Hanoverian Collection (#12)

The Wreck of the hanoverian at Portugal Cove, Trepassey Bay, Newfoundland
The Wreck of the " hanoverian" at Portugal Cove, Trepassey Bay, Newfoundland: Professor Bell Trying to Pacify the Passengers (Left); Blue-Jackets Saving Women and Children (Right)

XJF2906504 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

XJF2906503 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

XJF2906502 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

XJF2906501 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

XJF2906500 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

XJF2906499 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

XJF2906498 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

Fowls of a Feather flock Together, 1785 (engraving)
XJF2906497 Fowls of a Feather flock Together, 1785 (engraving) by Kay, John (1742-1826); Private Collection; (add.info.: Vincent Lunardi taking farewell of his friends before ascending in the balloon)

XJF2906496 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

XJF2906495 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

XJF2906494 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

XJF2906493 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

XJF2906492 by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

Patent for Knighthood: Henry Dundas and Sir James Stirling, 1792 (engraving)
XJF2906491 Patent for Knighthood: Henry Dundas and Sir James Stirling, 1792 (engraving) by Kay, John (1742-1826); Private Collection; (add.info)

Byrne, the Irish Giant, Mr. Watson, Mr. McGowan, Mr. Fairholme, and Geordie Cranstoun
XJF2906490 Byrne, the Irish Giant, Mr. Watson, Mr. McGowan, Mr. Fairholme, and Geordie Cranstoun, 1784 (engraving) by Kay

Three Giants with a group of spectators, 1784 (engraving)
XJF2906489 Three Giants with a group of spectators, 1784 (engraving) by Kay, John (1742-1826); Private Collection; (add.info)

Admiral Augustus Keppel, 1779 (engraving)
XJF2906488 Admiral Augustus Keppel, 1779 (engraving) by English School, (18th century); Private Collection; (add.info.: By Mrs Sarah Harrington, a profilist working in London); English

Mr C-m-l the jolly presenter of the Canongate Kirk in Edinburgh, c. 1781 (engraving)
XJF2906487 Mr C-m-l the jolly presenter of the Canongate Kirk in Edinburgh, c.1781 (engraving) by English School, (18th century); Private Collection; (add.info.: Precentor John Campbell)

Dr John Brown, 1786 (engraving)
XJF2906485 Dr John Brown, 1786 (engraving) by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

Joseph Black, 1787 (engraving)
XJF2906484 Joseph Black, 1787 (engraving) by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

Angelo Tremamondo, 1788 (engraving)
XJF2906483 Angelo Tremamondo, 1788 (engraving) by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

The Coronation of King William IV and Queen Adelaide, 1831 (colour litho)
XCF282094 The Coronation of King William IV and Queen Adelaide, 1831 (colour litho) by English School; Private Collection; (add.info)

Dr Johnson in his Travelling Dress, 1786 (engraving) (b / w photo)
XJF280580 Dr Johnson in his Travelling Dress, 1786 (engraving) (b/w photo) by English School, (18th century); Private Collection; (add.info)

Philosophers, 1787 (engraving)
XJF2906482 Philosophers, 1787 (engraving) by Kay, John (1742-1826); Private Collection; (add.info.: James Hutton and Joseph Black Probably from A series of original portraits)

Citizen M. C. Browne, 1794 (engraving)
XJF2906481 Citizen M.C.Browne, 1794 (engraving) by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

David Downie, 1794 (engraving)
XJF2906480 David Downie, 1794 (engraving) by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits and caricature etchings by the late John Kay)

Newhaven (Edinburgh) Oyster Girl, 1812 (engraving)
XJF2906479 Newhaven (Edinburgh) Oyster Girl, 1812 (engraving) by Kay, John (1742-1826); Private Collection; (add.info.: Probably from A series of original portraits)

Leopold George Chretien Frederic of Saxe-Coburg, engraved by J
KW274242 Leopold George Chretien Frederic of Saxe-Coburg, engraved by J. Thomson, from National Portrait Gallery, volume III, published c.1835 (litho) by Lawrence

King William IV, engraved by J. Cochran, from National Portrait Gallery, volume
KW274213 King William IV, engraved by J. Cochran, from National Portrait Gallery, volume III published c.1835 (litho) by Dawe

Frederick, Prince of Wales, engraved by Gerimia, from A Catalogue of the Royal
KW285492 Frederick, Prince of Wales, engraved by Gerimia, from A Catalogue of the Royal and Noble Authors, published 1806 (litho) by English School

King George IV, engraved by Edward Scriven (1775-1841), from the plate by William Finden
KW272962 King George IV, engraved by Edward Scriven (1775-1841), from the plate by William Finden (1787-1852), from National Portrait Gallery, volume II, published c.1835 (litho) by Lawrence

Prince Ernest Augustus, Duke of Cumberland and King of Hanover, engraved by H. R. Cook (fl
KW272938 Prince Ernest Augustus, Duke of Cumberland and King of Hanover, engraved by H.R. Cook (fl.1813-47), from National Portrait Gallery, volume IV, published, c.1835 (litho) by Saunders

