to have been in the University Collection, Wü rzburg, Germany

Africa, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
Africa, 1752-1753, (1928). A Moorish woman; a male nude back; two hands folded in prayer, chalk on paper. Study for the Africa section, frescoes of the staircase-hall in the Wü rzburg Residence

Madonna with Saints, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Madonna with Saints, mid 18th century, (1928). The Madonna and Child surrounded by Saints, pen with wash on paper. At one time known to have been in the Former Orloff Collection, Paris, France

An Oriental Dealer in Jewels and two European Merchants, 1752-1753, (1928). Artist
An Oriental Dealer in Jewels and two European Merchants, 1752-1753, (1928). An Oriental Jewel-dealer offers his wares to two Europeans, chalk on paper

Woman bending to the right but looking up, mid 18th century, (1928). Woman bending to the right with head turned up to the left, pen with wash on paper

A running Ostrich, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
A running Ostrich, 1752-1753, (1928). Chalk on paper. Study for the Africa section, frescoes of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

Angel, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo
Angel, c1753-1762, (1928). Angel sitting on a cloud, her right elbow resting on her left knee, pen with wash on white paper. British Museum, London

Interior to a Farmyard, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Interior to a Farmyard, mid 18th century, (1928). Interior of a courtyard, pen with wash on paper. At one time known to have been in the collection of Herr FW Boehler, Lucerne, Switzerland

Two Fauns and a Cupid, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Two Fauns and a Cupid, mid 18th century, (1928). Pen over preliminary pencil sketch. At one time known to have been in the collection of the Horne Foundation, Florence, Italy

Oriental Merchants with Bales of Wares, 1753, (1928). Artist: Giovanni Battista Tiepolo
Oriental Merchants with Bales of Wares, 1753, (1928). Chalk on paper. Study for the Africa section, frescoes of the staircase-hall in the Wü rzburg Residence, Germany

Woman resting, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Woman resting, mid 18th century, (1928). Woman leaning back with arms crossed behind her head, pen with wash on white paper

Eastern woman on an elephant. A Roman Emperors bust, 1752-1753, (1928). Artist
Eastern woman on an elephant. A Roman Emperors bust, 1752-1753, (1928). Female figure, possibly the personification of Asia, red and white chalk on paper

Man with Turban, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Man with Turban, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of G Bellingham Smith, London

Entrance to a Farmyard, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Entrance to a Farmyard, mid 18th century, (1928). Entrance to a small holding, pen with wash on white paper. At one time known to have been in the collection of Henry Oppenheimer, London

Male and Female Faun with Cornucopeia, mid 18th century, (1928). Male and female faun with cornucopia, pen with wash on paper

Man with a Crocodile on his back, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
Man with a Crocodile on his back, 1752-1753, (1928). A half-naked man with a crocodile on his shoulder, chalk on paper. Study for fresco of the staircase-hall in the Wü rzburg Residence

Zephyr and Flora, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Zephyr and Flora, mid 18th century, (1928). Pen with wash on white paper. Collection of the Morgan Library & Museum, New York

Group of Buildings, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Group of Buildings, mid 18th century, (1928). Group of buildings, campanile, church and country house, pen with wash on paper

Eagle, 1751-1752, (1928). Artist: Giovanni Battista Tiepolo
Eagle, 1751-1752, (1928). Chalk on paper. Study for Barbarossas Marriage, fresco in the Kaisersaal of the Wü rzburg Residence, Germany

Neptune, c1740, (1928). Artist: Giovanni Battista Tiepolo
Neptune, c1740, (1928). Neptune with the trident in his right hand, seated on a cloud, pen over pencil. British Museum, London

Man seen from behind; a drummer and small studies, 1751-1752, (1928). Artist
Man seen from behind; a drummer and small studies, 1751-1752, (1928). Chalk on paper. Study for the Investiture of Bishop Harald with the Dukedom of Franconia

Caricature of a man seated, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Caricature of a man seated, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the collection of the Kupferstichkabinett, Berlin, Germany

Roof-Storey of a Villa, 1757, (1928). Artist: Giovanni Battista Tiepolo
Roof-Storey of a Villa, 1757, (1928). Upper storey of the Scuderia (Stables) of the Villa Valmarana outside Vicenza, Italy, pen with wash on paper. British Museum, London

Bologna Dogs, 1751-1752, (1928). Artist: Giovanni Battista Tiepolo
Bologna Dogs, 1751-1752, (1928). Studies of a Bologna Dog, chalk on paper. Study for Barbarossas Marriage, fresco in the Kaisersaal of the Wü rzburg Residence, Germany

Pulcinelli, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Pulcinelli, mid 18th century, (1928). Group of Pulcinelli, pen with wash on paper. At one time known to have been in the collection of Henry Oppenheimer, London

Holy Family, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Holy Family, mid 18th century, (1928). Pen with wash. At one time known to have been in the collection of Vicomte B d Hendecourt, London

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"Giovanni Battista: A Master of Artistic Splendor" In the world of art, few names evoke a sense of grandeur and magnificence quite like Giovanni Battista. Renowned for his breathtaking works, this Italian artist left an indelible mark on the artistic landscape. As we delve into Volume IV of "The Antiquities of Rome" by Giambatista Piranesi, we are transported to a realm where ancient ruins come alive with intricate details and vibrant colors. Among these pages, we encounter Tiepolo's masterpiece "Saint Thecla Praying for the Plague-Stricken. " With each brushstroke, he captures not only the saint's fervent devotion but also the anguish and hope in her eyes. Moving forward, we find ourselves mesmerized by "The Chariot of Aurora, " a celestial scene that seems to transcend time itself. Tiepolo's skillful hand brings forth an ethereal beauty as dawn breaks across the canvas, and is here that we witness his ability to create harmonious compositions filled with light and movement. In "Allegory of the Planets and Continents, " Tiepolo showcases his mastery over both mythological symbolism and architectural precision. As planets align above majestic continents, his attention to detail transports us into a world where imagination reigns supreme. Continuing our journey through Giovanni Battista's oeuvre, we stumble upon "View of the Facade of Basilica S. Croce in Gerusalemme. " Here, stairways adorned with magnificent architecture beckon us towards sacred spaces steeped in history and reverence. Tiepolo's genius extends beyond religious subjects; it encompasses scenes from mythology as well. In "Woman and Infant Satyr in a Landscape, " he captures a moment frozen in time – a woman twisting her body to catch sight of something unseen while an infant satyr curiously observes their surroundings.