Goya Francisco De 1746 1828 Collection

Apparition of Saint Isodoro to Saint King Fernando in front, 1798-1900 (oil on canvas) of the walls of Seville
8724257 Apparition of Saint Isodoro to Saint King Fernando in front, 1798-1900 (oil on canvas) of the walls of Seville, by Goya y Lucientes

Portrait of the spanish artist Goya (engraving)
6266107 Portrait of the spanish artist Goya (engraving); (add.info.: Portrait of Francisco de Goya. Francisco Jose de Goya y Lucientes, 1746-1828. Spanish painter and printmaker)

Francisco de Goya (1746-1828)
3499693 Francisco de Goya (1746-1828); (add.info.: Francisco de Goya (1746-1828). Spanish painter and engraver. The Road to Hell, 1818. Drawing on black pencil. National Library

They make their toilet, c.1820 (engraving)
PCT4265532 They make their toilet, c.1820 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Engraving by Francisco Goya y Lucientes (1746-1828)

Hasta su abuelo (to his aieul) (engraving)
PCT4265537 Hasta su abuelo (to his aieul) (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Hasta su abuelo (to his aieul) engraving by Francisco Goya y Lucientes (1746-1828)

Boys Playing at Soldiers, c. 1775-99 (oil on canvas)
GLS29679 Boys Playing at Soldiers, c.1775-99 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 29.2x41.9 cm; Stirling Maxwell Collection, Pollok House, Glasgow

La maja desnuda (The Nude Maja), c. 1800 (oil on canvas)
JLJ4667793 La maja desnuda (The Nude Maja), c. 1800 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 95x190 cm; Prado, Madrid

GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25. 1 x 35. 9 cm)
CUL4871900 GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25.1 x 35.9 cm). ROMERO, Pedro (1754-1839). Spanish bullfighter

The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas)
7294373 The family of the infant Don Luis of Bourbon, 1783-1784 (oil on canvas) by Goya, Francisco Jose de (1746-1828) (school of); Fondazione Magnani-Rocca, Parma

GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)
CUL4874394 GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm). Plate 1 of " Proverbs". Romanticism. Engraving. SPAIN

GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778
CUL4878576 GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778. PHILIP III of Spain (1578-1621). King of Spain (1598-1621)

GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)
CUL4874729 GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm). Plate 55 of " Los Caprichos", etching and burnished aquatint. Romanticism. Engraving. Etching

Pretty Teacher. 1793-1799 (aquatint)
CUL4874399 Pretty Teacher. 1793-1799 (aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x14 cm; Biblioteca Nacional, Madrid, Spain; (add.info.: By GOYA Y LUCIENTES)

Night Scene from the Inquisition, c. 1810 (oil on wood)
7305498 Night Scene from the Inquisition, c.1810 (oil on wood) by Goya y Lucientes, Francisco Jose de (1746-1828); 30.1x40 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Goya (1746-1828))

Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas)
7305247 Portrait of Don Francisco del Mazo, circa 1815-1820 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres

Self-portrait with glasses, around 1800 (oil on canvas)
7305246 Self-portrait with glasses, around 1800 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Musee Goya, Castres

Family of spanish king Carlos IV, detail, 1801 (painting)
1760508 Family of spanish king Carlos IV, detail, 1801 (painting) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Family of spanish king Carlos IV)

Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
AIS5380085 Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)
IND82116 193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.9 cm; Private Collection; Index Fototeca

Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)
IND82115 Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.7 cm; Private Collection; Index Fototeca

Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)
IND82104 Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)
IND81925 They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x35.7 cm; Private Collection; Index Fototeca

The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls
IND81917 The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls, plate 17 of The Art of Bullfighting, pub

The very skilful student of Falces (b. 1709) wrapped in his cape, tricks the bull with the play of his body
IND81914 The very skilful student of Falces (b.1709) wrapped in his cape, tricks the bull with the play of his body, plate 14 of The Art of Bullfighting, pub

The Bullfight
IND36757 The Bullfight by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid, Spain; Index Fototeca

193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)
IND82118 193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.4x35.8 cm; Private Collection; Index Fototeca

193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching)
IND82117 193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)
IND82114 Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.7 cm; Private Collection; Index Fototeca

The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid
IND81924 The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid, plate 24 of The Art of Bullfighting, pub

Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)
LRI4606740 Destres of the war: Vaines complaints (preparatory drawing, 1810-1820) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid
IND81910 Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid, plate 10 of The Art of Bullfighting, pub

The Tyrant: Portrait of the Actress Rosario Fernandez
IND54189 The Tyrant: Portrait of the Actress Rosario Fernandez by Goya y Lucientes, Francisco Jose de (1746-1828); 2, 06 x 1, 30 cm; Real Academia de Bellas Artes de San Fernando, Madrid

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Francisco de Goya (1746-1828) was a renowned Spanish artist whose works spanned various genres and styles. From his early paintings like "Boys Playing at Soldiers" to his provocative masterpieces such as "The Nude Maja, " Goya's art captivated audiences with its realism and emotional depth. In addition to his paintings, Goya also excelled in other mediums, including etchings and engravings. His series "The Art of Bullfighting" showcased the intensity and drama of this traditional Spanish sport, featuring iconic figures like Pedro Romero killing the halted bull. Goya's talent extended beyond capturing moments of action; he also delved into portraiture with pieces like "The Family of the Infant Don Luis of Bourbon. " These portraits revealed his ability to convey both individual character and familial relationships through exquisite brushwork. One notable aspect of Goya's work is his exploration of social commentary. In his series titled "Proverbs, " he depicted thought-provoking scenes that conveyed moral lessons through riddles. This blend of creativity and symbolism showcased Goya's mastery in conveying complex ideas through visual storytelling. Throughout his career, Goya continued to experiment with different themes and techniques. His equestrian portrait of Philip III demonstrated an appreciation for Baroque art while showcasing his skillful drawing abilities by replicating Velazquez paintings. However, it was in works like "Wrong Until Death" from the series "Los Caprichos" that Goya truly pushed boundaries. Through etching and burnished aquatint techniques, he created haunting images that critiqued societal norms during Romanticism. Goya's fascination with bullfighting persisted throughout many artworks, including depictions such as "Dreadful Events in the Front Rows. " These etchings captured not only the spectacle but also portrayed tragic incidents within this dangerous sport. "The Disasters of War" further exemplified Goya's ability to convey the horrors of conflict.