Jeremy Bentham, engraved by S. Freeman (1773-1857) from National Portrait Gallery
KW272930 Jeremy Bentham, engraved by S. Freeman (1773-1857) from National Portrait Gallery, volume IV, published c.1835 (litho) by Worthington

Portrait of King George I, 1717 (oil on canvas)
BAL265712 Portrait of King George I, 1717 (oil on canvas) by Kneller, Godfrey (1646-1723); 136.6x108 cm; State Open-air Museum Palace Gatchina, St

George III (1738-1820) from Illustrations of English and Scottish History Volume II
KW259487 George III (1738-1820) from Illustrations of English and Scottish History Volume II (engraving) by Ramsay, Allan (1713-84) (after); Private Collection; (add.info.: George William Frederick)

George II (1683-1760) from Illustrations of English and Scottish History Volume II
KW259484 George II (1683-1760) from Illustrations of English and Scottish History Volume II (engraving) by Seeman, Enoch (1694-1744) (after); Private Collection; (add.info)

George I (1660-1727) from Illustrations of English and Scottish History Volume II
KW259482 George I (1660-1727) from Illustrations of English and Scottish History Volume II (engraving) by English School, (19th century); Private Collection; (add.info)

William IV (1765-1837) from Illustrations of English and Scottish History Volume II
KW259497 William IV (1765-1837) from Illustrations of English and Scottish History Volume II (engraving) by Wilkie, David (1785-1841) (after); Private Collection; (add.info)

George IV (1762-1830) from Illustrations of English and Scottish History Volume II
KW259495 George IV (1762-1830) from Illustrations of English and Scottish History Volume II (engraving) (see 179434) by Lawrence

Dr. Samuel Johnson (1709-84) (engraving) (b / w photo)
XIR220417 Dr. Samuel Johnson (1709-84) (engraving) (b/w photo) by Fleischmann, Auguste Christian (18th century); Bibliotheque Nationale, Paris, France; German, out of copyright

George William (1624-1705) Duke of Braunschweig-Luneberg, from Portraits des
XJF213564 George William (1624-1705) Duke of Braunschweig-Luneberg, from Portraits des Hommes Illustres, engraved by Petrus de Iode, published 1706 (engraving) by Hulle

The Battle of Fontenoy, 11th May 1745, 1779 (gouache on paper)
XIR190204 The Battle of Fontenoy, 11th May 1745, 1779 (gouache on paper) by Blarenberghe, Louis Nicolas van (1716-94); 59x94 cm; ChAteau de Versailles, France; French, out of copyright

James Brindley (1716-72) from Gallery of Portraits, published in 1833
KW189035 James Brindley (1716-72) from Gallery of Portraits, published in 1833 (engraving) by English School, (19th century); Private Collection; (add.info)

William Pitt the Elder (1708-78) 1st Earl of Chatham, from Gallery of E Portraits
KW189032 William Pitt the Elder (1708-78) 1st Earl of Chatham, from Gallery of E Portraits, published in 1833 (engraving) by English School

William IV (1765-1837) King of Great Britain, Ireland and Hanover (engraving)
KW188542 William IV (1765-1837) King of Great Britain, Ireland and Hanover (engraving) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright

1765866; out of copyright

Portrait of Sophie Charlotte (1744-1818)
BAL170635 Portrait of Sophie Charlotte (1744-1818) by Dance-Holland, Nathaniel (1734-1811); 238x146 cm; State Hermitage Museum, St

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"Hanoverian: A Captivating Journey through History and Satire" Step into the world art and satire, where historical events intertwine with witty commentary. Delve into the realm of political cartoons published by Hannah Humphrey in the early 19th century, as we explore a collection that captures both the essence of British society and its royal lineage. In "The King of Brobdingnag and Gulliver" (1803), witness an imaginative portrayal of size disparities between two iconic characters from Jonathan Swift's novel. This hand-colored engraving transports us to a whimsical world where giants reign supreme. "Integrity retiring from Office. " (1801) offers a thought-provoking glimpse into political life. As power shifts hands, this satirical piece reflects on the concept of integrity leaving public service, leaving audiences pondering its implications. With "Bank Notes - Paper Money - French Alarmists - ah. Poor John Bull, " we find ourselves immersed in financial turmoil. Published during uncertain times, this artwork highlights societal concerns surrounding currency fluctuations and their impact on everyday citizens. The grandeur of Westminster Abbey comes alive in "Queen consorts crowned in Westminster Abbey" (1937). This regal depiction showcases the coronation ceremony, honoring royal women who played significant roles alongside their kings throughout history. John Bull takes center stage in "John Bull Ground Down" (1795), revealing his struggles amidst social unrest. Through Hannah Humphrey's hand-colored etching, we witness John Bull's resilience against adversity—a timeless symbol representing ordinary people facing extraordinary challenges. In "Playing in Parts, " etched by James Gillray and published by Hannah Humphrey, theatrical intrigue unfolds before our eyes. The Green Room becomes our backstage pass to witness dilettantes' performances—offering laughter while shedding light on societal norms within entertainment circles. Royalty takes precedence once again with "Her Royal Highness, Princess Royal and her four sisters.